AC/DC remained a popular concert draw throughout the '80s, although such albums as Flick of the Switch and Fly on the Wall failed to replicate their mass U.S. commercial success of 1980-1981 (Back in Black, For Those About to Rock, a reissue of Dirty Deeds). But the successful soundtrack for Stephen King's lackluster movie Maximum Overdrive, titled Who Made Who, put AC/DC back on the right track commercially…

A tremendous debut album, and indeed one of the best first-time outings in rock history, introducing the band's fusion of rock, blues, classical, jazz, and poetry with a knock-out punch. The lean, spidery guitar and organ riffs interweave with a hypnotic menace, providing a seductive backdrop for Jim Morrison's captivating vocals and probing prose…

On April 1, 2022, Steinway & Sons releases Andrew Rangell's recording of Bach's The Well-Tempered Clavier, Book 2 (STNS 30176). Pianist Andrew Rangell's debut recording—released thirty years ago—featured Bach's Goldberg Variations, F-sharp minor toccata, and the two Ricercares from "A Musical Offering". Over the course of many years, the verve, beauty and originality of Mr. Rangell's Bach playing have been evidenced in a steady progression of interpretations: The Partitas, French Suites, Well-Tempered Clavier (bk.1), The Art of Fugue, English Suites, Inventions, Sinfonias, and many other individual pieces. This second book of the WTC now brings to completion a journey and survey which was never firmly planned as such. This is because the pianist's embrace of Bach has run parallel with other deep involvements, beginning with Beethoven, but also exploring repertoire ranging from Sweelinck, Gibbons, and Farnaby to Ives, Nielsen, Enescu, Schoenberg and a host of other 20th century voices. Schubert, Haydn and Chopin also receive special attention within the artist’s rich discography. Rangell's Bach survey ends with this second book of the WTC in sparkling, free-spirited performances.

The English composer-pianist Freda Swain (1902–85) left a huge legacy of music that was largely unknown even while she was alive. Her compositions – hundreds of them, in a series of large boxes – found their way to the Swiss pianist Timon Altwegg, who begins his survey of her piano music with Swain’s three mighty sonatas. They are astonishing discoveries: big-boned, virtuosic pieces, full of wild energy, crossing from late Romanticism to a more modern idiom – from Rachmaninov to Bartók, so to speak – and with Bax’s fondness for Celtic seascapes and a hint of Debussyan Impressionism.

The Swiss oboist, composer and conductor Heinz Holliger is without doubt one of the "grand old men" of the European classical music scene. Now in his 83rd year, the busy all-round musician is still bursting with verve, curiosity and the desire to make music. His latest album is called "Les Roseaux Chantants" ("The Singing Reed Flutes"), an allusion to the double reed with which the notes on the oboe and the cor anglais are made to sound. Works were chosen that were composed for the unusual combination of two oboes plus English horn. A tonally attractive combination, as the works by Beethoven, Wranitzky, the Swiss composer Rudolph Ganz and, last but not least, Heinz Holliger himself, impressively demonstrate.

Calling All Stations (stylised as …Calling All Stations…) is the fifteenth studio album by rock band Genesis. Released in 1997, the album was recorded following the departure of longtime drummer/vocalist Phil Collins from the band in 1996, leaving only keyboardist Tony Banks and guitarist/bassist Mike Rutherford from earlier incarnations of the band…

Guitarist Skopelitis' dustpan approach to world music sweeps various ethnic instrumental grit and grime into the whirling blades of co-producer Bill Laswell's shop-vac. Contributing to the unholy mess are Foday Musa Suso on kora, oudist/violinist Simon Shaheen, gospel organist Amina Claudine Myers, percussionists Zakir Hussain, Aiyb Dieng and Guilherme Franco, drummer Jaki Liebezeit, bassists Bill Laswell and Jah Wobble, and, consistently providing the most bracing moments, Bachir Attar (leader of the Master Musicians of Jajouka) raising hell on the plague-of-locusts vernacular oboe, the rhaita. When Ekstasis's free-floating anxiety is at its peak, it could almost be the disc that Can fans have been waiting for since Ege Bamyasi.

An ancient hero, a dragon, a young goddess: love and glory are at the heart of Lullys first opera, first performed in front of Louis XIV. As in his previous works - divertissements, ballets de cour and comédies- ballets - Lully makes the voices and the orchestra sparkle, multiplying the pieces which stand out and that were appealing to the court. But with the help of the librettist Philippe Quinault, he introduced the dramatic force of French classical tragédie in an exclusively musical work: and here the audience was bewitched by the mythical love stories so sumptuously portrayed.

Following our collection of German baroque virtuosic recorder concertos two years ago, Michael Schneider now turns to baroque Italy. Schneider shows just what wonderful recorder discoveries can be made in Italy in addition to Vivaldi's works, which he has also presented on cpo.