At Fillmore East is the first live album by American rock band the Allman Brothers Band, and their third release overall. Produced by Tom Dowd, the album was released on July 6, 1971 in the United States, by Capricorn Records. As the title indicates, the recording took place at the New York City music venue Fillmore East, which was run by concert promoter Bill Graham. It was recorded over the course of three nights in March 1971 (only two nights were used for the album) and features the band performing extended jam versions of songs such as "Whipping Post", "You Don't Love Me" and "In Memory of Elizabeth Reed". When first commercially released, it was issued as a double LP with just seven songs across four vinyl sides. At Fillmore East was the band's artistic and commercial breakthrough, rapidly escalating the band's exposure and gaining them a new legion of loyal fans.

Displaying a command of pop styles and satire, 10cc showed that they are a force to be reckoned with on their first album. Hooks abound, harmonies shine, and instrumentation is dazzling without being overdone. Though charges of "self-consciously clever" could be leveled at the group, their command of witty, Anglo-styled pop is so impressive that even those criticisms must be weighed against the mastery of styles. All four members sing lead and are talented songwriters, and this leads to a wide variety of styles that add to their vision. Featuring their number one U.K. hit "Rubber Bullets," 10cc wade through ten selections of satire and parody.

Leon Russell is the debut solo album by the singer, songwriter, and multi-instrumentalist Leon Russell. It followed his debut with the Midnight String Quartet and a production by Russell and Marc Benno billed as the Asylum Choir. "A Song for You", written by Russell for this album, is a slow, pained plea for forgiveness and understanding from an estranged lover. The tune is one of Russell's best-known compositions. It has been performed and recorded by over 200 artists, spanning many musical genres. Elton John has called the song an American classic. On January 17, 2018, "A Song for You" was added to Grammy Hall of Fame.

Bachman–Turner Overdrive is the self-titled debut studio album by Canadian rock band Bachman–Turner Overdrive, released in 1973. It was originally to be titled Brave Belt III, following the Brave Belt II album, made by the previous line-up of the group, called Brave Belt. The album did not produce a true hit single ("Blue Collar" reached #68 on the U.S. Billboard charts and #21 in Canada), but it was certified "Gold" in 1974, largely pulled up by strong sales of Bachman–Turner Overdrive's next two albums (Bachman–Turner Overdrive II and Not Fragile). "Gimme Your Money Please" and "Little Gandy Dancer" were released on a double A-side single in Canada only. After the release of Bachman–Turner Overdrive II, this first album was often referred to as "BTO 1".

Tons of Sobs is the debut studio album by the English rock band Free, released in the UK on 14 March 1969. While the album failed to chart in the UK, it reached number 197 in the US. Free are cited as one of the definitive bands of the British blues boom of the late 1960s, even though this is the only album of their canon that can strictly be called blues rock. It had the band's first minor hit "I'm a Mover", which was released as a single in December 1968.

Planet Waves is the fourteenth studio album by American singer-songwriter Bob Dylan, released on January 17, 1974, by Asylum Records in the United States and Island Records in the United Kingdom. Dylan is supported on the album by longtime collaborators the Band, with whom he embarked on a major reunion tour (documented on the live album Before the Flood) following its release. With a successful tour and a host of publicity, Planet Waves was a hit, enjoying a brief stay at No. 1 on the U.S. Billboard charts—a first for the artist—and No. 7 in the UK. Reviews were generally positive; Critics were not as negative as they had been with some then-recent Bob Dylan albums (namely Self Portrait and Dylan) but still not enthusiastic for the album's brand of laid-back roots rock, but it was nevertheless considered an improvement over those albums.

When We All Fall Asleep, Where Do We Go? is the debut studio album by American singer-songwriter Billie Eilish. It was released on March 29, 2019, by Darkroom and Interscope Records in the US and Polydor Records in the UK. Eilish, aged 17 at the time of release, largely wrote the album with her brother Finneas O'Connell, who produced it at his small bedroom studio in Highland Park, Los Angeles. Musically, When We All Fall Asleep, Where Do We Go? is a pop, electropop, avant-pop, and art pop record, though it also features influences from hip hop and industrial music. Its songs explore themes such as modern youth, drug addiction, heartbreak, suicide, and mental health, with lyrical sensibilities of humor and horror. The album's title comes from a line in the song "Bury a Friend". Eilish said the album was inspired in part by lucid dreaming and night terrors, which are reflected on the cover photo. Upon release, When We All Fall Asleep, Where Do We Go? received universal acclaim and was one of the year's most acclaimed albums.

Life and Love is an album by singer and songwriter Leon Russell. The album was recorded in Russell's new studios, Paradise Studios in Burbank, California, and produced and written by Russell. The album was first released as a vinyl LP, 8-track tape and cassette tape by Paradise Records and Warner Records in 1979, and re-released on CD in 2007 and 2012. Russell used electronic drums on this album for the first time, courtesy of Roger Linn who had invented the Linn LM-1, a pioneering version of the drum machine, making Russell an early user of this new instrument. Roger Linn started a company Moffett Electronics to sell his electronic drums at the same time as Leon's Life and Love album in 1979.

