Released in December 1970, King Crimson's third studio album, Lizard, is often viewed as an outlier in the pioneering British prog outfit's nearly half-century discography. It's not easily grouped with 1969's stunning In the Court of the Crimson King debut and 1970 follow-up In the Wake of Poseidon, and along with 1971's Islands it's considered a transitional release on the band's path toward the relative stability of the Larks' Tongues in Aspic (1973), Starless and Bible Black (1974), and Red (1974) trilogy. Plus, the Lizard sessions were difficult and the core group lineup acrimoniously collapsed immediately afterward, as bandleader/guitarist Robert Fripp, with lyricist Peter Sinfield, continued brave efforts to save King Crimson from disintegrating as the group's lengthy history was just getting underway.

By condensing the sonic explorations of Meddle to actual songs and adding a lush, immaculate production to their trippiest instrumental sections, Pink Floyd inadvertently designed their commercial breakthrough with Dark Side of the Moon. The primary revelation of Dark Side of the Moon is what a little focus does for the band. Roger Waters wrote a series of songs about mundane, everyday details which aren't that impressive by themselves, but when given the sonic backdrop of Floyd's slow, atmospheric soundscapes and carefully placed sound effects, they achieve an emotional resonance. But what gives the album true power is the subtly textured music, which evolves from ponderous, neo-psychedelic art rock to jazz fusion and blues-rock before turning back to psychedelia. It's dense with detail, but leisurely paced, creating its own dark, haunting world…

The British singer-songwriter Sam Brown became famous with solo albums such as the unforgettable ,STOP' and recordings and gigs with Pink Floyd, George Harrison, Paul McCartney, Eric Clapton, Jon Lord, Jools Holland and many many more. Together with the British singer Sam Brown the small but fine label Valle Venia has created into being a quite special project. Fragile is the sixth album by Sam Brown and is the eighth CD produced by Valle Venia, a label which combines music, art and science. It was released in 2002. Fragile is an album to dive into. It connects Sams sensory voice with different sound constellations under the most melodic aspect. Cello, piano, cembalo, loops, violins and percussion evoke the complete emotion spectrum of her voice. With its very special and unique instrumental constellation, deep lyrics and melancholy sounds, "Fragile" has no expiration date. Strongly recommended!

Mobile Fidelity reissued Marianne Faithfull's two dark milestones, 1979's Broken English and 1987's Strange Weather, on one CD. Although there were nearly ten years separating these two records, they share a moodiness and faux-torch arrangements that make them a perfect match. The remastering is terrific, as is the packaging, which means this is the way for serious fans to own this music on disc.