Anthrax is an American heavy metal band from New York City, formed in 1981 by rhythm guitarist Scott Ian and bassist Dan Lilker. The group was considered one of the leaders of the thrash metal scene during the 1980s and is one of the "Big Four" thrash metal bands with Metallica, Megadeth, and Slayer; Anthrax is the only one of the four from the East Coast. As of April 2017, the band has released 11 studio albums, several other albums, and 26 singles, including collaborating on a single with American hip hop group Public Enemy. According to Nielsen SoundScan, Anthrax sold 2.5 million records in the United States from 1991 to 2004, with worldwide sales of 10 million…

Mozart’s third venture into the “opera seria” genre, demolished its traditional boundaries to open the way to lyric drama. Blending youthful earnestness with mature mastery, Mozart uses - while profoundly changing - the elements of a genre based on arias that come one after another with no real concern for dramatic progression. The importance and expressive power of the choruses, influenced by the operatic reforms of Gluck, foreshadows The Magic Flute. Idomeneo is often regarded as Mozart’s first masterpiece for the opera house.

The elegant funk pianist dresses up his elegant playing, catchy melodies and familiar funk leanings with rhythmic excursions to Latin America, Brazil and Africa. A sticker on the wrapping of the disc touts the pianist as one of the true pioneers of smooth jazz, but that tag oversimplifies his uniquely global approach.

Alexander O'Neal almost achieved the breakout he needed for crossover success with his second album. It cracked the Top 30 on the pop album chart, earned a gold record, and included O'Neal's two strongest uptempo tunes, "Fake" and "Criticize." Jam and Lewis linked the material with "party" dialogue and patter, providing their finest and tightest production for any O'Neal record. The beats were catchy, the songs hook-laden, and O'Neal's voice alternately explosive, sensitive and bemused. This 2 CD set, packaged in a sumptuous casebound book, contains the lyrics and newly-authored liner notes by A. Scott Galloway, and features additional remixes and alternate versions of the singles.

This CD is a must-have for everyone who wants to gain an awareness of Czech music, its most frequently performed and most frequently recorded compositions.

Le clarinettiste Davide Bandieri et le pianiste Guillaume Hersperger ont souhaité mettre en avant l'esprit de rencontre, de partage et d'amitié qui caractérisait le "Groupe des Six". Réunissant Darius Milhaud (1892-1974), Arthur Honegger (1892-1955), Germaine Tailleferre (1892-1979), Georges Auric (1899-1983), Louis Durey (1888-1979) et Francis Poulenc (1899-1963) sous l'égide de Cocteau et sous l'influence spirituelle de Satie, il est le reflet d'une période artistique foisonnante dans le Paris des années 1920 faisant se rencontrer des artistes de différents milieux. Ce programme constitue l'intégrale de l'oeuvre pour clarinette des compositeurs issus du groupe (excepté Durey n'ayant pas écrit pour clarinette) sur une large période allant de 1918 à 1973.

Japanese only pressing of this EP released to commemorate their 2007 winter tour of Japan. Five tracks including 'Must Be The Moon' (Radio Edit,) 'Get Up', 'Bend Over Beethoven' (Jam), 'Heart Of Hearts' (Brothers Remix) and 'Take Ecstasy With Me'.

Kurt Weill - Kurt Weill from Berlin to Broadway (1995) {2CD Set, Pearl GEMM CDS 9189}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 364 Mb | MP3 @320 -> 338 Mb
Full Artwork @ 300 dpi (png) -> 24 Mb | 5% repair rar
© 1995 Pearl | GEMM CDS 9189
Classical / Stage & Screen / Cabaret / Opera / Jazz

Did coming to America dull one of this century's most talented composers of music for the German theater? Nonsense. Kurt Weill simply turned into one of this century's most talented composers of music for the American theater. He arrived in America in 1935, and it took him only a few years until he was writing theater music for Broadway that was idiomatic and of the very highest quality. Therefore, if one finds fault with the American Kurt Weill, then one must find fault with American musical theater from the thirties and forties in general, because Weill was one of its best craftsmen.

PERIGEO was a musical project born in 1971 from Giovanni Tommaso. The original lineup included five members, Tommaso himself at the bass, Bruno Biriaco on drums, Claudio Fasoli at sax, Tony Sidney at guitar and Franco D'Andrea on piano, the band released seven studio albums 'till his definitive breakup in 1981. The band offers a sort of jazz-rock sound inspired by Miles Davis' "Bitches Brew". This early form of fusion initially meets the resistance of so-called "purists" of jazz, but soon attract the sympathy of many fans, earning invitations to major national festivals, but also a series of concerts in Europe, especially in England and France.

The long-awaited sophomore full-length by this Russian band. Rising from the sewers of Saint Petersburg in 2011 and consisting of some hyperactive musicians who are/were members of other underground Russian acts such as Teitanfyre, Drama, Ulvdalir, Internal Damage, Blazing Rust, Chamber Of Torture and others, Pyre's unholy sledgehammer of rotting and caustic music is Death fucking Metal right down to its genes. It's as genuine and convincing as it can possibly get, focusing on the traditional and raw sound reminiscent of greats such as Asphyx, Grave, Morgoth, Nihilist/early Entombed, Death, Unleashed, Autopsy, Repugnant, Obituary, Dismember and Pestilence, and rivalling most of their recent peers trying to do the same thing.

Live in Lisbon is a concert video release by Bryan Adams. It was released in North America only as a limited edition 3rd bonus disc to the 2005 compilation Anthology, was released in the UK as a stand-alone DVD…

Coltrane’s breakout year, when his mature sound first grabbed ears and his own recordings began to sell consistently, was 1958. This release chronicles the exciting story session by session, featuring all 37 tracks Coltrane recorded as a leader or co-leader for the independent Prestige Records label in those twelve months. This collection captures him in creative high gear—developing the signature improvisational style that journalist Ira Gitler famously dubbed “sheets of sound.” The timely release marks the 70th year since the founding of Prestige and comes just after the 60th anniversary of these recordings.