Established in Moscow in 1945, and still performing today, the Borodin Quartet sustains a distinctive tradition in the interpretation of Russian chamber music. Over the decades its members – all trained at the Moscow Conservatory – have inevitably changed, but the ensemble’s identity has remained cohesive, its philosophy and aesthetic embodying an entire musical culture. The quartet’s close association with Dmitri Shostakovich has gone down in history, and his chamber works are central to this 8CD collection which, offering music by a succession of Russian composers from Borodin himself to Schnittke, spans the 19th and 20th centuries.

Orange Mountain Music is proud to present the new album ESCAPE from guitarist Gerard Cousins featuring arrangements for solo guitar of Philip Glass's best known music. Appropriately, Cousins starts with a flowing account of Opening, the first track from Glass's iconic 1983 album Glassworks, designed to introduce people to the public to the composer’s music. Cousins follows the mood with four tracks from Glass's piano pieces Metamorphosis, the second of which, Metamorphosis No.2, became the basis for the piece Escape! from the Oscar Nominated score to The Hours. The album concludes with Knee Play 2 from Glass's 1976 opera Einstein on the Beach, a landmark of 20th century theater, and finally Truman Sleeps from Glass's Golden Globewinning score to The Truman Show.

Simone Dinnerstein's first recording for Sony Classical, BACH: A STRANGE BEAUTY, has the critically-acclaimed pianist returning to Bach,this time combining three transcriptions of his Chorale Preludes, with one of his English Suites and two of his Keyboard Concerti, again revealing her intense and expressive playing style, as well as her individual approach to Bach's music.

Charlie Poole wasn't a particularly brilliant banjo player (although his later three-finger-style picking would set the table for the advent of bluegrass banjo a couple of decades after his death), and he wasn't the world's greatest vocalist either, but he had a certain devil-may-care charisma that made him a superstar in the string band era of the 1920s. Poole's greatest talent – aside from an ability to go on long drinking sprees and to manage to be at the center of things even in his absence – was in his song adaptations, which drew from sources outside the standard Appalachian fiddle tunes and reels, including pop, ragtime, and blues. This extensive 96-track, four-disc box set from Britain's JSP Records collects the lion's share of his recordings on Columbia, Poole's label from 1925 until his death in 1931 at the age of 39. Also included are a handful of cuts Poole made under the table for Paramount (where his North Carolina Ramblers were called the Highlanders) and Brunswick (which saw the band disguised as the Allegheny Highlanders).

The second album by Manfred Mann's Earth Band to be released in 1972, Glorified Magnified is as solid a heavy rock album as you're likely to find from that era, and it still holds up three decades later, mostly because these guys are smarter than the music they're playing and don't mind indulging their taste as well as their dexterity. They can romp and stomp through "Meat" or "I'm Gonna Have You All," complete with a slashing guitar solo by Mick Rogers on the latter, or throw in a synthesizer interlude by Mann on "One Way Glass" that's so quietly and carefully executed as to be worthy of a classical piece – and not skip a beat doing it.

Recorded in the late 1960s and early '70s, this collection of cover songs presents Elton John in his formative years, just on the verge of major success, though clearly not there yet. (John, aka Reginald Dwight, is erroneously – and humorously – referred to as "Reg Bright" by a press clipping in the liner notes.) On these work-for-hire sessions, Captain Fantastic is still very much in the music-industry trenches, running through hits such as "In the Summertime" for release on budget-priced British LPs. Despite the unglamorous origins of these tracks, there are plenty of gems, as John can't help but let his charm seep through, even when trying for John Fogerty's vocal grit on Creedence's "Travelin' Band" and "Up Around the Bend."/quote]

Billy F. Gibbons launched his belated solo career in 2015 with Perfectamundo, a loose exercise in Latin rhythms that was slightly outside of the wheelhouse of ZZ Top, which had been his main gig since 1969. Big Bad Blues, its 2018 sequel, could also be seen as a bit of a genre exercise, as it was a heavy blues album, but Hardware is something else entirely. This 2021 platter is a straight-ahead rock & roll album in the vein of ZZ Top, a record filled with originals that feel familiar, as they're built of the same components Gibbons has relied upon for decades: fuzztone guitars, thick swing and burly boogie, sly jokes and growled vocals.

