Stretching from '56 into the '70s, this set begins when Harry was the young King of Calypso and takes us all through his prime as a beloved pop star and inspiring activist. "Calypso," "Sings of the Caribbean," "The Midnight Special" and the two-disc "Belafonte Live" include his breakthrough smashes "Jamaica Farewell" and "Banana Boat (Day-O)," hits "Island in the Sun," "Cocoanut Woman," "Don't Ever Love Me," classic version of "Man Smart (Woman Smarter)," live renditions of "Abraham, Martin & John," "Mr. Bojangles," "Suzanne," "Wedding Song" and more! Sony UK.

Take a Look at Me Now… the brings together all eight of Phil Collins'€™ solo albums for the first time. All eight records (five of which topped the UK charts) are presented in card wallets within a clamshell box. A top value set for beginners and completists alike!

Lara Louise’s sultry voice has been heard all over the world, her recordings having been streamed over twenty-five million times on Spotify and Youtube. Growing up in the Netherlands, Lara started out as a folk musician before making the transition to jazz and bossa nova. She sings mostly in English and French, with an emphasis on the classic American songbook from the 30s to the 60s. Together with producer and multi-instrumentalist Gawain Mathews, she is working on her next album of jazz standards. Lara plays regularly in the San Francisco Bay Area and is available for private events.

Acclaimed Scottish singer-songwriter Kathryn Joseph returns with her fourth album “WE WERE MADE PREY.”, out on Mogwai’s Rock Action Records. Co-produced with her long time creative collaborator, multi-instrumentalist Lomond Campbell (One Little Independent Records), “WE WERE MADE PREY.” is both a reaction to and reprieve for the animal within. With raw, honest lyrics that speak of strength and truth, and rage and loss, the album asks - what does it take to give up the comfort of being wanted in order to want something, and what are the ramifications? Recorded at the remote Black Bay Studio in Scotland’s Outer Hebrides, “WE WERE MADE PREY.” is the follow up to 2022's lauded “for you who are the wronged”.

Two CD set. Seals & Crofts were an American soft rock duo made up of Jim Seals and Dash Crofts who formed in 1969. The duo disbanded in 1980. They reunited in 1991-1992 and again in 2004. They had two Top Ten hits in the early 1970s, "Summer Breeze" and "Diamond Girl, both of which are featured on this collection of all their single A and B sides from 1970 thru 1976.

The Complete Stevie Wonder is a digital compilation featuring the work of Stevie Wonder. Released a week before the physical release of A Time to Love, the set comprises almost all of Wonder's officially released material, including single mixes, extended versions, remixes, and Workout Stevie Workout, a 1963 album which was shelved and replaced by With a Song in My Heart. The set also contains a digital (PDF) booklet and three music videos: "Overjoyed", "Part-Time Lover" and "So What the Fuss". On April 21, 2015, the box set lost its exclusivity rights to iTunes. It was removed from the iTunes store, but is available on other streaming services, and available on FLAC as well.

In November 1980, Genesis bought Fisher Lane Farm, a farmhouse with an adjoining cowshed near Chiddingfold, Surrey, as their new rehearsal and recording facility. The building was remodelled into a studio in four months before recording for Abacab began in March 1981. The new environment had a productive effect on the writing process as the band wrote enough for a double album, but they discarded one hour's worth of songs that sounded too similar to their past albums. Banks said a conscious effort was made to keep melodies as simple as possible which signalled further changes in their direction. The shift was underlined in its production when Hentschel, their producer and engineer since 1975, was replaced by Hugh Padgham after Collins liked his production on Face Value and Gabriel's third solo album.

