1992's 'A Walkin' Thing' is the last of three albums the great American organist Shirley Scott recorded for Candid, and her final recording before her passing. First and foremost, Scott was a trained pianist, and it should be noted that towards the end of her life, she gravitated more to that instrument. But here, Scott returns to form, making this recording bitter sweet. Recorded in 1992 at the famed Van Gelder Studio in Englewood Cliffs, New Jersey and engineered by Rudy Van Gelder. This recording has been remastered by legendary mastering engineer Bernie Grundman.

Shaela Miller’s years spent doing good country music work are safely etched into public consciousness. A turn at this point is by no means an undoing, but a welcome lead into new waters. Her rising profile is being amplified by a sonic reintroduction to one of Canada’s best voices and most sincere stage personalities. On the heels of TV placements like HBO’s True Blood, CBC’s Heartland, top-tier festival circuiting, supporting Matthew Good’s tour and upcoming Canadian headlining tour, Shaela sets aside (at least for now) her Loretta Lynn likeness in favour of the synth laden corridors of a new sonic pathway.

The "straight horn" referred to in the title of this superb album from 1961 is the soprano saxophone, and Lacy is recognized as one of the greatest to ever play the instrument, ranking alongside John Coltrane and Sidney Bechet. Because of the difficulty involved in mastering it's pitch challenges, very few jazzmen concentrated on it. Lacy is widely considered the first "modern" musician to specialize on the instrument.

At the time of this recording, Mingus had been working regularly with the piano-less quartet of Eric Dolphy, Ted Curson and Dannie Richmond - The same group featured on the 1960 Candid release, Charles Mingus Presents Charles Mingus. The Mingus album, also recorded that year, features one track, "Stormy Weather," recorded with that same quartet, and two tracks recorded with a larger group featuring piano and additional horns. Of note, "MDM (Monk Duke & Me)" consumes the majority of this album. The piece consists of three intertwining themes - Duke Ellington's "Main Stem", Thelonious Monk's "Straight, No Chaser", and Mingus' "Fifty First Street Blues." Released in 1961, and recorded in the fall of 1960 by Candid A&R and Producer Nate Hentoff at the Nola Penthouse Sound Studios.

A fascinating blend of jazz and contemporary classical influences, How Time Passes is the debut album from the envelope pushing trumpeter and composer Don Ellis. Known for his extensive musical experimentation, particularly in the area of time signatures, Ellis began his long career in the New York City's post bop and avant-garde jazz scenes of late 1950s. Most notably he appeared on Charles Mingus' Mingus Dynasty, and albums by George Russell and Maynard Feguson. But he also worked with, among others, the Glenn Miller Orchestra, Lionel Hampton, and Woody Herman. On subsequent albums, Ellis would take an even wilder direction.

Candid Records announces the April 14, 2023 release of the soundtrack to the highly-anticipated feature film SWEETWATER. Written and directed by Martin Guigui, the film, set in 1950, tells the true story of Nat "Sweetwater" Clifton, the first African American to land an NBA contract. Newcomer Everett Osborne stars as Clifton, alongside a stellar cast which includes Kevin Pollak, Cary Elwes, Jeremy Piven, Richard Dreyfuss, Robert Ri'chard and introducing Emmaline. Plus special appearances by Gary Clark Jr., Jim Caviezel, and NBA Champion Bobby Portis Jr.

When he first came on the scene, Phil Woods was often referred to as "The New Bird," in a nod to the legendary Charlie Parker - A testament to his genius on the saxophone to be sure. But while obviously indebted to Parker - as all modern jazz saxophonists of a certain era were - there is no question that Phil Woods was an original. After earning a degree in music from Juilliard in the early 1950's, Woods found himself in the orbit of the great Quincy Jones. At Jones' invitation Woods joined Dizzy Gillespie's infamous Jazz Ambassadors - a tour sponsored by the US State Department as part of a global cultural diplomacy initiative - and subsequently became a member of Jones' own touring band. This recording, his 9th album as a band leader, consists entirely of Woods' five-part Rights of Swing Suite. An ambitious large-scale composition based solidly on jazz traditions.

Hailing from Cardiff, the outfit, led by bassist Cameron Saint, take to the big city as they launch their debut album 'Live at the Flute and Tankard'! Join them as they brew a concoction of burning solos, beautiful melodies and some trips into the avant-garde world! "The attitude and raucous spirit of Mingus, garnished with the elegance and atmosphere of British Contemporary Jazz… a delightful, fresh take on a monumental icon of Jazz History" - Alex Goodyear

Ka Baird’s Bearings: Soundtracks for the Bardos intertwines elements of the New York based vocalist, multi-instrumentalist, and composer’s ecstatic live performances within minimalistic, visceral compositions that expand in scope and sound through collaboration. The album’s eleven movements manifest as shapeshifting invocations defined by their own multiplicity; the emotional outcome of circumstance and grief, played against rigorous conceptualism and musical craft. Featuring a cast of contributors from all corners of the contemporary avant garde community and mixing depth and dimension from Randall Dunn, Bearings is a work of profound abstraction and focus, within which sonorous elements, structure, and meaning reach a single, unified form.

NEA Jazz Master, Toots Thielemans, is widely considered to be the preeminent jazz harmonica player - It is safe to say that before him, the harmonica in jazz was simply not done, and Thielemans can be credited with legitimizing the instrument in the genre. Born in Brussels, Belgium in 1922. Theileman's excelled on accordion as a small child, before picking up the guitar as a teenager after hearing Django Reinhart. Along the way, he taught himself to play harmonica as a hobby. In 1948, during a visit to the US, he sat in on guitar with a jazz group at small club in New York and was "discovered."

Toshiko Mariano Quartet is the 1961 album from fourteen time Grammy Nominated pianist and composer Toshiko Akiyoshi - then known as Toshiko Mariano. Women have long been denied the credit they deserve in jazz. It must be noted that as a Japanese women in jazz, Akiyoshi had to battle for acceptance on many fronts. Jazz has been a patriarchy community from the beginning, and even critical praise of her playing could not help but take note of her gender. Leonard Feather, for example, writing at the time in the Encyclopedia of Jazz called out Akiyoshi's playing as "fiery, powerfully articulated and exceptionally fluent," but added that there was "nothing delicately feminine."

Lauded London 6-piece Melt Yourself Down are back armed with a new approach for their fourth studio album Pray For Me I Don’t Fit In. Created for misfits, by misfits, Pray For Me I Don’t Fit In sees Melt Yourself Down embrace a celebratory punk agenda. Having realised they are never going to fit the mould, the group deliberately draw on their myriad influences, speaking all languages musically and lyrically. Led by the potent sounds of Sax pioneer Pete Wareham, the punchy sax hooks pay homage to the traditional horn sections of late 60’s early 70’s era of Jazz, Soul and Rock n Roll, while showcasing African pentatonic scales and dance-inducing rhythms with raw 70’s rock and punk.

Tenorlee is an album by American jazz saxophonist Lee Konitz, released on the Choice label in 1978 and rereleased by Candid in 1996, with two bonus tracks.

One of the most iconic and influential albums of all time, "The Dark Side Of The Moon" by Pink Floyd, celebrates its 50th anniversary in 2023.

2023 release. Memento Mori is Depeche Mode's 15th studio album and it's first as a two-piece lineup of Dave Gahan and Martin Gore, following co-founder Andrew "Fletch" Fletcher's tragic passing in 2022.