Esteemed pianist James Iman releases his highly anticipated album, “Iman III,” marking the third instalment in his groundbreaking series. Delving into a diverse repertoire, Iman’s latest offering showcases a unique blend of piano works that resonate with the complexities of the human experience.

With "Distant Fragments", Camilo Mendez presents an album of solos and duos that showcase his most intimate and reflective works, creating a rich sound tapestry. While Mechanical Resonance I: Iridescent Resonance explores cloud luminescence through prepared violin and viola, Five Fragments deals with the themes of variation and polyphony. Cancion de la Distancia, on the other hand, reflects the fleeting nature of memory and time, inspired by Arturo’s poetry. Recorded by Roberto Alonso, Linus Fung, William Lane, Angus Lee and Charles Ng, this album offers a subtle and complex musical contemplation.

The miles we travel make up the stories we tell. The soles of your favorite boots or the tread on your prized car's tires soak up the experiences and wisdom of the road under your feet. Born in New England, based in Bozeman Montana, and tried, tested, and proven on the stage across the continent, singer, songwriter, and multi-instrumentalist Madeline Hawthorne pens the kind of tunes you listen to on a cross-country trek to start anew or in the dead of night when you just need a reminder somebody's listening.

Native of Argentina, Florencia Zuloaga is a versatile performer with over a decade of professional performing and teaching experience. As an enthusiastic explorer of diversity through programming, Florencia presents Argentine Portraits, a programme of repertoire written by Argentinean women composers. Featured here are works from Lita Spena and Celia Torrá.

Saxophonist Dan Goble and pianist Russell Hirshfield join forces on SECOND FLIGHT to deliver virtuosic performances of works by a variety of today’s leading composers, several of them winners of GRAMMY® awards, the Pulitzer Prize, and more.

Cat Power is back with her first new album in six years. It’s called Wanderer, and it’s out October 5 via Domino. The follow-up to Sun was produced by Chan Marshall herself and includes a song called “Woman” featuring Lana Del Rey.

Ruben Blades' concept MIXTURA exposes the hope that people will accept music, no matter what the genre is, provided it is done with quality and professionalism. All albums today limit themselves to a specific musical direction, to fill a specific market niche. It is an economic imperative, not an artistic one. SWING! Features jazz songs complemented with a couple of salsa tunes whose arrangements are very reminiscent of the swing era itself.

Ruben Blades' concept MIXTURA exposes the hope that people will accept music, no matter what the genre is, provided it is done with quality and professionalism. All albums today limit themselves to a specific musical direction, to fill a specific market niche. It is an economic imperative, not an artistic one. SWING! Features jazz songs complemented with a couple of salsa tunes whose arrangements are very reminiscent of the swing era itself.

"We're an American Band" is the beloved 1973 classic by Grand Funk. Their genre-bending blend of funk, heavy rock and boogie led to their emergence as one of music’s most iconic rock bands. The album would be certified Platinum by the RIAA and includes the band’s massive hit singles “We’re an American Band” and “Walk Like a Man”. This album included on the National Association of Recording Merchandisers’ “Definitive 200 Albums of All Time”.

"Closer to Home" is the third studio album by Grand Funk Railroad, originally released in 1970 by Capitol Records. Produced by Terry Knight, the album reached RIAA gold record status in 1970, making it Grand Funk's third gold record in one year. The album featured three singles, "Nothing is the Same", "I'm Your Captain (Closer to Home)", and "Mean Mistreater". "Closer to Home" was the album that really helped Grand Funk Railroad break through to a level of commercial success that put them on the same level as Led Zeppelin and Black Sabbath.

"School Days" is the jaw-dropping fourth studio album by GRAMMY Award-winning bassist Stanley Clarke. The album features guest musicians including John McLaughlin, George Duke, Milt Holland, Billy Cobham, Steve Gadd and more. It reached #2 on Billboard’s Top Jazz Albums and features the standouts “Quiet Afternoon” and “The Dancer”. "School Days" highlights Clarke’s riveting compositional skills and irresistible technique. This definitive classic is a favorite among music lovers and bass players.

My Blueberry Nights is notable not only as the first English-language film by director Wong Kar Wai but also for the acting debut of Norah Jones. It's surprising, then, that the soundtrack only includes one song from Jones, "The Story," the only new song on the set and one that Jones has stated reflects her doubts about becoming an actress. It's not appreciably different than anything else Jones has recorded to this point, a slow, jazzy ballad featuring her moody vocals and piano in a trio setting. As for the rest, it's an appealing mix of R&B (Mavis Staples, Ruth Brown, Otis Redding), jazz (Cassandra Wilson), a couple of Cat Power tunes, and the ubiquitous Ry Cooder, who always makes any soundtrack worth a listen.

Seven Steps to Heaven is the eighth studio album on Columbia Records by jazz musician Miles Davis, released in 1963. Recorded at Columbia's 30th Street Studios in Manhattan, and at Columbia Studios in Los Angeles, it presents the Miles Davis Quintet in transition.

Throughout his career, mandolinist David Grisman has performed music that crosses between many boundaries, from "new acoustic" folk to bluegrass and swing-oriented jazz. This set features Grisman's string group (which also includes violinist Darol Anger, Mike Marshall on mandolin, guitar and violin, Mark O'Connor on violin and guitar, and bassist Rob Wasserman) playing six of Grisman's diverse originals, an obscure tune, and a brief rendition of John Coltrane's "Naima." The music is excellent, but Grisman's more jazz-oriented projects would be in the future.

This remarkable audiophile recording pairs together two of jazz’s most legendary players, pianist Bill Evans and harmonica player Toots Thielemans. The duo’s luscious and harmonious performance can be enjoyed on breath-taking covers of Paul Simon’s “I Do It For Your Love” and Michel Legrand’s “The Other Side of Tonight”, as well as on two jazz standards “Body & Soul” and “Blue and Green”. The album would be the final studio recording to feature Evans on electric piano and is a must-have album.