Sold with Mojo July 2025 (#380). Not for resale. THE LEGEND OF THE GRATEFUL DEAD OFTEN PIVOTS on psychedelic largesse, on a spirit of musical exploration that transcends earthly limits. Listen to a live version of Dark Star – the 23-minute take on Live/Dead is a decent one to start with – and the Dead sound untethered from music’s history and conventions. The truth, though, is much richer and more complicated. Jerry Garcia and his bandmates started their adventures from a position of profound knowledge; an understanding of blues, bluegrass, soul, country and rock’n’roll that was both scholarly and intuitive.

From store; "This is the ultimate CD collectors' edition of Morcheeba's 11th studio album Escape The Chaos, exclusively available on the Morcheeba webstore. 'This whole record is a process of trying to reconnect with what really matters. whether it's what in your heart or with the world, putting your feet on grass and feeling the earth beneath you' says Ross Godfrey. 'For me, 'We Live and Die' is about my duration in the band and the music world and life in general', Skye says of the lead single. 'The lines become blurred after all this time. In a way, it's a homage to the thirty years of being in Morcheeba which is 60% of my existence'.

The Famous 1938 Carnegie Hall Jazz Concert by Benny Goodman, Columbia Records catalogue item SL-160, is a two-disc LP of swing and jazz music recorded at Carnegie Hall in New York City on January 16, 1938. First issued in 1950, the landmark recording captured the premiere performance given by a big band in the famed concert venue. The event has been described as "the single most important jazz or popular music concert in history: jazz's 'coming out' party to the world of 'respectable' music." The title, mastered from preserved acetates,[c] was among jazz's first double albums,[2] first live recordings, and first to sell over a million copies. One of the earliest records of Benny Goodman music issued on the new long-playing format, the concert recording was also sold in a set of nine 45 rpm records in 1950 by Columbia. The subsequent discovery of the aluminum studio masters made from the original recording resulted in several high-quality CD reissues beginning in 1998.

CD features the contents of an original EMI mono reel (#66581), including rare tracks and SFX from the animated cartoon 'Yellow Submarine' and the 'Sgt Pepper's' LP plus demos, alternate takes and sound experiments.

On The Road is the second live album (two LPs on initial European releases; later reissued on one CD) by English rock band Traffic, released in 1973. Recorded live in Germany, it features the Shoot Out at the Fantasy Factory band, with the Muscle Shoals Rhythm Section of keyboardist Barry Beckett, bassist David Hood, and drummer Roger Hawkins. The initial U.S. release of On the Road (Island/Capitol) was a single LP consisting of "The Low Spark of High Heeled Boys" (edited to 15:10), "Shoot Out at the Fantasy Factory", "(Sometimes I Feel So) Uninspired", and "Light Up or Leave Me Alone". The album reached number 40 in the UK and number 29 in the USA.

Welcome to the Canteen is the first live album by English rock band Traffic. It was recorded live at Fairfield Halls, Croydon and the Oz Benefit Concert in the canteen of the Polytechnic of Central London London, on 3 July 1971 and released in September of that year. It was recorded during Dave Mason's third stint with the band, which lasted only six performances.

Homespun takes you back to step into a new musical universe. Mike Oldfield's concert at the Queen Elizabeth Hall on June 25th, 1973 was the very first live performance of Tubular Bells in its entirety–a highly experimental and ambitious work that had only been released a month prior (May 1973). For many in the audience, it would have been their first exposure to the piece live, and possibly their first time hearing something quite like it at all. This live radio broadcast from BBC Radio 1 has been remastered here to transport you to the otherworldly and ethereal planes where prog met classical music in a live experimental sound collage.

Excitable Boy established Warren Zevon as rock's gonzo figurehead – or, as Jackson Browne aptly called him, "the first and foremost proponent of song noir." A supreme collision of over-caffeinated energy, acerbic wit, dark humor, irreverent reporting, bittersweet romance, swept-under-the-rug truth, and illicit desire sent up with booze, pills, and therapist confessions, the breakthrough album zeroes in on frightening aspects of American culture with an incisiveness that's even sharper today than upon the effort's release in 1978. And the music has never sounded so excitable.