Formed as a side project by two Jefferson Airplane members, they became a solid blues-rock unit with a cult following on the jam band circuit. Hot Tuna is an American blues band formed in 1969 by guitarist/vocalist Jorma Kaukonen and bassist Jack Casady. Deluxe Vinyl Replicas by Culture Factory constitute high quality reissued compact-discs which reproduce all the components of the original LPs and are their exact replicas in compact-disc size (5.3 x 5.3 inches), with authentic single or gatefold cardboard jackets and paper sleeves. In addition to the above, each compact-disc Deluxe Vinyl Replica includes a black finish CD complete with the original label to give it the look and feel of the original record album. The music is encoded using state of the art, high definition remastering in 96 kHz / 24 Bit audio. Brand new, original, factory-shrinkwrapped, limited edition CD release.

Mejor De Los Nuggetz is a collection of 1960s hyper kinetic garage, punk, pop and psychedelic music from Mexico, Spain and Latin American countries. While the inspiration for this collection has been the enduring trend and influence of American garage and psych bands from the '60s, it is an introduction to the amazing variety of Mexican and Latin American rock from that era. The, fuzz and fury of rock En Espanol with all the punk and pop elements that make it immediately listenable. Spanish interpretations of classic American and British songs that became popular around the world. The 14-track set was originally released on CD as disc one as part of a 4 CD box set in 2014. It now makes its vinyl debut on red-colored vinyl

Fall 1989: The Long Island Sound is a six-CD live album by the Jerry Garcia Band and by Bob Weir and Rob Wasserman. It was recorded on September 5 and 6, 1989, at the Hartford Civic Center in Hartford, Connecticut and the Nassau Coliseum in Uniondale, New York. It was released by ATO Records on December 17, 2013.

Arriving ten years after The Dark Horse Years: 1976-1992, The Apple Years: 1968-75 offers the first act of George Harrison's solo career presented in a handsomely produced, impeccably remastered box set. The outside packaging mirrors The Dark Horse Years but the discs housed inside the box show a greater attention to detail than the previous set: each of the albums is presented as a paper-sleeve mini-LP replicating the original album art (Extra Texture does indeed have extra texture on its sleeve), while the brief hardcover book contains perhaps the glossiest paper to ever grace a rock music box set. Better still, the remastering of all six albums is superb. Supervised by Harrison's son Dhani, the team mastermind by Paul Hicks, who worked on the acclaimed 2009 Beatles remasters, and featuring Gavin Lurssen and Reuben Cohen, bring The Apple Years to the same sonic standard as the 2009 Beatles remasters and the results are rich, deep, and alluring…

Compiled by Stefan Granados (Shindig) with tracks drawn from the ever expanding UK ‘heritage’ Angel Air label who, since their inception in 1997, have developed a catalogue of much sort after original recordings from the 60’s to 21st Century. With new additions for this compilation supplied courtesy of Phillip Goodhand-Tait (CIRCUS) and Mike Hurst (DOUBLE FEATURE). This release focuses on tracks drawn from the classic popular music years 1965 to 1970 and the album opens with ‘Walkin, Walkin’ a freakbeat classic written and produced by Mike Hurst in 1966, moves to THE TREACLE from Hull featuring one MICK RONSON who recorded in 1965 ‘Stop Get A Hold Of Yourself’ and finally to ATOMIC ROOSTER’s original demo of their anthem ‘Devils Answer’ recorded in 1970. Classic tracks from a classic label.

Following in the wake of baroque chart toppers by the Zombies, Beatles, and the Left Banke, a dandier approach to garage rock flowered in the back half of the ’60s. Awash in majestic harpsichords, lilting guitars, melancholic organs, and middle school orchestras, Soft Summer Breezes captures the decade’s last gasps of optimism via 16 gentle moments of soft psychedelia.

Collection includes: Sophisticated Beggar (1966); Folkjokeopus (1969); Flat, Baroque and Berserk (1970); Stormcock (1971); Valentine (1974); HQ (1975); Bullinamingvase (1977); The Unknown Soldier (1980); Once (1990); Death or Glory? (1992); The Dream Society (1998); Green Man (2000); Counter Culture (2005); The Death of God (2005); Man & Myth (2013).

One of the key albums when talking about psychedelic hard-rock and early proto-metal, originally released in 1969. Featuring the great John Cann (The Attack, Atomic Rooster, Hard Stuff…) on guitar plus Mick Hawksworth (Fuzzy Duck, Alvin Lee) on heavy bass plus the powerful drumming of Ian McLane (Neat Change, Ray Owen’s Moon). Andromeda was formed during the final days of Cann’s previous band The Attack, when he decided to go in a full heavier & proggier musical direction. Recruiting his friend/room mate Mick Hawksworth on bass plus drummer Jack McCulloch (of One In A Million, soon to be replaced by Ian McLane), the power-trio was born. After initial interest from John Peel (Dandelion) and Kit Lambert (Track Records), Cann decided to go with a major label, RCA, who offered him the chance to self-produce their first album. Recorded at Advision Studios, the impressive Andromeda debut was released in 1969, housed in a sleeve designed by John with photos by Gered Mankowitz. But despite receiving excellent reviews and the band playing lots of gigs (some of them billed above bands like Black Sabbath), RCA didn’t know what to do with such a heavy rock band.

