Beverly Hills Cop is a 1984 American buddy cop action comedy film directed by Martin Brest, written by Daniel Petrie Jr. and starring Eddie Murphy as Axel Foley, a street-smart Detroit cop who visits Beverly Hills, California to solve the murder of his best friend. Judge Reinhold, John Ashton, Ronny Cox, Lisa Eilbacher, Steven Berkoff, Paul Reiser, and Jonathan Banks appear in supporting roles.
This first film in the Beverly Hills Cop franchise shot Murphy to international stardom, won the People's Choice Award for "Favorite Motion Picture" and was nominated for both the Golden Globe Award for Best Motion Picture – Musical or Comedy and Academy Award for Best Original Screenplay in 1985. It was an immediate blockbuster, receiving critical acclaim and earning $234 million at the North American domestic box office, making it the highest-grossing film released in 1984 in the U.S.

Peter Gabriel tells why he left Genesis in "Solsbury Hill," the key track on his 1977 solo debut. Majestically opening with an acoustic guitar, the song finds Gabriel's talents gelling, as the words and music feed off each other, turning into true poetry. It stands out dramatically on this record, not because the music doesn't work, but because it brilliantly illustrates why Gabriel had to fly on his own. Though this is undeniably the work of the same man behind The Lamb Lies Down on Broadway, he's turned his artiness inward, making his music coiled, dense, vibrant. There is still some excess, naturally, yet it's the sound of a musician unleashed, finally able to bend the rules as he wishes.

A Kind of Magic is the twelfth studio album by the British rock band Queen, released on 3 June 1986 by EMI Records in the UK and by Capitol Records in the US. It was their first studio album to be recorded digitally, and is based on the soundtrack to the film Highlander, the first in a series directed by Russell Mulcahy. A Kind of Magic was Queen's first album to be released since they had been acclaimed for their performance at the 1985 Live Aid concert. It was an immediate hit in the UK, going straight to number one and selling 100,000 copies in its first week. It remained in the UK charts for 63 weeks, selling about six million copies worldwide (600,000 in the UK alone). The album spawned four hit singles: the album's title track "A Kind of Magic", "One Vision", "Friends Will Be Friends", and "Who Wants to Live Forever", which features an orchestra conducted by Michael Kamen, while the last track, "Princes of the Universe", is the theme song to Highlander.

The Front Bottoms return with their first new album since 2020's "In Sickness & In Flames." "You Are Who You Hand Out With" arrives on August 4 via Fueled By Ramen and coincides with the 10-year anniversary of the band's breakthrough 2013 record, "Talon of the Hawk," which they will tour in celebration of. The lead single, "Outlook," combines all of the best parts fo the Front Bottoms aesthetic: The track begins with a self-titled-era acoustic arpeggio only to explode into a "Back On Top" era jam session. Brian Sella, whose vocals haven't changed a bit in the last 15 years, is at peak form heere, as he glides atop backing harmonies turning in every sonic direction. To top it off, drummer Mathew Uychich keeps at a blistering pace with Sella and, together, they roar towards the album's triumphant finish line.

Japan only compilation CD with a one-sheet insert and separate 4 x CD size fold-out insert with lyrics in English. Song titles are printed on both the CD disc and on the reverse of the jewel-case in Japanese followed by English. The release date is unknown.

When Ritchie Blackmore left Deep Purple in early 1975, many fans figured that the band was over. But with the arrival of worthy replacement Tommy Bolin, the band was suddenly back in business with the oft-overlooked Come Taste the Band release. What the prior members of Deep Purple didn't know, however, is that their new guitarist had a serious drug problem, which hampered his playing by the time the group landed in Japan for a series of shows in December of 1975. With Bolin allegedly having no feeling in one of his arms on the night of a Purple gig at the Budokan, the show was to be taped for a future release.

One of the most glorious launches in history, the title track for the thrice-platinum The Final Countdown is so bombastically brilliant, such glorious garbage, that this nuclear hair assault could only spew from the vacuous '80s. But the full-tilt follow-up "Rock the Night" rules also: "You know it ain't easy/Running out of thrills." "Carrie" comes off a consummate butane ballad. Meanwhile, the rest of the disc packs so much power that Swedish superheroes Europe get away with all the processed pretension. In fact, the lofty ambition of "Danger on the Track," "Ninja," and "Cherokee" (each as tasty as its title) combines with heated drive and hot delivery to meld The Final Countdown into a unique portrait of propulsive prog and a worthy addition to any hard rock collection.

After the great success of her album Bach Pur (which was awarded the Opus Klassik 2022 in the category "Instrumentalist of the Year"), accordionist Viviane Chassot now dedicates her new album Folk Flow to a completely different repertoire: with Irish and Breton traditionals, with music by Didier Squiban, Einaudi, Chopin, Satie, Granados, Silvestrov and others.

