Universally regarded as one of the supreme keyboard masters of the swing era, Teddy Wilson refined the stride piano tradition established by James P. Johnson and Fats Waller and introduced qualities of elegance, delicacy and finesse that earned him wide-spread acclaim and a great number of imitators.

Teddy Wilson bears the proud title of jazz musician pure and simple and that is why the music in this record is of such high standard. By the time he joined Benny Goodman (at age 23 in 1935) Wilson had mastered aesthetic perfection and has allowed pure music to speak for him ever since. Recorded on June 15, 1980 in Copenhagen, Denmark.

Stefano Bollani is an artist of ebullient virtuosity, with uncommon sensitivity and range. The Italian pianist has proved to be at home on ECM improvising solo or leading a trio, as well as engaging in duos with Enrico Rava, Chick Corea and Brazilian bandolim player Hamilton de Holanda. With "Joy in Spite of Everything" – an album of new compositions by the pianist for a trans-Atlantic quintet - Bollani has made his most beautifully textured and infectiously lyrical statement yet. He recorded these nine pieces at New York City’s Avatar Studios with the Danish rhythm section from his Stone in the Water trio – bassist Jesper Bodilsen and drummer Morten Lund - plus two prominent American players and ECM intimates: guitarist Bill Frisell and saxophonist Mark Turner. As its title reflects, Joy in Spite of Everything brims with an indefatigable lightness of spirit despite the inevitable shadows of life.

Italian piano genius Stefano Bollani's new Brazilian album QUE BOM building on the success of his successful album CARIOCA (2008), which sold over 70'000 copies. QUE BOM primarily consists of Bollani's own original tunes and distinctive melodies strongly influenced and informed by Brazilian music culture, which Bollani has always cherished since the very beginning of his rich, multifaceted crackerjack music making and dexterous playing. In QUE BOM - a genuine hymn to life marked by sparkling liveliness and (contagious) joy - Bollani is joined by the same outstanding rhythm section as in CARIOCA - Jorge Helder (db), Jurim Moreira (dr) and Armando Marçal (perc) - plus Thiago da Serrinha (perc), but here, in QUE BOM, also by the grand guest stars Caetano Veloso, João Bosco, Jaques Morelenbaum and Hamilton de Holanda.

New super-band featuring desert rock legends Mario Lalli, Brant Bjork, Sean Wheeler and Ryan Güt !!! The first release from this band of pioneering Desert rock musicians captures the band and its purest form exercising the desert born ethic and approach of rock improvisation, psychedelic and flowing, heavy and explorative.

In the Wind is the third album by the American folk music trio Peter, Paul and Mary, released in October 1963, a few months before the arrival of the Beatles heralded the British Invasion. The lead-off single of Bob Dylan's "Blowin' in the Wind" sold a phenomenal 300,000 copies in the first week of release. On July 13, 1963, it reached number two on the Billboard pop chart, with sales exceeding one million copies. It spent five weeks atop the easy listening chart. The second single from the album, "Don't Think Twice, It's All Right", another song by Dylan, peaked at number 2 on the Adult Contemporary chart and number 9 on the Pop Singles chart. At the Grammy Awards of 1964, their recording of "Blowin' in the Wind" won the Best Folk Recording and Best Performance by a Vocal Group.

Peter, Paul and Mary is the first album by American music trio, released in 1962 on Warner Bros. Records. It is one of the rare folk albums to reach US#1 - staying for over a month. At the Grammy Awards of 1963, their recording of "If I Had a Hammer" won the Best Folk Recording and Best Performance by a Vocal Group Grammies.

Ensemble Gilles Binchois record the three Lamentations de Jérémie pour le samedi saint by Claudin de Sermisy, who was music director of the French Royal Chapel under François I. They were probably taken from the court repertoire: Sermisy’s settings of the vocalises on the Hebrew letters and the final invocations to Jerusalem (the latter sung by the lower voices alone) are concise, but rich in harmonic colour. A beautiful recording of this masterpiece.

Debut album of the French star, who updates the French chanson tradition with elements of pop, blues & jazz. Shortly after its debut, the album went gold in France, and after three months it went platinum, and finally diamond in 1990. Highlights include her first international hit from 1987, the title track 'Mademoiselle Chante Les Blues', 'Mon Mec A Moi' & 'D'allemagne. 2004 SACD release, ten tracks in all.

Flash Cadillac and the Continental Kids, a raunchier version of Sha Na Na, far outdistance the latter as far as coming up with the goods inthe studio. Their surprisingly enjoyable debut album of last year, unlike the group’s stage act, consisted mainly of original material. There’s No Face Like Chrome is even better, but still entirely different from their raucous concerts. Strip off the letterman’s jackets, comb out the duck tails and what you have are six talented and polished musicians.

Dutch Dance music producer and DJ Ben Liebrand provides an all-new rework to the Roberta Flack legendary classic "Killing Me Softly With His Song", presented here in 3 different versions!

These compositions accompany the story of someone who undertakes the difficult task of carrying out creative work on a weekly basis.

Soundtrack of unity! With "People of Earth", the ensemble Black Lives releases a funky album characterized by cultural aesthetics that radiates hope for a common, peaceful world.

Arnaud Dolmen: ”(LéNo) comes from our respective first names. And the common thread of this album is first of all a long friendship that materializes in music and that materializes through it. The concept is Jazz with our various influences. Our desire is to create a 2-piece orchestra with our instruments without external elements.”

As he enters his third decade as one of Canada’s most celebrated blues artists, Shawn Kellerman continues to find new ways to play the music that has fuelled his creativity since his early teens. He’s taken another major step forward on his latest album, Kell’s Kitchen, a 14-track collection that highlights all of his influences, with his incendiary riffing tying it all together.