Darker and more electronic than its debut, False Memory Archive is the second album from Norwegian post-progressives Oak.

Born in Granada in 1934, Antonio Ruiz-Pipó learnt the guitar in his youth but trained as a pianist in Barcelona, where he was taught by Frank Marshall, doyen of the Spanish piano school made famous by Alicia de Larrocha. Further study in Paris refined Ruiz-Pipó’s compositional technique, and he taught at the École Normale from 1977 until his death in 1997.

Between 1769 and 1773, Mozart made three travels to Italy, under the guidance of his father Leopold. The present program traces the stages especially of his first two trip from 1769 to 1771, during which the young Mozart played an important role in Milan's musical life, and reconstructs the most important musical encounters. Arias from Mitridate, Ascanio in Alba (written for the Teatro Regio Ducale Milan) and Betulia liberata (written for Padua) can be heard here. The program is rounded off by the musical background that Mozart found on the peninsula, illustrated by arias from operas by Guglielmi, Myslivecek and Gluck - all representatives of a style and a search for language that was precisely the reason why the "viaggio in Italia" was an essential stage in the training of a young composer.

Carlos Alberto Mestre (born August 3, 1952 in Buenos Aires, Argentina) mostly known by his stage name Nito Mestre, is an Argentine musician, founding member –along with Charly García– of Sui Generis, member of PorSuiGieco, bandleader of Nito Mestre y los Desconocidos de Siempre and a recording solo artist. Sui Generis, was initially formed in 1969 by Charly García (keyboards and vocals), Nito Mestre (guitar, flute and vocals), Rolando Fortich (bass guitar), Juan Belia (guitar), Alberto Rodriguez (drums) and Carlos Piegari (vocals). Later on, Sui Generis became a duo as everyone left except for García. After the band split in 1975, Nito Mestre formed a new band called "Nito Mestre y los Desconocidos de Siempre" with María Rosa Yorio on vocals, Rodolfo Gorosito on guitar, Alfredo Toth on bass, Ciro Fogliatta on keyboards and Juan Carlos "Mono" Fontana as a drummer. In the early 80s, Nito pursued a solo career.

Conventional wisdom holds that the Beatles intended Abbey Road as a grand farewell, a suspicion seemingly confirmed by the elegiac note Paul McCartney strikes at the conclusion of its closing suite. It’s hard not to interpret “And in the end / the love you take / is equal to the love you make” as a summation not only of Abbey Road but perhaps of the group’s entire career, a lovely final sentiment. The truth is perhaps a bit messier than this. The Beatles had tentative plans to move forward after the September 1969 release of Abbey Road, plans that quickly fell apart at the dawn of the new decade, and while the existence of that goal calls into question the intentionality of the album as a finale, it changes not a thing about what a remarkable goodbye the record is.

As the Beatles' Sgt. Pepper's Lonely Hearts Club Band (1967) had done a year earlier, Super Session (1968) initially ushered in several new phases in rock & roll's concurrent transformation. In the space of months, the soundscape of rock shifted radically from short, danceable pop songs to comparatively longer works with more attention to technical and musical subtleties. Enter the unlikely all-star triumvirate of Al Kooper (piano/organ/ondioline/vocals/guitars), Mike Bloomfield (guitar), and Stephen Stills (guitar) - all of whom were concurrently "on hiatus" from their most recent engagements. Kooper had just split after masterminding the groundbreaking Child Is Father to the Man (1968) version of Blood, Sweat & Tears. Bloomfield was fresh from a stint with the likewise brass-driven Electric Flag, while Stills was late of Buffalo Springfield and still a few weeks away from a full-time commitment to David Crosby and Graham Nash…

Rising from the scene and sound of idyllic 1970’s California, Eagles delivered six spectacular albums between 1972 and 1979 - each yielding instant classics such as ‘Take It Easy’, ‘Life In The Fast Lane’, Lyin’ Eyes’, ‘Take It To The Limit’, ‘Already Gone’ and of course, ‘Hotel California’- all of which are still in heavy rotation on radio stations worldwide, testament to the band’s timeless success. Eagles have sold more than 120 million albums worldwide, scored five #1 singles, played countless sold-out tours throughout the world and earned six Grammy awards. This Limited Edition Box Set with 6 CDs tells the Eagles’ legendary story!