Creative Funk was a group of friends/ musicians all aged between 17 and 21 from Jamaica, Queens, NYC. An unknown group, they decided to take the grassroots, DIY approach when releasing their first record. They started their own record label, and with the help of their bass player’s father, Deek Deberry, and released their first record “Ready Made Family”. A slow moving ballad, this side sold 25,000 plus in the NYC and surrounding areas. Soon major labels came knocking, and the mighty Bell Records won the bidding war and landed Creative Funk. Their self made record was released to the national record buying public, where for the next 2 and a half years they would go on making music. Creative Funk, as I stated previously, all hailed from Jamaica, Queens, except lead singer Diane Jenkins, who was from Brooklyn.

In 1985, Philip Glass composed a 'dance-theater' work based on Edgar Allen Poe’s 1841 short story 'A Descent into the Maelstrom' as one of the last pieces written for the original Philip Glass Ensemble (keyboards and woodwinds.) A few years ago Norwegian filmmaker Jan Vardøen decided to make a film about the Poe’s story which is set in the Arctic Circle near the Lofoten archipelago in northern Norway. At the same time, Vardøen discovered Philip Glass Ensemble recording of the work. As part of his film, Vardøen conscripted the Arctic Philharmonic Orchestra and arranger Alexander Waaktar to adapt the music for full symphony orchestra, voice, and synthesizer, all under the baton of Tim Weiss. The result is a dramatic new interpretation of a little known major Philip Glass work. This new recording from Orange Mountain Music marks the first recording of this dynamic piece in this new orchestral form.

Recorded at the Hollywood Palladium, Los Angeles in 2018, ‘Sunset 666’ is a new live aIbum from The Jesus and Mary Chain, due out August 4th 2023 on Fuzz Club. In 1990, a young American band, full of a precise kind of noise and darkness, were special guests on the US tour being undertaken by a group who had noise and darkness, poise and catharsis of their own. The young band: Nine Inch Nails. Those headliners: The Jesus and Mary Chain. Almost thirty years later, an invitation was extended. Would the Reid brothers care to reverse the roles and open for Nine Inch Nails on their own North American tour? Trent Reznor had been a fan of the Mary Chain, and influenced by them since hearing 'Psychocandy', so it felt a good fit and the Reid brothers accepted.

These pre-Chicago recordings of Fritz Reiner with the Pittsburghers is a reminder of his greatness as a conductor. It also restores to the catalog his recordings of some composers he wasn't closely identified with. Shostakovitch, for example, wasn't a regular on Reiner's studio schedule, but should have been, for this Sixth bristles with sardonic wit and energy. The Kodaly Dances, of course, were right up Reiner's alley, and get a smashing performance. The shorter works too, are first class, especially the Bart243;k Hungarian Sketches and another Reiner calling card, Kabalevsky's Overture.

Celebrating 20 years since the original release, Snow Patrol are reissuing their breakout third studio album, 'Final Straw'; named as such due to the band thinking it was possibly their last album, their 'last throw of the dice'. It turned out to be the album that would put them on the map, certified 6 x platinum in the UK and Ireland to date. This reissue will include three previously unreleased tracks from the album sessions, six original album track demos, 11 'Final Straw' tracks performed for their DVD concert film, 'Live at Somerset House' in 2004, plus new in depth and insightful liner notes written by Snow Patrol's lead singer, Gary Lightbody.

Story studied classical piano while growing up in Southern California and even thought about becoming a music librarian or theorist for a while. Then she heard jazz pianist Bill Evans at a New York club, and the experience changed her perspective on music overnight. Story, who had studied at Juilliard and was enrolled at Hunter College at the time, abandoned her academic program in favor of jazz lessons with Sanford Gold, a teacher Evans had recommended. Back in Los Angeles, she continued her musical education at UCLA and the Dick Grove Music Workshops, but it was a job playing piano at a French restaurant that sparked her major breakthrough as a composer. Since the front casing of the piano was missing, Story had no place to put her sheet music and was forced to improvise freely. Eventually, she put some of her spontaneous compositions on tape and sent them to Windham Hill. Within four days, Will Ackerman had called her back and the contract was signed for her first release, Solid Colors, an album of impressionistic piano miniatures. Over the course of five recordings, including a two-album stint with RCA Novus, Story's style has expanded to include electronic duets with Mark Isham and works for various types of ensembles, yet the piano remains the prominent voice in her finely crafted compositions.

The enormously prolific Marie Joseph Erb (1858–1944) has somehow escaped the attention of posterity, although the quality of his music is on a par with contemporary organist-composers whose works are far better known. Erb’s long life – he heard Berlioz conduct in 1863 and was still composing in 1944 – was focused on Strasbourg, where he was active as pianist, organist and professor, though he had studied in Paris, with Faure, Gigout, Saint-Saëns and Widor, and later with Liszt in Weimar. This first album devoted to his organ music in almost 30 years sandwiches four lyrical chamber works between two towering sonatas.