This Soviet production filmed live at the Kirov conveys the full beauty of Tchaikovsky's vision. It is a poetically tender work which was confirmed by Tchaikovsky himself in 1878 when he said I played the whole of Eugene Onegin, the author was the sole listener, the listener was moved to tears. Eugene Onegin is Tchaikovsky's most lyrical operatic work. While composing it, he wrote he was filled with indescribable pleasure and enthusiasm. The opera is based on Pushkin's novel in verse and was first produced in Moscow on March 29, 1879. Featuring Sergei Leyferkus as Onegin, Yuri Marusin, Tatiana Novikova, Larissa Dyadkova.

200 Years After The Last War (1974) only shares the title track, a metaphoric piece about birth control in a totalitarian system, with the original legendary banned Hungarian version "200 évvel az utolsó háború után". The almost 20- minute "suite" on side A, originally released on OMEGA 5 in 1973, combines various influences from which the Hungarians developed their own style at the time: Blues, early Pink Floyd, Led Zeppelin and Deep Purple.

Unbridled joy springs eternal from Halfway Home by Morning. Recorded live off the floor in Nashville, Tennessee, celebrated songwriter Matt Andersen's tenth album collects all the essential elements for a down-home ramble and shoots them through with enough electrifying energy to drive the rock 'n' roll faithful to simmer, shimmy, and shake. Over it's lucky 13 tracks, he explores every facet of his sound-sweat-soaked soul, incendiary rhythm and blues, heartbroken folk, and gritty Americana-and binds them together with palpable heart, as the band leaves everything they've got on the sweet old hardwood of the Southern Ground studio, in the same spot that legends like Neil Young, Emmylou Harris, and Jerry Lee Lewis turned up the volume 'til it couldn't go up anymore. Halfway Home by Morning is the sound of an artist doing what he was born to do.

Inside the Cable Temple incorporates progressive rock, Chinese traditional folk, and jazz to create a very warm and inviting musical journey. Most of what you hear on this record is incredibly mellow and ethereal folk rock with the occasional increase in musical intensity in the form of groovy prog rock or smooth jazz. Much of it is the musical equivalent of peacefully floating by on a cloud although there are little surprises here and there that change the pace and scenery.

Upon leaving the Go-Go's, Belinda Carlisle felt no compunction in leaving behind the band's energetic new wave. On her own, she dove right into the mainstream with the assistance of producer Michael Lloyd, embracing the big radio-ready sheen of the mid-'80s on her 1986 debut, Belinda…

This album includes a repertoire of Nordic composers influenced by French impressionism and Debussy’s music in particular. In Finland, both Toivo Kuula and Leevi Madetoja are known for taking influence from impressionism. After spending extensive time at the National Library in Oslo I decided to add songs by Alf Hurumin and with the helpful advice from the principal of the Norwegian State Academy of Music, Astrid Kvalbein, Pauline Hall. Juho Alakärppä brought in Gösta Nystrom`s Sånger vid havet. This work was originally written for Finnish soprano Aulikki Rautava.

After starting out as an unsuccessful pop singer (working under the name Vance Arnold), Joe Cocker found his niche singing rock and soul in the pubs of England with his superb backing group, the Grease Band. He hit number one in the U.K. in November 1968 with his version of the Beatles' "A Little Help from My Friends." His career really took off after he sang that song at Woodstock in August 1969…

Fragile was Yes' breakthrough album, propelling them in a matter of weeks from a cult act to an international phenomenon; not coincidentally, it also marked the point where all of the elements of the music (and more) that would define their success for more than a decade fell into place fully formed. The science-fiction and fantasy elements that had driven the more successful songs on their preceding record, The Yes Album, were pushed much harder here, and not just in the music but in the packaging of the album: the Roger Dean-designed cover was itself a fascinating creation that seemed to relate to the music and drew the purchaser's attention in a manner that few records since the heyday of the psychedelic era could match…