Digitally remastered and expanded edition of this 1985 release including bonus tracks. Dangerous Music was starting to generate good sales figures when his record company (Bronze Records) went bust and the record vanished from the shops. Now it's back 25 years later, with bonus tracks and eagerly awaited by fans all over the world. Robin George enjoyed a worldwide hit single in 1985 with Heartline and his stock was high as he entered the studio to record a follow up to his critically acclaimed album Dangerous Music. The album had the working title Dangerous Music II and was produced by acclaimed producer Gus Dudgeon. By the end of 1986 the album was completed and ready to go but his then management company went to market and because of the success of Heartline sought ridiculous advances and as such the album was never released-until now.

This set from Rhino's Original Album Series collects five albums from British blues rockers Ten Years After. Spanning a four-year period between 1969 and 1972, this five-disc box covers what is considered the Nottingham-based group's more prolific and successful era. Beginning with their third studio album Ssssh (1969), the set also includes Cricklewood Green (1970) and Watt (1970) from their tenure on the Deram label. The following year, the band switched to Columbia and released A Space in Time (1971) and Rock & Roll Music to the World (1972), which round out this collection.

Something about the 1975 Loss Leader, I Didn’t Know They Still Made Records Like This, seems a little different… yet the same. Starting with the album cover, whose design reeks of some long-ignored graphics designer and photographer teaming up to hatch a surefire scheme to meet hot cover models. Then there’s the curious song selection. It’s always great to hear Van Morrison’s “Moondance,” but the album it came from was released five years prior, in 1970, while Randy Newman’s “Mama Told Me Not To Come” comes from his already ancient ’71 live album. Joni Mitchell’s “Carey” is from her 1971 LP, Blue, and Arlo Guthrie’s cover of “City Of New Orleans” was first issued in 1972. Now… these are all great songs, and considered ‘should-owns’ for any collection, but on the surface it looks like Warners didn’t have any new music to promote. Perhaps they were just pushing the back catalog, or maybe it’s as the cover suggests… they don’t make records like this anymore, and here are some of them again to remind you. The uncredited liner notes offer no reasoning, and are more historical than revelatory. So, I Didn’t Know They Still Made Records Like This ends up being an oddball entry in the ongoing series… one that wasn’t even advertised all that much (if at all) via inner sleeves, either. All the while stylistically seeming like an earlier edition in the series, thanks to the older material. Something I didn’t know (or just refused to remember) is that Leo Sayer’s career was kickstarted when The Who’s Roger Daltry specifically picked him to write songs for his debut solo album. Now you know who to blame.

The canon is one of the rare musical forms that actually has the same name as the technique involved in writing it. In that respect, a canon implies concentration on rigorously musical questions; in reality, if one wished to broach the concept (which in fact strikes me as rather suspicious and fantasy-like) of pure music, it would almost certainly be necessary to tackle this form.

Saxophonist and composer Julian Siegel is back for his fourth release on Whirlwind. Tales from the Jacquard is his most ambitious musical feat to date, assembling the stellar forces of the Julian Siegel Jazz Orchestra. Following the acclaimed Julian Siegel Quartet release Vista and the influential co-led Partisans album Nit de Nit, Siegel solidifies his reputation as one of Europe's most celebrated artists working across jazz and improvised musics.

The Outfield's brisk pop sound gave them five Top 40 singles within the span of five years. Their sound is comprised of remnants of classic rock which is soothed by the fluidness of Tony Lewis' voice, and a front-line guitar attack driven by John Spinks. Big Innings is a generous, 16-track compilation made up of the Outfield's hits as well as their unreleased and B-side material, offering a delightful roam through their short-lived stint. With "Your Love," "All the Love in the World," and "Voices of Babylon" representing some of their greatest chart successes, the rest of the collection still houses many other pleasing contributions. The effectively encumbered guitar charge of "Since You've Been Gone" from 1987's Bangin' stands out, as does the sheer charm of "For You" off of 1990's Diamond Days. Although acoustic tracks such as "Alone With You" and "Through the Years" appear in mono, they are welcomed just the same. The disappointing Rockeye album contributes its two best efforts in "Closer to Me" and "Winning It All," while "One Hot Country" from the If Looks Could Kill soundtrack is the set's weakest contribution, sounding glitzy and overly effusive even for the '90s. Still, with only one or two feeble tracks, Big Innings is a more-than-sufficient hits package.

