Saxophonist Eric Marienthal is among contemporary jazz's busiest talents. On the day that It's Love was released, Marienthal also played a starring role on the Jeff Lorber Fusion entry Galaxy. The two albums reflect Marienthal's varied talents, as both a creative improviser and a lover of groove-oriented popular music. It's Love was produced by guitarist Chuck Loeb, who also appears throughout the set. Also in this studio band are Yellowjackets' keyboardist Russell Ferrante, drummer Gary Novak, and bassist Tim Lefebvre.

The Diorama Box is a limited-edition CD singles box set consisting of the first three singles (The Greatest View, Without You, and Luv Your Life) from Silverchair's 2002 album Diorama, as well as an exclusive single, "After All These Years". The Diorama Box does not include the album's fifth single, Across the Night, which was released at a later date.

Das Laudate pueri ist zwischen 1735 und 1749 für das Ospedale degl’Incurabili in Venedig entstanden. Da es sich dabei um eine musikalische Ausbildungsstätte für begabte Mädchen und junge Frauen handelt, waren die Vokalstimmen ursprünglich nur mit Frauenstimmen besetzt.

There are times when something new comes along at once familiar and yet completely original. The album 'Start to Move' from Elizabeth Shepherd Trio is just that. But what's more she has added her own unique blend of jazz-funk, soul, blues, and samba to the fundamentals of Jazz the album, 'Start to Move' is Elizabeth's debut with Do Right Music, a label which seeks out new talent playing music that is out of the ordinary, and marks the inaugural release of the "Do Jazz" series. Co-produced with John Kong of the Movement Collective, established DJ and Do Right label boss, Elizabeth has put together a mix of original tracks and timeless classics. Her lyrics sing to US her struggle to find a place in a dynamic yet crowded jazz scene, as well as drawing on stories of love and life.

Australian grunge-rock band "Silverchair", formerly known as "Innocent Criminals", were still in high-school when they won a radio contest on Triple J. They managed to build on that momentum into a worldwide success before they had even finished their senior year. The CD Single "Tomorrow" was produced as a result of winning that contest, it was an EP that in 1994 reached #1 in Australia, a year before the album "Frogstomp" was even released.

Inside the music of drummer-composer-singer Israel Varela is a rare mix Among Latin American-Jazz-and Flamenco colors. Ultimately, though, the surprising artist from Tijuana, has figured a way to integrate all three seamlessly in this dynamic and creative band presenting his new album called“The Labyrinth Project” (JANDO Music) blending traditional forms with contemporary Jazz-Latin and Flamenco roots with a unique eclectic and modern style.

While Hasse’s early fame rested above all on his operas, in more recent times it is especially his sacred compositions that have enjoyed immense esteem. This CD features his Te Deum and other sacred works.

Schubert set the poetry of over 115 writers to music. He selected poems from classical Greece, the Middle Ages and the Renaissance, from eighteenth-century German authors, early Romantics, Biedermeier poets, and Heine. The Deutsche Schubert-Lied-Edition presents all Schubert's Lieder, over 700 songs, grouped according to the poets who inspired him.

Inspiration is the ninth studio album by guitarist Yngwie Malmsteen, released on 14 October 1996. It is a tribute album consisting entirely of covers of various bands who influenced Malmsteen. Featured on vocals are Jeff Scott Soto, Mark Boals and Joe Lynn Turner, all of whom performed on Malmsteen's first four studio albums.

The music of the Bulgarian composer-conductor Emil Tabakov (b. 1947) explores the darker side of the human spirit in epic scores as austere as they are powerful. His mighty Seventh Symphony, almost an hour in length, is conceived on a massive scale. The monumental opening Allegro moderato passes through islands of calm during its desperate ride through hell, and is followed by a heaven-rattling funeral march and a wild, swirling dance. The finale opens by stoking up the tension in an extensive slow introduction before the music is once again whipped into a maelstrom of dark, driven energy, piling forward to its inexorable conclusion.

The Trio Klavis (Jenny Lippl, violin / Miha Ferk, alto saxophone / Sabina Hasanova, piano) presents three distinctive arrangements on its new GENUIN album. In their arrangements for piano trio with alto saxophone, the award-winning musicians achieve an astonishing tonal unity in the works of Johannes Brahms (originally with horn), Dmitri Shostakovich (originally with cello), and Ernst Krenek (originally with clarinet). Keyboard, wind, and string instruments join forces to create a true unity, dedicating themselves with tremendous verve to the tonal languages from Romanticism to Modernism in the extremely diverse masterpieces.

Johann Sebastian Bach is commonly understood as the starting point of the violin repertoire. But there was unaccompanied violin music before him, too—and it is truly exciting! The renowned baroque violinist Nadja Zwiener presents this music with her solo debut album on GENUIN. Her inspired recording shows that Bach was able to build his repertoire on a great foundation: Composers such as Johann Georg Pisendel, Johann Westhoff, and even Arcangelo Corelli and Giuseppe Torelli wrote highly challenging works for the incredibly versatile instrument. The concertmistress of the English Concert and the Gaechinger Cantorey takes us on a fascinating journey.

Here is a recording that combines the aesthetic value of music together with the musical works’ historical underpinnings. The pianist Josu De Solaun offers us his interpretation of two of the most significant pieces of the Romantic period: Davidsbündlertänze (1837) by Robert Schumann (1819-1856), the Spring and revolutionary high point of a first Romanticism, and two works by Johannes Brahms (1833-1897), heterodox and conflicting protagonists of an autumnal kind of Romanticism: the Intermezzi op. 117 (1892) and the Klavierstücke op. 118 (1893). At the same time, the performer proposes a title that, on the one hand, supports his interpretative ideas and, on the other, aims to be a guide for our understanding and comprehension of how many singularities articulate the content of the recording: DIGRESSIONS, a title suggesting a kind of reflection that sets in during the flow of the musical works themselves.

As disco became an important part of the international music business, European producers began working in exotic flavors into the disco beat to create unique and competitive recordings. A good example of this trend is Santa Esmeralda, a Spanish-themed studio group that wove elements of flamenco, salsa, and other Latin musical styles into its Euro-disco sound…

"I'm Yours, You're Mine" is a 1996 studio album by the American jazz singer Betty Carter. Recorded in January 1996, this was the last album that Carter recorded before her death in September 1998.
"I'm Yours, You're Mine" peaked at 25 on the Billboard Top Jazz Albums chart.
No doubt Betty Carter's singing is an acquired taste, but to those who have acquired it, she's a uniquely appealing artist. The elongated lines, exotic colors and unusual ornaments she brings to every cut on this recording attest to the singular nature of Carter's singing.