From exceeding a billion streams to being championed by Taylor Swift and playing shows with everyone from Coldplay to Stevie Nicks, Nina Nesbitt's career has taken her from highlight to highlight - with her most recent being the release of 'Mountain Music' last year.

10 years after of Seong-Jin Cho's first prize victory in the 2015 Warsaw Chopin Competition, during which the young Korean pianist ascended into stardom with a Deutsche Grammophon discography that includes Liszt, Brahms and Debussy, he prepares a monumentous body of work for the 150th birthday anniversary of Maurice Ravel. Released in three installments over three months, including 'The Complete Solo Piano Works', Ravel's Concerti and a 'Ravel Complete' box set with bonus material and previously unreleased recordings, 2025 will cement Cho's place at the top of the Classical world.

When Dana Margolin started working on the fourth Porridge Radio album, there was something different in how the songwriter approached creativity.

ONE OK ROCK have announced plans to release their much-anticipated, new album DETOX on February 21, 2025. Featuring a number of acclaimed producers including multiple Grammy winner Rob Cavallo and Grammy nominees Dan Lancaster and Pete Nappi, DETOX marks the band’s 11th full length, studio release and arrives as the band celebrates their 20th anniversary next year.

Tate McRae's third album opens with a warning: "Nah, seriously, get your hands off my man." Right away, you know that Tatiana is in control. Beyoncé has Sasha Fierce, Gaga had Jo Calderone, Nicki Minaj has countless onstage alter egos; McRae, who has described herself as a "pretty reserved Canadian," slips into this "feisty" and "obnoxious" (her words) character to leverage dance-floor sex appeal. And Tatiana comes with an A-list army: producer Ryan Tedder, guest stars including McRae's boyfriend Kid Laroi ("I Know Love"), and hit-making songwriters like Julia Michaels and Amy Allen (who have credits on Sabrina Carpenter's biggest hits as well as that aforementioned opener, the slinky slow roll "Miss possessive"). Their aim is true on So Close to What, but sometimes McRae's own firepower is a little lackluster.

Esce il 14 febbraio ETNEA (DIAMANTE EDITION), la nuova versione dell’ultimo album di inediti di Marcella Bella, in occasione del suo ritorno in gara, per la nona volta, alla 75ma edizione del Festival della Canzone Italiana.
L’album, disponibile in formato CD, contiene Pelle diamante, il singolo in gara a Sanremo, e gli inediti Fino alla fine del mondo e Tacchi a Spillo Remix by Morris Corti.

Gut Bucket Blues from Little Freddie King aka Dr. Bones. Dose of blues medicine that keeps him moving forward. Like a fine wine, these songs are the best yet from an 84-year-old blues man.

Clifford Benjamin Brown (October 30, 1930 – June 26, 1956) was an American jazz trumpeter, pianist and composer. He died at the age of 25 in a car crash, leaving behind four years' worth of recordings. His compositions "Sandu", "Joy Spring", and "Daahoud" have become jazz standards. Brown won the DownBeat magazine Critics' Poll for New Star of the Year in 1954; he was inducted into the DownBeat Hall of Fame in 1972.

For his debut recording with Ad Fontes, Matthew Martin has brought together a recital showcasing two of the greatest organist-composers of twentieth century France. Durufle, a notorious perfectionist, looked to his profound faith and the great lineage of French composers - Debussy, Dukas, Faure and Ravel - for inspiration. Alain, an ardent voice in the avant-garde, developed his own distinctive language before his tragic death in 1940, aged just 29.

An impressive discography comprising more than 30 albums: That is the balance sheet of his more than 50-year musical career. The rock musician and singer Mitch Ryder has long since become a legend. With his band “Mitch Ryder & The Detroit Wheels”, he had his first hit in 1965 with “Jenny Take A Ride!”. Two years later, he tried it solo, but the hoped-for success failed to materialize. Disappointed, Ryder turned his back on music. However in the 70s, he became famous through his legendary appearance on the WDR Rockpalast night.

To mark the 40th anniversary of his debut recording as a bandleader in 1984, alto saxophonist Jim Snidero set out to create something special with his 28th album-and his second trio project to date with jazz masters Peter Washington on bass and Joe Farnsworth on drums. Fresh off the success of For All We Know (Savant), particularly the standout track "Parkers Mood", Snidero felt the time was right to pay tribute to Charlie Parker, an artist he regards as "the king of the hill." Ranked among the top five alto saxophonists in Down Beat's 2024 Critics Poll, Snidero is more than qualified to honor one of the bebop pioneers.

Richard Baratta has worn many hats over the decades; master drummer, Grammy nominee, film producer, musician, but his latest headwear takes us down a nostalgic road of classic rock and soul recordings from the mid to late 1960's. Here on his most recent recording Baratta, together with his working band, explores such tunes as "Blowin' in the Wind," "Purple Haze," "I Feel Good," "Lucy In The Sky With Diamonds," "Whole Lotta Love," "Respect," and other rock mega-hits. With a real all-star ensemble on hand, the arrangements by pianist Bill O'Connell, are thoroughly swinging affairs with a fresh, unique approach and a funky Latin Jazz feel. As with his Music in Film series, Richard Baratta proves himself to be a gifted innovator at transforming familiar, and often surprising, material into vibrant jazz performances that bring new concepts to these truly iconic tunes and underline their timeless appeal.

Elvis Aaron Presley[a] (January 8, 1935 – August 16, 1977), known mononymously as Elvis, was an American singer and actor. Known as the "King of Rock and Roll", he is regarded as one of the most significant cultural figures of the 20th century. Presley's energized performances and interpretations of songs, and sexually provocative performance style, combined with a singularly potent mix of influences across color lines during a transformative era in race relations, brought both great success and initial controversy.

Giovanni Battista Velluti, born in 1780, was the last heir of the great Italian castrati. His exceptional voice, both powerful and agile, and his impressive vocal mastery opened the doors to the most prestigious opera houses in Europe. His talent for highly complex vocal ornamentation had a lasting influence on the style of vocal interpretation in the 19th century. Franco Fagioli immerses himself in Velluti's theatricality to recreate the full extent of his genius, and gives a superb performance of his most famous roles, accompanied by the Orchestre de l'Opera Royal de Versailles.

This volume concludes the complete Sibelius symphonies performed by the Gothenburg Symphony Orchestra under Santtu-Matias Rouvali. This series has already won numerous awards around the world and reaches it's climax here with three of Sibelius' greatest symphonies: Andrew Mellor writes in his introductory text that "we hear music carried by forms of gravitational energy reminiscent of those that govern the course of a river". Rouvali has also chosen to record eight extracts from Sibelius' incidental music for Shakespeare's The Tempest. First performed in March 1926, it is one of Sibelius's final orchestral works and is certainly his most fascinating composition for the theatre.