Kölner Kammerchor (Cologne Chamber Choir; = KKC) was formed by Peter Neumann in 1970, and since winning the ‘Gran Premio Città di Arezzo’ in 1982 has made a name for itself in performances at major festivals in Germany, Italy, Belgium (Flanders Festival), England (BBC Proms), France, Spain, the Netherlands and Switzerland.

A rare stop in Omaha prompts Springsteen to include six songs from Nebraska in this 26-song set from the Wrecking Ball tour. The show opens with a rollicking "Reason To Believe," a horn-driven "Johnny 99" and a potent "Atlantic City." Rarer still is a solo electric take of "State Trooper" (in the song's last performance to date) and the only band arrangement of "Highway Patrolman" since 1985. Sign requests include "Sherry Darling," "Lost In The Flood," "Trapped" and the season's first "Santa Claus Is Coming To Town" in the encore.

Phish had a busy year in 1994 with the release of their fifth studio album, ‘Hoist’, on March 29th followed by extended U.S. and Canada touring from April through New Year’s Eve. ‘Hoist’ was recorded in Los Angeles County the previous October and November of 1993, when the band was evacuated from ‘Hoist’ sessions at American Recording Company due to the Old Topanga Fire. On May 16th, 1994 during their spring tour, Phish returned to Los Angeles to play The Wiltern Theatre – a landmark Art Deco vaudeville and movie palace built in 1931 with a capacity of about 2,200 and located in Koreatown at the corner of Wilshire Boulevard and Western Avenue. It was a Monday night, tickets cost $17.50, and the band had invited The Simpsons creator Matt Groening to the show, catalyzing a long relationship that eventually found Phish on The Simpsons in 2002. The Wiltern ’94 was a nearly non-stop show with an easy flow and adventurous jamming woven around a creative setlist that elevated all those fortunate enough to bear witness.

Milk & Sugar announces the Miami Sessions 2025 compilation a new chapter for the legendary series. For Miami Sessions 2025, Milk & Sugar has carefully selected tracks that combine both, established artists and emerging talent from the international scene.

Now That’s What I Call Music continue their CD collections of 1980s twelve-inch mixes with a new 4CD set: NOW 12″ 80s: 1984 Part Two. This set follows up Part One from January and what with this being 1984 and all, it’s rather predictably good – if familiar.

Nikolaus Harnoncourt Perhaps no single musician ever achieved such high accomplishment across such a broad span of repertory as Nikolaus Harnoncourt. His first professional job was as cellist for the Vienna Symphony Orchestra. Almost immediately, however, Harnoncourt sought to specialize in performing music of the past upon historically correct instruments; he was one of the first professional musicians to do so. Over the course of a stunningly influential career, Harnoncourt gradually worked forward into more modern repertories. His many awards included repeated top recording medals from at least six European countries, and a Grammophone Award for Special Achievement in 1990.

Eric Clapton's new millennium has largely been defined by collaborations with friends, beginning with a duet album with B.B. King following through with a Cream reunion and closing with tours with his former Blind Faith running mate,

Wagram Music Presents Reggae Vibrations Classics by the Reggae Masters album original hits and the original artists genre Reggae.

Daniel Barenboim is a conductor and pianist of top international stature, known for an extraordinarily large orchestral and operatic repertoire. He is the general music director and chief conductor for life of the Staatsoper Berlin in Germany. Barenboim was born in Buenos Aires on November 15, 1942, into a family of Ukrainian Jewish descent. His mother was his first piano teacher. He later studied with his father, Enrique Barenboim, who was an eminent music professor. After playing for the noted violinist Adolf Busch, who was impressed by his talent, Daniel made his debut recital at the age of seven. In 1951, he played at the Mozarteum in Salzburg and observed Igor Markevitch's conducting class.

Das Duo Praxedis, die Harfenistin Praxedis Hug-Rütti und die Pianistin Praxedis Geneviève Hug, bezaubert seit Jahren das Publikum. Die Mission des Duo Praxedis ist die Renaissance der einst beliebten Duo-Besetzung Harfe & Klavier, die ihre Blüte von etwa 1780 bis ungefähr 1915 erlebte. Das Duo Praxedis gibt seit 2010 regelmässig und erfolgreich Konzerte in Europa und den USA.Das Duo Praxedis hat bislang 12 von Publikum und Musikkritikern vielbeachtete Alben vorgelegt, darunter zwei Doppel-CDs nebst zahlreichen Ersteinspielungen. Die CD Histoires wurde für den OPUS KLASSIK 2019 in den Kategorien «Kammermusikeinspielung: Duo» und «Weltersteinspielung des Jahres» nominiert.

Wagram Music Presents Soul Men Classics by the Kings of Soul Music album original hits and the original artists genre Soul.

Wagram Music Presents Funk Masters Classics by the Legends of Funky Music album original hits and the original artists genre Funk, Disco.

Wagram Music Presents Soul Sisters Classics by the Queens of Soul Music album original hits and the original artists genre Soul, RnB.

Wagram Music Presents Jazz Divas Classics by the Queens of Jazz album original hits and the original artists genre Jazz, Blues.

The 101 Strings Orchestra established a reputation as one of the finest ensembles in the easy listening genre. Yet the group actually never existed as a performing orchestra: it was a recording-only ensemble made up of musicians whose personnel often changed from one recording to the next. Moreover, many early albums released under the name 101 Strings were actually reissues of recordings made by such groups as the Rio Carnival Orchestra, New World Orchestra, and others. Under its now-familiar name, more than 100 recordings were issued by two labels – both of which owned the name, hired the players in the ensemble, and, most importantly, provided for the music arrangements that have been crucial to maintaining the orchestra's familiar sound – a dreamy, silken sound not dissimilar to that of Mantovani.