For listeners who prefer their Ravel lushly textured, luminously colored, and luxuriantly impressionistic, this four-disc set of his orchestral music performed by Charles Dutoit and the Orchestre Symphonique de Montréal will be just the thing. Recorded between 1981 and 1995 in warmly opulent Decca sound and including all the canonical works plus the two piano concerts and the opera L'Enfant et les sortiléges, Dutoit's approach to Ravel is decidedly sensual, even tactile. One can feel the excitement in the closing "Dance générale" of Daphnis et Chloé, sense the energy in La Valse, smell the sea in Une barque sur l'océan, and touch the dancer's flushed skin in Boléro. This is not to say that details are lost in Dutoit's performances – with the superlative playing of the Montreal orchestra, one can assuredly hear everything in the scores. Nor is this to say that Dutoit neglects the music's clear shapes and lucid forms – with a decisive beat and a clean technique, Dutoit's interpretations are models of clarity. But it is assuredly to assert that, for sheer aural beauty, these recordings cannot be beat. With the very virtuosic and very French playing of Pascal Rogé in the two piano concertos plus very characterful singing in L'Enfant, this set will be mandatory listening for all those who love Ravel.

"In our imaginations, John was Buddy Holly and I was Little Richard." So said Paul McCartney many moons ago, admitting the key influences on both himself and John Lennon in terms of the pair’s initial vocal styling. In fact, Messrs Holly and Penniman were just two artists whose impact on The Beatles was evident from the band’s choice of cover tunes. Indeed, all of the tracks featured on this bespoke Mojo compilation were covered by John, Paul, George and Ringo during the band’s formative period.
Our 15-track collection starts with The Isley Brothers’ uproarious 1959 hit, Shout. The Beatles themselves first cut their version at London’s IBC Studios on April 19, 1964, for inclusion in Jack Good’s TV extravaganza, Around The Beatles. The latter was broadcast in the UK on May 6 and November 15 in the US…

Released in the fall of 1999, when Korn were in danger of being overshadowed by such protégés as Limp Bizkit, Issues reaffirms the group's status as alt-metal leaders, illustrating that the true difference between Korn and their imitators is their mastery of sound. Korn are about nothing if not sound. Sure, Jonathan Davis doesn't merely toss off lyrics, but in the end, it doesn't matter since his voice and the various words that float to the surface simply enhance the mood. Similarly, the band doesn't really have any distinguished riffs or hooks - everything each member contributes adds to the overall sound - so, casual listeners can be forgiven if they think the songs sound the same, since not only do the tracks bleed into one other, the individual songs have no discernible high points…

The Road of Bones is a studio album by the British neo-progressive band IQ, released in 2014. It peaked at number 36 in Germany. It's the first album to feature Neil Durant on keyboards and it marks the return of original members Paul Cook on drums and Tim Esau on bass, the latter appearing on an IQ album for the first time since 1989. IQ are a British neo-progressive rock band founded by Mike Holmes and Martin Orford in 1981 following the dissolution of their original band The Lens. Although the band have never enjoyed major commercial success and had several line up changes, IQ have built up a loyal following over the years and are still active as of 2019, currently with the original recording lineup (with the exception of Orford). In 2011, IQ performed a series of concerts in the UK and Europe celebrating their 30th anniversary.

Carl Seemann (8 May 1910 − 26 November 1983) was a German church musician, pianist, piano teacher and director of the Musikhochschule Freiburg.

Pyramid is the third album by progressive rock band The Alan Parsons Project, released in 1978. It is a concept album centred on the pyramids of Giza. At the time the album was conceived, interest in pyramid power and Tutankhamun was widespread in the US and the UK. Pyramid was nominated for the 1978 Grammy Award for Best Engineered Album, Non-Classical.