Although Free made excellent studio records, Free Live! is perhaps the best way to experience the band in all its glory. Led by singer-guitarist Paul Rodgers and lead guitarist Paul Kosoff, the band swings through nine songs with power, clarity, and a dose of funk. Of course, the hit single "All Right Now" is gleefully extended, much to the audience's and listener's delight. Superbly recorded by Andy Johns, this is one of the greatest live albums of the 1970s.

Following the highly successful releases of the Steven Wilson's remixes of The Power And The Glory and Octopus, Steven has now remixed a specially curated selection of songs and compositions from the band's first three albums (Giant, Acquiring the Taste, Three Friends) presented in both 5.1 surround sound and stereo. Only a few songs from each of the band's first three albums are known to exist as multi-tracks, with the rest presumably lost, and it is these nine tracks - plus the previously unreleased pre-debut song 'Freedom's Child' - that have been remixed by Steven Wilson for this very special release.

Rhino released a new David Lee Roth box-set, The Warner Recordings 1985-1994, which features newly remastered versions of the former Van Halen lead singer’s first five solo releases. Roth released his debut EP, Crazy From The Heat while still a member of Van Halen. Consisting of cover versions, it was a hit, reaching number 15 on the Billboard 200. Following on from this success, David Lee Roth departed Van Halen in the summer of 1985 and his first solo album, Eat ‘Em and Smile, would follow in the July of 1986. More straightforwardly ‘rock’ than his EP, it still retained some of the wide-ranging tastes explored previously, including a cover of Frank Sinatra’s ‘That’s Life’. 1987’s Skyscraper, included the hit ‘Just Like Paradise’ and 1991’s A Little Ain’t Enough continued Roth’s run of success, with another top 20 placement on the Billboard 200. 1994’s Your Filthy Little Mouth was produced by Nile Rogers although the shifting musical landscapes, especially the emergence of grunge, meant Your Filthy Little Mouth would not match the success of Roth’s previous albums, in America. The new box set features the debut EP and the following four albums as a 5CD set in a clamshell box.

Bob Dylan's Greatest Hits Vol. II, also known as More Bob Dylan Greatest Hits, is the second compilation album by American singer-songwriter Bob Dylan, released on November 17, 1971 by Columbia Records. With Dylan not expected to release any new material for an extended period of time, CBS Records president Clive Davis proposed issuing a double LP compilation of older material. Dylan agreed, compiling it himself and suggesting that the package include a full side of unreleased tracks from his archives. After submitting a set of excerpts from The Basement Tapes that Davis found unsatisfactory, Dylan returned to the studio in September 1971 to recut several Basement songs, with Happy Traum providing backup. The final package included one previously uncollected single, "Watching the River Flow", an outtake from the same sessions, "When I Paint My Masterpiece"; one song from Dylan's April 12, 1963 Town Hall concert, "Tomorrow Is a Long Time", and three songs from the September sessions, "I Shall Be Released", "You Ain't Goin' Nowhere", and "Down in the Flood". The remaining tracks were drawn from existing releases.

Midwinter Graces is the 11th studio album by singer-songwriter Tori Amos. Released on November 10, 2009, through Universal Republic Records, it is the first seasonal album by Amos, and is also notable for marking a return for the artist to a more classical, stripped-down, baroque sound with various synths, string-instruments, the harpsichord and Amos' own signature Bosendorfer piano at center stage, once more. The album, like previous releases from Amos, is available in a single form CD or a Deluxe edition which includes 3 bonus tracks, a 20-page photo book, and a DVD containing an interview with the artist.

After Arthur Brown briefly ascended to stardom via the Crazy World of Arthur Brown's only album, it was a long three-year gap until the release of the next LP bearing his lead vocals, Kingdom Come's Galactic Zoo Dossier. (Although the material on Brown's Strangelands had been recorded in the interim, that record wasn't released until the late '80s.) And if not for Brown's immediately recognizable vocal histrionics, it could be the work of an entirely different artist. The Crazy World of Arthur Brown's exhilaratingly jazzy, madcap psychedelia had been jettisoned for far darker excursions into mordant early progressive rock.

Barclaycard presents British Summer Time Hyde Park, kicks off festival announcements for 2018 with another world-class headliner and the promise of yet another legendary night in the park. Pink Floyd visionary Roger Waters becomes the latest in a long line of era defining artists to grace Hyde Park – one of music’s most spectacular showmen at the greatest outdoor venue in the world. This new tour promises to be no exception, following months of meticulous planning and craft, it will inspire crowds with its powerful delivery to take the audience on a musical journey. Roger Waters – Us + Them will showcase highlights from Waters’ groundbreaking body of work, with songs from Pink Floyd’s greatest albums (Wish You Were Here, The Wall, Animals, Dark Side of The Moon), along with tracks from his critically acclaimed new album “Is This the Life We Really Want?”.