This Nashville band featuring Mindy Dalton, Judi Griffith, Lana Napier, Pame Stephens, and Jean Williams has long been an enigma. There was even a rumour that they were a fictional band, and the material had been recorded quite recently by various American indie luminaries! This despite the original 1969 Athena Records album undoubtedly existing, and fetching astronomical figures.
In fact, The Feminine Complex were an all-girl garage band, a rarity in Nashville, to be sure. They were even heavily featured on various TV shows including the nationally-syndicated "Showcase '68" and the local "Nashville Now". The Feminine Complex made one of the few genuine girls-in-the-garage albums (all original songs too!) in a time when the 45 was king (queen?), and an extraordinary album it is too, as extraordinary indeed as the story of the band…

New York psych-pop band Crumb return with AMAMA, their most carefree and open-hearted album to date. A soundscape full of playful and patchwork experimentation - glitchy pitch-shifted vocals, cell phone recordings, nautical blips, sax mouthpiece solos, blasted drum samples, and piano strings dampened with Silly Putty - AMAMA continues to deepen the band's hypnotic sound in a cohesive line back through 2021's Ice Melt, 2019's Jinx, and breakout EPs Locket and Crumb. Without a doubt, AMAMA is Crumb - singer and multi-instrumentalist Lila Ramani, keyboardist and saxophonist Bri Aronow, bassist Jesse Brotter, and drummer Jonathan Gilad - at their most animated. AMAMA exists at the crossroads of psychedelia, pop, jazz, and rock, and cements Crumb as a band uniquely their own. Released independently on Crumb Records and produced alongside Johnscott Sanford and Jonathan Rado in Los Angeles, AMAMA is an incandescent statement about searching for solid ground, connection, and clarity in a life of nomadic upheaval.

The first two albums by UFO featured an odd mix of crisp, focussed songs alternating with meandering electric guitar-led soundscapes. Flying starts off with perhaps their best of the former category, "Silver Bird." This story of a primitive islander seeing an airplane for the first time begins with a pleasant little acoustic guitar melody and builds into a soaring full-band musical expression of the wonder of flight. The next cut, all 19 minutes of it, conjures up the vaster expanses of space. To complain that "Star Storm" rambles is to miss the point; sometimes Michael Bolton's guitar is used as a pure sound effect rather than to convey any kind of rhythm or melody, and if you're patient, then listening can be an enjoyable, even absorbing, experience…

The mystical figure On Ka'a Davis returns for his second CD on Tzadik, and his first in twenty-five years - Blending the psychedelia of Sun Ra with Miles Davis and Jimi Hendrix, this is an epic, direct from the ever-growing counterculture of Downtown New York - Performing on guitar, synth keyboard, programmed sounds, and percussion On is joined here by Don McKenzie on drums and Ali Ali on trumpet. Years in the making the music is wild, varied, and intensely felt. A New York Underground classic!

Cult underground psychedelic 60's legends from Switzerland related to Toad, Brainticket, Deaf, and Les Sauterilles . This is their one and only album from 1969, containing a wide range of psychedelic and progressive styles. With dark passions and melancholic moods "Hey Mr Holy Man" is outstanding. This issue has three bonus tracks, two from a rare compilation LP, and one from an even rarer split single from 1968.. Sinister artwork illustration is the first record cover work of H.R. Giger.

Awakening… (1969). From the legendary hard rocking South African psych rock scene, alongside such greats as Freedom’s Children, and Suck, comes The Third Eye. Awakening is the Third Eye’s debut full length, originally released in 1969, and is a masterful and complex album of late sixties South African heavy psych, featuring fuzzed out guitars, great brass arrangements and virtuosic organ work, provided by the young Dawn Selby, who, at the time of recording was all of 14 years old…

The compilation features the cream of the material the star recorded between 1969 and 1987. David Bowie remains impossible to pigeonhole - first there was Ziggy Stardust, Aladdin Sane, a White Soul Boy and a Thin White Duke. He went on to invent synth-pop with Tony Visconti and Brian Eno and then disappeared behind the make-up of Pierrot when the New Romantics mixed all of his eras together. And then, he became a truly global megastar in the 80s. This collection contains four UK No. 1s, 15 Top 10, six Top 20 and 14 Top 75 hits; 338 weeks of UK chart history. But David Bowie could never be contained by statistics alone: any collection that contains Starman, The Jean Genie, Fame, "Heroes", Sound and Vision, Ashes To Ashes, Under Pressure and Let's Dance spells it plainly - this is a collection of some of the greatest and best-known music of the 20th Century by one of its very finest performers. 57 tracks in total.