Blending psych-tinged indie-pop with Appalachia-sourced folk music, Toronto sextet Beams have long been a unique voice among the Canadian indie rock scene. With their newly announced third album Requiem for a Planet, the outfit… dive[s] headfirst into the difficult experience of coming of age in a world that isn’t nearly as functional as the one we may have perceived growing up.

Karate Boogaloo are proud to present Hold Your Horses, a mesmerizing new long-playing disc of original instrumental tunes from Melbourne, Australia's most dedicated. First LP to be co-released under Colemine Records and College of Knowledge. Band shares members with Australian band Surprise Chef.

After two critically acclaimed albums (2020’s Now Here’s An Echo From Your Future and 2022’s The Rest Is Distraction), and numerous mini-album, EP and single releases, London-based trio Girls In Synthesis return with their new statement; their third album Sublimation.

CRAFTING QUINTET is a modern jazz group that presents original, rich and diverse music. The five performers have patiently built a creative bond over the course of their concerts and residencies. On the score, we will always find a strong melody that captures the attention or a mixture of bold timbres that shape the sound of the group. On stage, it is the pleasure of interactive play and the management of authentic energy in the service of the reliefs of their music that makes this group so relevant and endearing.

Jack Johnson, later reissued as A Tribute to Jack Johnson, is a 1971 studio album and soundtrack by American jazz trumpeter, composer, and bandleader Miles Davis. In 1970, Davis was asked by boxing promoter Bill Cayton to record music for a documentary he was producing, on the life of boxer Jack Johnson. Johnson's saga resonated personally with the musician, who wrote in the album's liner notes of Johnson's mastery as a boxer, his affinity for fast cars, jazz, clothes, and beautiful women, his unreconstructed blackness, and his threatening image to white men. This was the second film score Davis had composed, after Ascenseur pour l'échafaud in 1957.

Sofi Paez is a pianist and composer born in Costa Rica but based in Berlin. She experiments with piano, voice and electronic elements in search for new ways of expression in her roots, using both the Spanish and English language. Sofi's pieces are often inspired by daily life and the nature that surrounds her.

Mörk have consistently been producing some of the finest jazz funk and psych soul for years now. A central player in the Budapest jazz scene, their performances as a band are energised and effortless. It's their songwriting which really places them on another level though. Tight hooks, delivered by vocalist (and occasional electric sitarist) Mark Zentai, glide across a rhythm section that can oscillate from driving and syncopated to comfortably laid back without effort. Astral Visions is a new collection of songs that displays the full range of inspirations and influences of the band. From psychedelic soul to disco infused jazz and afrobeat. A deep feature from Brother Portrait really projects the cosmic ambitions of this beautiful set of songs.

Bringing together over 50 of Jamaica's greatest session musicians, whose work spans from the birth of reggae in the late 1960s until today, Roots Architects is the largest gathering of Jamaican musical talent on one all-instrumental album. Never before have so many veterans, who helped create the immortal rhythms that made reggae internationally successful, been assembled to play on new material without vocals. This album aims to celebrate and pay tribute to the unsung heroes of reggae music: the rhythm builders or Roots Architects.

Technicolor Ghost Parade plunges into the unmediated terrain that opens up in the absence of the usual guidelines, the trio revels “in a situation where there’s no bass and no chords." The band is a volatile combo that draws on a vast continuum of jazz practices, from traditional jazz polyphony and ambient soundscapes to funk and free jazz. The trio can generate fierce grooves and render through-composed pieces with the textural acuity of a chamber ensemble. The canny use of electronics expands their sonic palette to the horizon.

On "Blue Pepper", modern swing band Echoes Of Swing open a new chapter, a quantum leap forward from their last award winning release, with even more impressive arrangements and some outstanding original pieces. A concept album of sorts, all the tracks have the word "blue" in their titles or concern themselves with the colour. The legacy of the swing era is safe in the hands of these fine musicians.

This album set is a homage to a (often forgotten) legend and key figure in jazz. Besides Louis Armstrong, American jazz cornetist and pianist Leon Bismark “Bix” Beiderbecke was one of the most influential jazz soloists of the 1920s. With his unusual purity of tone and a gift for improvisation, he helped to invent the jazz ballad style and hinted at what, in the 1950s, would become Cool jazz.

When the title song became a smash hit, Reprise assembled this LP from B-sides and previously released album cuts recorded between February 1962 and April 1964. It was released on the same day as the "Dream with Dean" studio album.

A major trombonist who is quite versatile, Jiggs Whigham has thus far not received the recognition that he deserves, possibly because he has spent a lot of time performing in Germany…

The California-based Roots-Rock band have been gaining momentum across the UK and Europe for their acclaimed genre-bending music and epic one-of-a-kind live shows. Beaux Gris Gris expand their eclectic nature once again with this14 track album, celebrating and paying homage to classic songwriting and crossing the genre's that inspired their development as artists.

There is both seriousness and ecstasy on Moksha's second album. There are complex and virtuosic moments, but it also feels like music that arose from the simplest of all starting points, the play between three good fellow musicians. The trio's unique interplay began back in 2012, when they were still students and met to experiment with rhythm, raga and jazz. Their first album, “The Beauty of an Arbitrary Moment”, was released by Jazzland in 2016 and was very well received both at home and abroad. Their debut stands as a key release from a period in Norwegian improvised music characterized by open doors to expression and musicians from all over the world.