This batch of re-edited songs from the legendary post-punk label includes dance floor classics ("Annie"), fresh mixes ("Almost Black"), and the odd rarity ("No Turn on Red"). The package will come with an extensive booklet with an introduction by Greg Wilson and sleeve notes by Bill Brewster.

The adventurous New York label that helped to define the sound of early-1980s left-field dance music celebrates its 30th with a comp.

In All Weather is a new collection of songs, in which Josienne Clarke goes it alone; musically, as this is her first solo record, and in her own life, laid bare and played out in the leave-it-all-behind-and-start-anew nature of the lyrics. The songs were written in on the Isle of Bute in 2018, where Josienne relocated for a year, overlooked by a snowy Ben Nevis.

French artist MICHEL ZACHA was a colourful addition to the roster of French artists that was active in the 1970's, his output incorporating elements from a vast number of different stylistic expressions from both sides of the dividing line between mainstream rock and art rock. His creative highlight was the years 1972 - 1977, when he released the concept album trilogy Promesses d'Atlantides, consisting of La Nuit des Cigales (1972), Le Vol D'Icare (1974) and Inutile (1977). Little else is known about this composer and musician today.

Tales of Mystery and Imagination is an extremely mesmerizing aural journey through some of Edgar Allan Poe's most renowned works. With the use of synthesizers, drums, guitar, and even a glockenspiel, Parsons' shivering effects make way for an eerie excursion into Poe's well-known classics…

It is rare when four of the Bolshoi’s greatest stars appear together in their home theatre in one of Russian opera’s masterpieces. The opera was Tchaikovsky’s, The Queen Of Spades, (Pique Dream), and Kultur is proud to present it here, complete, for the first time on DVD. With a libretto written by the composer’s brother, Modest, this tale of terror, with a plot involving obsessive love and gambling, hallucinations and descent into madness never fails to have a profound effect on its audience. The Bolshoi’s production is riveting, with sumptuous sets and costumes, and the famed Bolshoi chorus and corps de ballet are at their most elegant and spectacular.

Although Dennis DeYoung's concept about man being replaced by robots in the near future failed to get off the ground, Kilroy Was Here still harbored two of the band's best singles. "Don't Let It End" almost captures the same endearing qualities as their number one hit, "Babe," did four years earlier, peaking at number six, and the synthesized novelty of "Mr. Roboto" went all the way to number three, accompanied by a lively and rather extravagant Dennis DeYoung at the helm…

The Hawks/The Bees - The Chronological Hawks/Bees 1953-1954 (2005) {Classics Blues And Rhythm Series 5160}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 219 Mb | MP3 @320 -> 130 Mb
Full Artwork @ 300 dpi (jpg) -> 10 Mb | 5% repair rar
© 1953-54, 2005 Classics Records / Classics Blues And Rhythm Series | 5160
Rhythm & Blues / Doo Wop / New Orleans R&B

This wasn't the Canadian band who became the Band; the original members of this Hollygrove-New Orleans gospel quartet called the Hawks – Albert Veal, John Henry Morris, Paul Exhano, and Sam Tophia – began their career by calling themselves the Humming Four and were all part of one of the oldest New Orleans-area groups to form in the post-World War era. They later recorded for Imperial Records' local A&R man Dave Bartholomew, who invited the group to work with some of his R&B groups.