This studio recording finds Kaufmann and Pappano reunited after their 2017 staged run at Covent Garden—the tenor’s first Otello. It’s an elegant performance: Pappano follows the letter of the score with great attention to detail, drawing magnificent playing from his Roman orchestra, with lyricism the defining quality. Kaufmann’s Otello matches his conductor’s approach and his baritonal tenor easily embraces the full range of this formidable role. It’s a well-thought-out performance that gives much pleasure. Federica Lombardi’s Desdemona develops convincingly throughout the opera and truly touches the heart. Carlos Álvarez makes Iago an introspective schemer. Well worth your attention.

With signs of a resurgence of interest in big bands in the late 1950s, Maxwell Davis came up with the idea of producing a series of albums for Crown Records recorded in the finest stereophonic sound, in a tribute to such legendary bandleaders as Duke Ellington, Count Basie, Lionel Hampton, Woody Herman, Charlie Barnet and Stan Kenton, among others. For this purpose, he wrote all new arrangements and reimagined and conducted a number of tribute bands to perform the music with the signature spirit that made their original leaders famous. The personnel for each album consisted primarily of prominent members and soloists who performed with the original bands, with additional valuable contributions from some of the best jazz musicians working in the Hollywood and New York studios.

Here we have the type of disc that fills in the cracks, a discovery of several unrecorded byways of Schutz’s miscellaneous secular oeuvre. Of course, the seventeenth century being what it is, secular and sacred are deliberately dovetailed into a cultural pea soup: these works – so different from the thoroughly Mediterranean Op. 1 Madrigals – are embedded in the literary morality of the age (how typical and reverently set is the text of Haus und Guter: “house and goods are inherited from one’s parents, but a pious and virtuous wife is from the Lord. He who finds a wife, he finds something good and receives blessings from the Lord”) and are not entirely profane.

"Simply the Best Movie album" is an album released at the end of 2001 in Warner Musics "Simply the Best" series. The album includes moviehits from the soundtracks of some of the biggest Hollywood blockbusters, both recent and cult classics. The album is released in both a one disc and a two disc edition.

A very diverse collection of protest-songs, folksongs, etc from all over the world, but performed in the native language of the band, danish. The songs include Joe Hill, El Pueblo Unido and one of the more beautiful hymns of football (a commission from the Danish Football Union)"Stjerneskud"…

The spectacular 25th Anniversary Gala Performance of this acclaimed new production of the global stage sensation was described as “the most thrilling, soaring and emotionally stirring musical with magnificent performances” by the Daily Telegraph and “the greatest musical of all time” by the Daily Mail. The epic love story tells the tragic tale of young bar girl Kim, orphaned by war, who falls in love with American GI Chris – but their lives are torn apart by the fall of Saigon. The special gala finale also features appearances by the original cast including Jonathan Pryce and Lea Salonga.

Singer Anette Olzon (ex-Nightwish) will release her new solo album "Strong" via Frontiers Music. This will be Anette's second solo album after 2014's "Shine" and offers a heavier, faster musical offering compared to her debut.

Something Good Will Happen marks another defiant chapter for MarthaGunn, who consistently prove they are worth their weight in gold through honest and conscientious song-writing, partnered with pristine pop melodies. This is the sound of a band ever evolving their euphoric sound, where nuanced production and kaleidoscopic samples lift them into the stratosphere.

The most interesting archival release of the Rolling Stones since More Hot Rocks, 20 years ago, and the first issue of truly unreleased material by the Stones from this period. And the Stones have some competition from the Who, Taj Mahal, and John Lennon on the same release…