Guster's ninth studio LP, Ooh La La reveals a band fully in touch with thevoracious creative energy that first inspired their formation. A major leapforward for lead vocalist Ryan Miller, guitarist Adam Gardner, drummerBrian Rosenworcel, and multi-instrumentalist Luke Reynolds, OohLa La ultimately matches that wide-eyed spirit with a newly heightened senseof confidence, conviction, and commitment to the raw sincerity that's madethem so beloved.The follow-up to 2019's Look Alive, Ooh La La marks a bold departure from it'spredecessor. This time around, the band worked mainly with producer JoshKaufman (The Hold Steady, The National, Bonny Light Horseman), holing upat Isokon Studio in Woodstock and carving out a lush and expansive sound richin acoustic guitars and graceful piano work. With additional production fromRon Aniello (Bruce Springsteen), Rich Costey (Death Cab for Cutie, OfMonsters and Men), and Primarily mixed by Peter Katis (The National, KurtVile), the result endlessly radiates an undeniable warmth, even as it's songsdelve into the more daunting aspects of living in modern times.

New York psych-pop band Crumb return with AMAMA, their most carefree and open-hearted album to date. A soundscape full of playful and patchwork experimentation - glitchy pitch-shifted vocals, cell phone recordings, nautical blips, sax mouthpiece solos, blasted drum samples, and piano strings dampened with Silly Putty - AMAMA continues to deepen the band's hypnotic sound in a cohesive line back through 2021's Ice Melt, 2019's Jinx, and breakout EPs Locket and Crumb. Without a doubt, AMAMA is Crumb - singer and multi-instrumentalist Lila Ramani, keyboardist and saxophonist Bri Aronow, bassist Jesse Brotter, and drummer Jonathan Gilad - at their most animated. AMAMA exists at the crossroads of psychedelia, pop, jazz, and rock, and cements Crumb as a band uniquely their own. Released independently on Crumb Records and produced alongside Johnscott Sanford and Jonathan Rado in Los Angeles, AMAMA is an incandescent statement about searching for solid ground, connection, and clarity in a life of nomadic upheaval.

Spanning the tracklist of the original album, the fresh, exciting, and utterly surprising reinterpretations create new content for longtime Talking Heads fans and introduce a new generation to the magic of the music. The brilliant selection of artists recontextualizes STOP MAKING SENSE in popular music and culture, with a focus on generational and stylistic breadth.

In the time-honored spirit of excavating gold from the unlikeliest dark corners, we bring you the shiniest of gems which is guaranteed to thrill lovers of classic Brazilian bossa and MPB.

Founded by saxophonist and composer Johan Jutterström, the Swedish septet STHLM svaga has emerged as one of the most intriguing and distinctive jazz ensembles of the 2000s. Their expertise lies in crafting jazz with remarkably soft dynamics, resulting in a wholly distinctive and captivating ensemble sound. Plays Carter, Plays Mitchell, Plays Shepp is their new release and features specially composed pieces by three iconic figures in jazz history: Ron Carter, Roscoe Mitchell, and Archie Shepp, penned exclusively for the ensemble. Alongside these pieces are compositions by Per-Henrik Wallin and John Coltrane, all expertly interpreted by the ensemble.

The relationship between Alex Harding and Lucian Ban has been long and fruitful. Their combination of elements of improvisational music have helped the pair develop a unique musical language that transcends the expectations of the jazz genre. Their new recording, Blutopia, highlights their attuned rapport while allowing their music to unfold with their own singular ensemble, propelled by the tuba stylings of the great Bob Stewart.

Manuscripts Don’t Burn is a famous line in Bulgakov’s Master and Margarita – the retelling of Faust, the 20th century cult novel of an artist surviving in a Totalitarian regime, the love story, the burlesque with giant, vodka drinking cats and vampiric theater administrators.

SOMM Recordings announces the second instalment in Bruckner from the Archives, “a major commemorative series” (ConcertoNet.com) in six double-CD volumes celebrating the 200th anniversary of Anton Bruckner’s birth in 1824.

Sylvius Leopold Weiss was born in the then Bohemian province of Silesia (now in Poland) in 1687 and grew up under the strong influence of Losy, which can be seen clearly in his early compositions. After his Italian sojourn (1710-14), Weiss became deeply involved with the Prague musical milieu and, according to numerous documents, he must have spent much time there even after he was invited by Augustus the Strong, on the 23rd of August 1718, to become an "Electoral Saxon and Royal Polish Chamber Musician" at his court in Dresden.

SOMM Recordings announces Canticle of the Sun, an album dedicated to choral works by Stephen Dodgson. This recording adds to SOMM’s growing discography of music by this unjustly neglected and richly deserving British composer (the label last year launched an ongoing three-volume series embracing Dodgson’s rich and varied output of songs) on the occasion of the 100th anniversary of his birth.

CHM Records (Country. Music. Heritage.) maintains a rich history of classic country and bluegrass albums and is honoring several of these legacy releases by remastering them and making them available in new formats for the first time ever. Revived from the CMH archives, the Johnny Gimble & The Texas Swing Pioneers 1980 classic album Still Swingin’ will be available for the first time ever on digital and streaming May 17. This special album draws on Gimble’s deep connection to Western Swing music, gathering an all-star cast of musicians to revisit old favorites of the genre. The collection’s closer, “Don’t Be Ashamed of Your Age,” is out now (5/3) ahead of the full release.

In 1994, Collective Soul burst onto the music scene with their debut album Hints Allegations And Things Left Unsaid. Now, 30 years later, the band is still going strong and continues to create infectious Alt-Rock music that is loved around the world! The new album Here To Eternity contains 20 tracks of the catchy melodies, driving guitars, and soaring choruses that have defined the band's sound since their early days. Featuring the new single "Mother's Love", this collection is a love letter to the fans. 2024 is a big year for Collective Soul: they are embarking on a huge, national tour with Hootie & The Blowfish and Edwin McCain and preparing to debut a documentary about the band's 30-year history with major film festivals. The last 3 decades have brought Collective Soul here, and they intend to push on for decades to come!

These days, every artist’s album needs to have a story. The music can’t speak for itself.

Now regarded as one of the greatest violin concertos of the nineteenth century, Beethoven’s Concerto in D major did not enjoy the success it deserved during the composer’s lifetime. It was not until almost forty years later, with the rediscovery of the work by Felix Mendelssohn and the exceptional virtuoso Joseph Joachim, that it was finally recognised as a masterpiece. An admirer of Beethoven, Franz Liszt, who made many fine transcriptions of other composers’ music during his career, orchestrated the Andante cantabile from the “Archduke” Trio, which he incorporated into a Cantata for the inauguration of the Beethoven Monument in Bonn. In recording these superb pieces, the Orchester Wiener Akademie and Martin Haselböck continue their “Resound” adventure in the company of violinist Benjamin Schmid.

Over the previous six years, Zayn had been writing his fourth studio album at his home studio in rural PA. This album marks his most personal release to date, reflecting where he is in his life while exploring the complexities of healing, stillness and growth. It also sees the genre-bending artist explore a new sound, leaning into his soulful vocals, live instrumentation, and poetic lyricism as a songwriter. The album was co-produced by Zayn with 9x Grammy award winning record producer Dave Cobb. This will be Zayn's first album with Mercury Records.