Sky were an English/Australian instrumental rock group that specialised in combining a variety of musical styles, most prominently rock, classical and jazz. The group's original and best-known line-up featured classical guitarist John Williams, bass player Herbie Flowers, electric guitarist Kevin Peek, drummer Tristan Fry and keyboard player Francis Monkman. In September 1984, Sky began recording their seventh album, The Great Balloon Race, in Kevin Peek's Tracks Studio in Western Australia. During the mixing stage, the band learnt that they had been dropped by Ariola Records. The album was eventually released on Epic Records (coincidentally, also the label releasing John Williams' albums) in April 1985. The Great Balloon Race was the first Sky album to feature entirely original material without any classical content, although two pieces ("Allegro" and "Caldando") were strongly classically inspired.

Whole Lotta Blues: The Songs of Led Zeppelin gathers blues artists young and old to either a) perform the original versions of classic blues songs later adapted to fit the Led Zeppelin repertoire, or b) cover Zep originals in traditional blues style…

Terence Blanchard is in top form throughout this highly enjoyable outing. The trumpeter is most memorable on "Dear Old Stockholm" (a song from the 1950's that he helped revive), an emotional "When It's Sleepy Time Down South" and a medley of his "Glass J," the theme from "Mo' Better Blues" and Ornette Coleman's "Lonely Woman." Blanchard, who also plays "Detour Ahead" and four of his originals, is joined by tenor-saxophonist Sam Newsome, pianist Bruce Barth, bassist Rodney Whitaker, either Troy Davis or Billy Kilson on drums and (on "Dear Old Stockholm") the up-and-coming altoist Antonio Hart. The music is tied to the hard bop tradition yet is quite fresh and open to more modern influences.

Oceanborn is the second studio album by Finnish symphonic metal band Nightwish. It was released in Finland by Spinefarm Records on 7 December 1998 and in the spring of 1999 worldwide. This album marked a definitive change in musical scope for Nightwish from their folk-laden roots in Angels Fall First, showcasing a more bombastic, power metal-oriented sound with faster tempos, harmonic guitar/keyboard leads, and plenty of double-bass-heavy drumwork. During that time, Stratovarius was Holopainen's biggest inspiration, hence the power metal sound of the album. Oceanborn's sound hearkens a more dramatic approach in the overall musical scope, mostly relegated to the symphonic keyboard work and lead singer Tarja Turunen's vocals.

Will the real Slim Shady please stand up? On Eminem's sophomore album, he can't decide who he wants to be: the deranged pseudo-psycho of the Slim Shady LP, or a nice guy who just likes to rhyme about slicing and dicing his girlfriend ("Kim"). Of course, according to Eminem, he's just kidding. He refuses to take responsibility for the misogynistic, homophobic bile he spews, whining that he's the victim of people who don't get his unique sense of humor. It's good old America's fault if the kids aren't alright (Eminem blames bad parenting), and he's just capitalizing on Uncle Sam's dark side. On the Marshall Mathers LP, he's ambivalent about his fame, angry at his life, pissed off that people take him seriously, and fightin' mad at boy bands–and a lot of other white people.

Composers Kurt Weill and Hanns Eisler had great success with their songs, creating an unmistakable style that has remained unique with its mixture of popular music, supreme musical sophistication and political claims. Salome Kammer is a versatile artists and an ideal advocate of this music.

Phil Collins' first solo album, 1981's Face Value, was a long time coming, but it proved worth the wait, both for the Genesis drummer/vocalist himself and fans of thoughtful, emotionally charged pop. He'd been wrestling with the idea of doing a solo record for years, finding great inspiration in the pain caused by an impending divorce and craving artistic independence after years of collaboration…

The indefatigable Antonio Florio, along with his associates from Cappella Neapolitana, has succeeded, with a work by Donato Ricchezza, in unearthing another major rediscovery from the Neapolitan Baroque. The labours of Florio – coupled with the ability to turn dry notes on a dusty manuscript into a sumptuous audio feast – can be no better demonstrated than with this release on Glossa of Los Santos Niños: “Oratorio di San Giusto e San Pastore”, written by a composer who was a pupil of the great Francesco Provenzale.

Though seen as a commercial disappointment following 'Agents of Fortune,' 'Spectres' still managed to sell more than half a million copies while giving the world the classic ode to giant monster "Godzilla." The band became a bit more polished on 'Spectres' but without shunning their identity. "I Love the Night" remains one of their most haunting songs, while the less-celebrated "Goin' Through the Motions" may be their most pop-tastic moment.

While the speed-freak adrenaline heaviness and shrouded occult mystery of Tyranny and Mutation is the watermark for Blue Öyster Cult's creative invention, it is Secret Treaties that is widely and critically regarded as the band's classic. Issued in 1974, Secret Treaties is the purest distillation of all of BÖC's strengths. Here the songs are expansive, and lush in their textures. The flamboyance is all here, and so are the overdriven guitar riffs provided by Buck Dharma and Eric Bloom. But there is something else, texturally, that moves these songs out from the blackness and into the shadows.

Although vibraphonist Red Norvo had been on records for nearly 20 years and had been a pacesetter in both swing and bop, it was when he formed his trio with guitarist Tal Farlow and bassist Charles Mingus in 1950 that he found the perfect setting for his vibes.
The Red Norvo Trio with Tal Farlow and Charles Mingus chronicles his 1950-51 recordings with the innovative guitarist and bass player, and are among the most influential examples of what has come to be known as chamber jazz. When economic conditions made touring with a sextet impossible, Norvo decided to dispense with a rhythm section. In Farlow and Mingus he found players who shared his fascination with sophisticated harmonies, and were able to hang with him at the brisk tempos he favored…

VD Featuring the first ever official live film, from Brixton Academy + all BBC performances from Top of the Pops and Later… with Jools Holland, plus the “Nobody Cares When You’re Gone” documentary.

Following the success of his solo recordings, Paolo Zanzu returns at the head of his ensemble Le Stagioni with ‘Officina Romana’, featuring the countertenor Carlo Vistoli. In the early eighteenth century, Rome was one of the great music capitals of Europe. In the space of a few years, Corelli, Handel, Alessandro and Domenico Scarlatti, Caldara, Cesarini and many others crossed paths there, surrounded by painters, sculptors, poets and philosophers who were among the great names of the age. The fruit of long reflection and research, ‘Officina Romana’ crystallises this unique moment in the history of music by recreating an idealised musical evening, a conversazione, a sort of liberal meeting of lofty minds in the palace of a Roman cardinal, with a programme mingling vocal and instrumental music in both orchestral and chamber formation.