The title of Saturnus' fifth album, "The Storm Within" is hinting at both, the tempest of the natural world and turmoil that can rage inside the mind. It is also quite obvious that the long time it took the Danes to create this full-length and the personal reasons behind the hiatus very much contributed and inspired its artistic expression. Saturnus have outdone themselves with "The Storm Within". The musical themes of the seas, rain, and stormy waters are a subtle presence and guiding thread throughout the songs that reflect anger, loss, melancholy, and pain in equal measure. The fully matured craftsmanship on this album is sublime and extremely dynamic, ranging from moments of calm to brutal outbursts…

Elvis Presley’s 1973 Honolulu concert was broadcast by satellite around the world and the resulting live album was called Aloha from Hawaii via Satellite. This was reissued as 2CD set back in 2013 for its 40th anniversary, but a decade later Sony are expanding it even more and are offering a 3CD+blu-ray box set edition.

Ray Bryant, whose inimitable, blues-drenched piano style with a truly strong left hand was revered and appreciated by Japanese jazz fans, returned the favor by visiting the country many times and recording quite a few albums for several Japanese labels in his golden years. Godfather is one of these cherished treasures. Originally released in 2003, Bryant dedicated this album to the memory of John Lewis, who had passed in 2001. Aptly, the program opens with two iconic compositions by Lewis, who also had a strong affinity to the blues. Other highlights include an ambitious "Elevation Suite" which is a collage of John Coltrane's "Impressions", Miles Davis's "So What" and Bryant's own "Elevation".

With music echoing themes of persistence in the face of adversity, calls for reflection and attention on acts of injustice, and more, A GRAND JOURNEY VOL. 2 delivers resounding chamber music from a diverse range of contemporary composers. Performed by the critically-acclaimed Trio Casals, this Navona Records release offers a variety of sounds, from traditional classical forms to jazz-infused rhythms, mixed meters, and a deeply-moving piece for solo cello.

Navona Records is proud to present SUBLIMITAS, a symphonic album bringing to life the posthumous works of composer Michael G. Cunningham. Performed by the Janáček Philharmonic Orchestra, Cunningham’s 5th and 6th Symphonies soar with spirited flair and clarity. These works are thoughtfully paired with his Mountain Poem, a jubilant and moving piece composed with musical peaks and valleys that simulate a thrilling adventure. As a composer whose works span 11 previous Navona Records releases, the works presented on SUBLIMITAS make for a delightful final parting gift from an artist who showed an unwavering dedication to sharing his music with the world.

Navona Records is proud to present CHORINHO, the new album by violist Georgina Rossi and pianist Silvie Cheng. Saturated with Brazil’s rich musical heritage, CHORINHO presents a slew of under-recognized works for viola, including world-premiere recordings of works by João de Souza Lima, Lindembergue Cardoso, and Ernani Aguiar. A solo piano interlude honors Heitor Villa-Lobos, the titan of Brazil’s 20th century musical scene. The concluding track, an arrangement of Chiquinha Gonzaga’s song Lua Branca by the two soloists themselves, hangs over the collection like a light. Vibrant, soulful, and expressive, CHORINHO offers a spectacular glimpse into a little-known area of Brazilian contemporary music.

Never for Ever has Kate Bush sounding vocally stable and more confident, taking what she had put into her debut single "Wuthering Heights" from 1978 and administering those facets into most of the album's content. Never for Ever went to number one in the U.K., on the strength of three singles that made her country's Top 20. Both "Breathing" and "Army Dreamers" went to number 16, while "Babooshka" was her first Top Five single since "Wuthering Heights." Bush's dramatics and theatrical approach to singing begin to solidify on Never for Ever, and her style brandishes avid seriousness without sounding flighty or absurd. "Breathing," about the repercussions of nuclear war, conveys enough passion and vocal curvatures to make her concern sound convincing, while "Army Dreamers" bounces her voice up and down without getting out of hand…