Hundred Seventy Split are a Blues rock power trio featuring Leo Lyons bassist and founding member of Ten Years After, guitarist /vocalist Joe Gooch and drummer Damon Sawyer. The new Hundred Seventy Split Studio-Album has 11 fantastic tracks that will also be performed live on their forthcoming Tour in November. Joe Gooch, Leo Lyons and Damon Sawyer deliver their 3rd studio album full of energetic Bluesrock.

Replacing singer Dave Bickler with former Cobra vocalist Jimi Jamison paid off for Survivor, giving them three Top 20 singles from Jamison's debut on 1984's Vital Signs. His high harmonies, added to the group's well-maintained keyboard/guitar style, threw them into the ring with bands like Styx and Foreigner. Both "High on You" and "I Can't Hold Back" are built on congenial rock charm with an AOR dressiness, using the synthesizer to guide Jamison's energetic singing. Along the same lines as Journey's "Open Arms," the delicate but sternly sung ballad "The Search Is Over" gave them a number four single in May of 1985, bettered only by the number two placing of "Burning Heart" from the Rocky IV soundtrack a year later.

Recorded in 1989, Is That You? is very much a studio session, making ample use of overdubs and Bill Frisell's highly selective doubling on bass, banjo, ukulele, and clarinet, as well as his usual guitars. Producer Wayne Horvitz adds keyboards and some drum programming, with Joey Baron playing drums and Dave Hofstra appearing occasionally on tuba and electric bass.

For the first time on one 2CD set both sides of all Little Richard's important single releases recorded between 1956 and 1957. Includes several of Rock & Roll's most iconic recordings and undeniable classics such as "Tutti Frutti", "Long Tall Sally", "Lucille" and many more. This is the perfect presentation for one of Rock & Roll's greatest artists and his greatest hits. With detailed sleeve notes incorporating.

Little Richard was not the only original rock & roller to attempt a comeback in the late '60s and early '70s, but he may have been the one to take the greatest musical risks. Fats Domino merely updated his sound (albeit in a charming fashion), Jerry Lee Lewis refashioned himself as a hardcore country singer, and Chuck Berry pandered with "My Ding-A-Ling," but Little Richard pushed himself on his three albums for Reprise, all of which were collected – along with his contributions to Quincy Jones' 1972 Dollar$ soundtrack album, non-LP singles, session outtakes, and a complete unreleased album from 1972 called Southern Child – in 2005 by Rhino Handmade for the triple-disc set The King of Rock and Roll.

One of Philadelphia International's most successful artists through the the '70s. His 1977 LP Unmistakably Lou won him a third Grammy for Best Male R&B Vocal Performance and contained the R&B Top Ten hit "See You When I Git There"; later that year, he continued his artistic and commercial hot streak with When You Hear Lou, You've Heard It All and "Lady Love." The title track of 1979's Let Me Be Good to You was his last big hit with Philly International, reaching number 11 R&B. The following year, Rawls kicked off what would become a consuming passion for years to come: the Lou Rawls Parade of Stars Telethon, an annual event which eventually raised millions of dollars for the United Negro College Fund.

Reflecting the label's roots in Jamaica in the late 1950s, this 31-song collection celebrating Island's 25th anniversary includes the definitive reggae anthems "The Harder They Come" by Jimmy Cliff from the classic movie soundtrack of the same name and "No Woman No Cry" by Bob Marley. Capturing the playful side of Jamaica, there's the first hit for label founder Chris Blackwell, the infectious 1963 smash "My Boy Lollipop" by little Millie Small; "Israelites" by Desmond Dekker and the Aces, "Montego Bay" by Amazulu, "Sinsemilla" by Black Uhuru, and a rousing "Funky Kingston" courtesy of Toots and the Maytals. Illustrating how Island grew far beyond the confines of the Caribbean, the album also includes white rockers U2, Traffic, Free, Robert Palmer and Julian Cope. Throw in several ballads such as "Up Where We Belong" by Jennifer Warnes and Bill Medley.

After acquiring a substantial following with Dreamboat Annie, Heart solidified its niche in the hard rock and arena rock worlds with the equally impressive Little Queen. Once again, loud-and-proud, Led Zeppelin-influenced hard rock was the thing that brought Heart the most attention…

Erik Satie - The Complete Solo Piano Music - Jean-Yves Thibaudet (2003) {5CD Box Set, Decca 473 620-2}
EAC rip (secure mode) | FLAC (tracks) +CUE+LOG -> 951 Mb | MP3 @320 -> 916 Mb
Full Artwork @ 300 dpi (png) -> 50 Mb | 5% repair rar
© 2002, 2003 Decca Music | 473 620-2
Classical / Fantasies / Chamber Music / Improvisation / Piano

Jean-Yves Thibaudet has undertaken the complete solo piano works of another late nineteenth/early twentieth century French composer: Erik Satie. This even includes a sample of Vexations, that theme and two variations that Satie instructs to be played slowly, 840 times. It's interesting to compare Thibaudet's interpretations of these works with those of Aldo Ciccolini, who was one of Thibaudet's teachers. Overall, Thibaudet gives a less-Romantic interpretation, with less overt emotion and more introverted abstraction, but it is not overly academic.

"Songs For Evolution" the only album recorded by the group Anglo-Saxon Brown, considered a much sought-after collectable LP among rare groove music buyers and DJs alike. An expanded edition with one bonus track (the lone 1976 single, "Straighten It Out" released by Atlantic), "Songs For Evolution" was produced & mostly written by the Philadelphia team of Joseph Jefferson & Charles Simmons, who had penned a number of classic ‘70s hits for the Spinners including "Games People Play," "Mighty Love" and "Love Don’t Love Nobody".