Absolutely incredible soundboard recording of this fantastic performance. If you are a big fan of the Adore era of this band in 1998, then this is a must own. Live at the Viper Room 1.15.98 is a live album by The Smashing Pumpkins documenting the January 15, 1998 solo acoustic performances by Billy Corgan and James Iha at the The Viper Room. It is the second installment of the archival series after Live at Kawasaki 2.24.92, though Live at the Viper Room shipped first. In this edition, Iha debuts his solo material for Let It Come Down, while Corgan debuts the new songs for Adore, both only on acoustic guitar.

1965 release. Second LP from the best selling book "Are You Running With Me, Jesus?". Produced by Teo Macero.

He's there in the classic "Great Day in Harlem" photograph, but it would have been hard to take many photos of happening jazz bands or Harlem scenes from the '30s and '40s without Emmett Berry's smiling face. Not that he would be smiling; actually, he would probably be too busy playing trumpet. Jazz fans have enjoyed this blowing, sometimes without knowing his name.

In the golden age of the British R&B revival, few groups created as much excitement and controversy as the Pretty Things. They came up alongside the Rolling Stones in the early 1960s, but were deemed by critics and fans as wilder and bluesier than even Mick Jagger & co. When long-haired Phil May sang and shook his maracas with manic intensity, audiences and record buyers knew they were in for a wild ride.

Rock'n'roll can pretty much burn off pure mythology alone, but what happens when the soap opera of drug abuse and broken friendships threatens to overwhelm the music?

2014 two album set curated by Techno duo Blank & Jones. ZTT is the label from superstar producer Trevor Horn and was founded in 1983 together with Paul Morley and Jill Sinclair. The label's mix of perfect Pop music, new recording and sound technologies, great artwork and marketing gave artists like Frankie Goes to Hollywood, Propaganda and the Art of Noise the perfect home to conquer the world.

After building a career providing back up vocals to some of the biggest names in rock and roots music, Terry Evans has come to the forefront in recent years as a concert headliner and recording attraction. Join Terry, Ry Cooder and friends on Puttin' It Down, the incredible follow up to Terry's critically acclaimed '94 release, Blues For Thought. Puttin' It Down is a journey directly to the center of Terry Evans soul!

A cool-toned Austrian jazz vocalist, Simone Kopmajer sings in flawless English. For "Taking A Chance On Love" Simone is backed by John Di Martino, George Mraz, Tim Horner, Houston Person and Dick Oatts, on this 10-track SACD full of jazz's favorite staples from George Gershwin, Antonio Carlos Jobim, and many more!

Prolific Danish drummer Emil de Waal has come to be known for his unique and personal contributions to a wide variety of musical projects in jazz, pop, rock, and electronica, including Kalaha, Baghdad Dagblad, Maluba Orchestra, and his own quartet to name a few. Well versed in the art of collaboration, his new record is his first solo undertaking, combining his jazz musicianship with his affinity for the off-kilter and electronically manipulated.

"Solidification" is a quite stunning 7LP box that includes Arve Henriksen's Rune Grammofon albums "Sakuteiki", "Chiaroscuro" and "Strjon", all with added bonus tracks, as well as a brand new album called "Chron", his first since his ECM album "Cartography". If that isn't enough the package includes two DVDs with all 56 tracks as Hi-Res files in original master quality (24/44 or 24/96 has placed on DVD).

A platinum-selling singer, Esther Phillips had a long and storied career and all of her recordings for KUDU (sub-label of CTI) have something nice on them, but this is probably the best one. The credits for “From A Whisper To A Scream“, Esther’s 1972 Kudu debut - considered by many to be her finest album for the label - lists such renowned players as Hank Crawford on sax, Eric Gale and Cornell Dupree on guitar, Bernard Purdie on drums, Richard Tee on keyboards and Gordon Edwards on bass. Also enlisting the cream of background singers (Joshie Armstead, Hilda Harris and Tasha Thomas) giving Esther just the right vocal cushion for her blues-tinged interpretations of works by everyone from poet/singer Gil Scott-Heron and the great Marvin Gaye to New Orleans legend Allen Toussaint and soul man Eddie Floyd.

Brilliant technical jazz drummer with phenomenal career, including collaboration with genre's top names and an unlikely rock'n'roll era hit. Lyrical is a word sometimes used to describe Cozy Cole's drumming style because his melodious technique goes far beyond mere beat-keeping. The recordings that appeared under his name in the late '50s and '60s are mostly big-band jazz instrumentals that emphasize the drums. Cole is cited as an influence by many contemporary rock drummers, including Cozy Powell, who took his nickname "Cozy" from Cole.

You probably know Al Hirt as the great New Orleans Dixieland trumpet player. But here's another side of Al Hirt. This is - one of Al Hirt's grooviest records – and a set that definitely lives up to the "soul" in the title! The album's always in demand for the excellent sample cut "Harlem Hendoo", but it certainly isn't a one tracker – thanks to composer Paul Griffin and arranger Teacho Wiltshire, as Hirt gets un-characteristically funky on tunes like "Honey Pot", "Mess Around", "Girl", and "Love Ya' Baby".

Manuscript number Mus. Ms. 31528 of the British Library, London, is a collection of 46 undated works for violoncello. Of these at least 30 are autograph works from Giuseppe Dall’Abaco (a mix of solo sonatas with basso continuo, 2 virtuoso cello duos, as well as 1 ‘Duetto’ of debatable provenance) including his unpublished „Op.1“ (XII Sonate | Per il Violoncello, e Basso | Del Sig. Giuseppe Barone | Dall’Abaco). The very high quality script, along with the appearance of bass figures at critical moments, strongly suggests that this set of pieces was in preparation for publication. The manuscripts of the remaining 18 sonatas are not so carefully prepared, including scribbled revisions, and are in need of some final corrections. Furthermore, the bass line appears almost entirely without figures, leaving ambiguity as to which instrument(s) would have made up the continuo section.

Rythm Rhyme Revolution (Barrie Sharpe & Gareth Tasker): Gareth plays & Barrie produces. Their sound is individual - based upon the funk of the 70s – however, with a totally modern production…