Certainly! "Norman Petty Studios - Garage & Psych Singles 1965-1969" is a compilation album that showcases a selection of garage rock and psychedelic rock singles recorded at the famed Norman Petty Studios during the mid-to-late 1960s. Norman Petty Studios, located in Clovis, New Mexico, was well-known for its association with Buddy Holly and The Crickets, but it also played a significant role in the development of other musical genres, including garage and psychedelic rock.

Soul singer Betty Harris – mainly known for her Jubilee and Sansu recordings – was born in 1939 in Orlando, Florida. As a teenager she worked as a mate for Big Maybelle who encouraged her to start singing. First recording was released in 1962, her major hit was a cover of Solomon Burke’s “Cry To Me” in 1963. Taken at a slower pace, Harris’ rendition turned the song into a Billboard Hot 100 number 23 hit and soon became a deep soul classic. A total of three further singles including a reissue of “Cry to Me” were released on Jubilee with “His Kiss”, which was released on January 4, 1964, another deep soul ballad, reaching the lower part of the Billboard Pop and R&B charts. In 1964, Betty Harris switched record labels to Sansu, a New Orleans label, where she was produced by Allen Toussaint. Her recordings with Sansu produced ten singles and Toussaint raw yet sophisticated Southern soul arrangements behind Harris’ rich, distinctive vocal, are considered prime specimens of the classic soul era. Soul Perfection, originally licensed on UK label Action in 1969 , was in fact a collection of her previous works on Sansu, a rare groove affair rapidly in demand between a crowd of obsessive fans all over the world. Harris retired from performing in 1970 to raise a family and made an occasional return in 2007 with the album Intuition.

An Ode to Stevie Wonder. A sensitive journey between soul and jazz. A rediscovery of Stevie Wonder. By revisiting the genius of Stevie Wonder and his most sensitive (and often least known) titles, Monica Shaka offers an album of absolute finesse, where the subtle breath of Amina Mezaache's flute meets the aerial touch of Richard Razafindrakoto and the all-Ravelian bass of Sava Medan.

Will Gregory Moog Ensemble announce their debut album, Heat Ray, an album inspired by the work of Archimedes, the Greek mathematician who lived and worked in the third century BC. The album - recorded by the ensemble on analogue synthesizer, alongside the BBC National Orchestra of Wales.

Despite his young age, Teodor Wolgers is already a highly meritorious neo-classical composer. His instrumental and often melancholic piano music has already amassed 40 million streams on Spotify alone and his most recent collaboration release, a rework of Daniel Avery & Alessandro Cortini’s 'Illusion of Time' was chosen as Mary Ann Hobbs’ ”Hit Reset Track”, it has received a number of radio plays on BBC Radio 6 and was hailed as ”a cinematic and optimistic masterpiece” by Sian Eleri on BBC Radio 1.

Following the runaway success of his last LP, Boy From Michigan, which crashed the UK Top 10 back in July 2021, legendary singer-songwriter John Grant returns with his hugely-anticipated sixth album, The Art Of The Lie.

Duke Jordan established his credentials as pianist during 1947-48 when he was Charlie Parker's pianist. His composing skills did not emerge until the arrival of hard bop in the mid fifties. Flight To Jordan, recorded on August 4, 1960 was his first full album as a leader and features the distinctive frontline of Stanley Turrentine and Dizzy Reece.

Whistle Stop is a jazz studio album by Kenny Dorham, featuring performances by acclaimed musicians Hank Mobley, Kenny Drew, Paul Chambers and Philly Joe Jones. "In 1975", Blumenthal states in the CD liner notes, "five British critics picked Whistle Stop as one of 200 albums that belonged in a basic library of jazz recorded after World War II".

Sinfonia of London’s second album of works of Kenneth Fuchs features four world-première recordings. Two of the works feature soloists: the Bass Trombone Concerto loosely follows sonata form whilst utilising the full range of the instrument, and revelling in its lyrical side. Eventide, for alto saxophone and orchestra, is a re-working of an earlier concerto that Fuchs wrote for cor anglais.

The Grammy-Award-winning Kenneth Fuchs (born 1956) is without doubt one of American music’s leading orchestral composers. His orchestral output has grown and developed to encompass a wide range of genres, from overtures and tone poems to suites and concertos (ten to date, including ones for string quartet, electric guitar, and piano, the last entitled Spiritualist), inspired by a diverse range of subjects, testimony to his wide sympathies and fields of knowledge.

In their third edition together, the Berliner Philharmoniker and chief conductor Kirill Petrenko pay homage to Sergei Rachmaninoff on the 150th anniversary of his birth.

The dB's are an American alternative rock and power pop group, who formed in New York City in 1978 and first came to prominence in the early 1980s. Their debut album Stands for Decibels is acclaimed as one of the great "lost" power pop albums of the 1980s.

"The Popular Duke Ellington" is a studio album by American pianist, composer and bandleader Duke Ellington featuring many of the tunes associated with his orchestra re-recorded in 1966 and released on the RCA label in 1967.

Piano Conclave the "Keyboard Philharsonic" Coop of leading European jazz pianists: Dubbed “the Keyboard Philharmonic”, and directed by the Swiss master pianist/composer George Gruntz, this 1975 album features six of the greatest European jazz keyboardists of the period. French master Martial Solal, Englishman Gordon Beck, Germans Wolfgang Dauner and Joachim Kuhn, and Netherlander Jasper van’t Hof join Gruntz in a pianistic extravaganza of a particular sort, accompanied by the crack American bass and drum team of John Lee and Alphonse Mouzon.

Passion Fruit is the 1985 album by Jazz saxophonist Ronnie Cuber. This album features George Benson on guitar and other special guests. The album is produced by David Matthews, longtime musical associate of James Brown in the 1970's.