Following the release of Eric Chenaux’s last album Say Laura (2022), The Guardian wrote “the Canadian songwriter has one of the all-time great singing voices in popular music, an intensely romantic Chet Baker-ish instrument that seems to float with piercing direction, like a paper aeroplane thrown hard through mist.” With Uncut describing his songcraft “as delicate and lovely as a rare orchid” and Record Collector praising the album’s “sublime alien balladry” such are the accolades that have accrued to Chenaux’s unique and consummately uncompromising solo music for well over a decade now.

Out today, listen everywhere, a collection of Rhodes and voice interpretations of songs from ‘Messages To God’, recorded at Frying Pan Studios.

Inspired by the Buddhist sutras, Blitzen Trapper’s radiant new album, 100's of 1000's, Millions of Billions, offers a captivating take on rebirth and transcendence, navigating its way through the space beyond dreams and reality, beyond gods and mortals, beyond life and death. The songs here are as sincere as they are surreal, rooted in rich character studies and deep reflection, and the production is intoxicating to match, blending lo-fi intimacy and trippy psychedelia into a mesmerizing swirl of analog and electronic sounds. Add it all together and you’ve got a gorgeous collection of stripped-down bedroom folk wrapped in lush layers of synthesizers and washed out electric guitars, a poignant, expansive exploration of perception and purpose that manages to look both forwards and backwards all at once.

For Camp Saint Helene, the concept of otherworldliness is neither strange nor complex, but alluring and holy. Created by Elizabeth Celeste Ibarra, Dylan Nowik, Wesley Harper and Alex Wernquest, they approach their craft akin to a ritual, leaning into the notion that art and expression are sacred experiences on an overstimulated planet. Often informed by the spirit of a defunct Christian-summer camp turned arts-colony deep within the mountains of New York, their music searches for shimmers of hope amidst hints of doom.

Blending psych-tinged indie-pop with Appalachia-sourced folk music, Toronto sextet Beams have long been a unique voice among the Canadian indie rock scene. With their newly announced third album Requiem for a Planet, the outfit… dive[s] headfirst into the difficult experience of coming of age in a world that isn’t nearly as functional as the one we may have perceived growing up.

Once again, Six Organs of Admittance showcases the intricate tangle of fingers on the fretboard and flash of lens flare slicing the air, as the future arcs 360 degrees around to become a part of the past as well. Oscillations in this glass bowl ripple outward eternally, but are rooted on the ground where all the creatures are moving and communing; humans too. An intimate cosmic expression, file under: rural-industrial psych, ecosystem goth.

An absolutely legendary album from Lebanon by Issam Hajali’s group Ferkat Al Ard, “Oghneya” stands out as one of the great musical gems of the Arab world. A groundbreaking release from 1978 that represents the meeting point of Arab, jazz, folk and Brazilian styles with the talent of Ziad Rahbani, who did the albums arrangements. Filled with a variety of sounds and genres, from Baroque Pop to Psych-Folk to flashes of Bossa Nova, Tropicalia and MPB, “Oghneya” is like if Arthur Verocai took a trip to Beirut in the 70’s to record an album.

Thank you Japan for such a cool welcome to me for the concerts of 1973. Now here in this 50th Anniversary release of the original song selection, you can also see all Linda and I experienced on tour, in our video YELLOW STAR, a hidden treasure unreleased until this year. With great thanks to our film director and dear family friend, Anthony Foutz. Also thanks to Josep Umbria who re-mastered the audio tapes and Bruce Logan who restored the film. But most of all thank you Linda, I am still ‘Living For The Love Light‘ in your eye!

The first ever reissue of Dorothy Carter's 1978 folk/psych/drone masterpiece. A truly unique album in Dorothy's catalog, Waillee Waillee's essence sits in Dorothy's mastery of the dulcimer; its shimmering notes fully enmeshed with the cavernous drones of Bob Rutman's bowed steel cello. The core of this album, Dorothy's only with a full band, lies in the contradiction of traditional psych-folk idioms and the minimal avant-garde, referencing Laraaji and Henry Flynt as much as Karen Dalton.

On his third voyage as Skyway Man, artist + producer James Wallace is still seeking answers beyond the stars and still coming back with more questions in the form of ten brilliant songs. On its surface, 'Flight of the Long Distance Healer' registers as another concept album replete with aliens and alternative philosophy, but this time around, Wallace coats the glass with a vital layer of self-reflection.

Devendra Banhart releases Flying Wig via Mexican Summer. The release marks Banhart’s 11th studio album - his first with Mexican Summer - and the first full length since the universally lauded Ma in 2019. It is also the first time the acclaimed singer/songwriter has collaborated with with musician, producer and Mexican Summer label mate Cate Le Bon.

New Zealand born, Melbourne-based Sarah Mary Chadwick has announced her eighth studio record Messages to God due out on Kill Rock Stars and executive produced by award winning producer, Tony Epsie (oracle to The Avalanches). Composed of broad, brightly coloured spiritual strokes, it consists of dramatic retellings of having your heart broken, existing, movement and growth while always meditating on the past. While her three most recent records were drenched in grief, the new collection signals a change; whether profound or momentary, time will tell.

In the past, Mapache recording sessions have been pretty laid-back affairs, with friends coming and going, the sessions starting and stopping at the band’s discretion—as relaxed a process as the immaculately sunny vibes that their four albums would suggest. But on their dynamic and ambitious fifth album of cosmic-folk, Swinging Stars, Sam Blasucci and Clay Finch decided to take a trip and hunker down somewhere particularly special.

Moundabout’s glorious second long player is named after Cnoc Mór na nGaibhlte (or The Big Hill Of The Galtees) an imposing sandstone and shale peak in Munster, from which vantage point the horizon retreats to impossible-seeming distances. Paddy Shine, of psychedelic powerhouse GNOD, and Phil Masterson, of cult groups Los Langeros, Damp Howl and Bisect, chose this as base camp for their latest expedition into a new form of psychedelic Irish folk music.

The kaleidoscopic third album from Seán Mulrooney and his Ireland meets Berlin ensemble. Ecstatic folk-psych that full embraces the natural world and living ancestry, through joyful experimentation and deeply rooted sonics.