Outlandos d'Amour (Outlaws of Love) is the debut studio album by British rock band the Police, released on 3 November 1978 by A&M Records. Elevated by the success of its lead single, "Roxanne", Outlandos d'Amour peaked at No. 6 on the UK Albums Chart and at No. 23 on the Billboard 200. The album spawned two additional hit singles: "Can't Stand Losing You" and "So Lonely". Although Outlandos d'Amour received mixed reviews upon its release, it has since been regarded as one of the strongest debut albums. Rolling Stone ranked it as the 38th best debut album of all time and the 428th greatest album of all time.

The psychedelic rockers didn’t initially plan to make a pair of linked album. As frontman Stu Mackenzie explained in a statement, the original goal involved “the notes between the notes,” returning to the microtonal explorations they had first begun on 2017’s Flying Microtonal Banana. Then the quarantine compositions took on a life of their own.

Blues- and Gospel-Rooted Jazz Brilliance Sparks with Diversity, Personality, and Individualism: Mastered from the Original Master Tapes and Strictly Limited to 3,000 Numbered Copies.

7 is the upcoming seventh studio album by American dream pop band Beach House, scheduled for release on May 11, 2018 through Sub Pop, Bella Union and Mistletone. It follows the B-Sides and Rarities compilation album released in 2017, which served as a proverbial "cleaning out the closet" to pave the way for a new creative process.

Giya Kancheli is a Georgian composer whose intensely personal style is closely related to Minimalism and New Spiritualism.

Formed in early 1970 by former Deep Purple bassist Nick Simper, the band began life as backing band for singer Marsha Hunt. The group also initially featured Rick Wakeman, but he departed the band in April 1970 to join Strawbs. Signing a licensing contract with Vertigo Records, the band’s self-titled debut album was released in November 1970. The release was followed by touring, but the band’s line-up evolved further before the recording of their second album, ‘Red Sea’, issued in June 1972.

With J Jazz volume 4, the BBE J Jazz Bullet Train continues its journey traversing the expansive landscape of modern Japanese jazz. Volume 4 is the latest in the universally praised compilation series exploring the best, rarest and most innovative jazz to emerge from the Far East. Please take your seats for a first-class ticket to J Jazz central.

BBE Music presents J Jazz volume 3, the latest in its definitive compilation series exploring the finest modern jazz from Japan.

Following the sell-out success of our landmark compilation, J Jazz: deep modern jazz from Japan 1969-1984, BBE Records is thrilled to present another exploration into the very finest Japanese modern jazz.

A Collection of Songs Representing an Enthusiasm for Recording…By Amateurs is a compilation album by The Flaming Lips, released on September 29, 1998 on Restless Records.

This set features the complete known recordings of French mezzo-soprano Blanche Marchesi (1863–1940), the daughter and pupil of legendary vocal instructor Mathilde (née Graumann) Marchesi (1821–1913). Mathilde was born in Frankfurt, Germany, and after a short, unsuccessful career as a performer, she transitioned to teaching voice in 1849, and never looked back. Her teaching career took her from Cologne to Vienna, and ultimately to Paris, where in 1881 she established her own school and enjoyed a long and illustrious career as vocal instructor to many of the greatest singers of the late 19th and early 20th centuries. Some of her most famous pupils include Nellie Melba, Emma Calvé, Frances Alda, Selma Kurz, and Emma Eames. In addition to the complete Blanche Marchesi, this two-CD set features other rare recordings of pupils of Mathilde Marchesi, most being released here for the first time. Included are performances by American sopranos Elizabeth Parkina, Esther Palliser, and Frances Saville, Australian contralto Ada Crossley, and American lyric coloratura soprano Suzanne Adams.

Robin Verheyen is a musical all-rounder. He knows the New York improv scene like the back of his hand, but also drew inspiration from traditional West African rhythms during many trips to Senegal. With his band TaxiWars he again works with rock musician Tom Barman, while Western classical music also fascinates him beyond measure. Das musikalische Opfer, Bach's textbook example of counterpoint, inspired Robin Verheyen in 2017 to get to dive into Bach's baroque world. It became a search for the essence of music. The result is a double album ‘Bach Riddles’. An adventurous cross-fertilization between baroque, free improvisation and contemporary jazz.

Recently discovered and to date unreleased recordings represent the last major project of Musica Antiqua Praha, which was during the fifteen years of it's existence (1982-1997) the most eminent Czech early music ensemble focused above all on the performance of early and middle Baroque music. The album comprises compositions that were part of the archives of the Prague Order of the Knights of the Cross with the Red Star, recorded by Musica Antiqua in 1996 in a world premiere. The Order's heritage includes more than three centuries of musical tradition, documented by a rarely preserved music archive. The album features music by four composers from the 17th and 18th century. Pavel Klikar, the founder and artistic director of Musica Antiqua Praha, is the major figure inextricably associated with the ensemble, whose inspirational leadership helped to create an important seedbed which brought forth a whole generation of early music performers.

A-Scale are proud to present the new Eyeless in Gaza album release - Winter Sang, new music from a band which appears to be so far below the radar that the phrase “criminally overlooked’ might well serve them yet another injustice. This album could well be said to have been entitled Winter Sang purely for the one fact - that despite the apparent icy indifference of an unlistening world, Eyeless in Gaza continue to make joyous new music – music that seemingly continues to belong in a twilight world of its own making. Since the band’s decision to withdraw from live appearances, this “twilight” music has taken on a yet deeper resonance – translating throughout Winter Sang as a rich abandonment, a core fragility. These soaring, unsettling songs are blasted through with folk / kosmiche rock sonics – stinging and soothing at one and the same time.

Dominique Vantomme of VANTOMME, is a pianist, keyboardist, composer, band leader, music educator and producer, equally well known for his work with many European pop and rock acts as for being the jazz piano instructor at the Music Conservatory in Kortrijk, Belgium. This album was born from his nomadic adventures: traveling in 2016 to see Stick Men, in Holland, and meeting up with old pal, MoonJune's Leonardo Pavkovic; and shortly thereafter befriending the legendary bassist/stickist Tony Levin of the King Crimson, Peter Gabriel and Stick Men hall of fame.