The first of three albums the Beach Boys released in 1964, this was titled Volume 2 to avoid confusion with a hot rod-themed compilation called Shut Down that had come out several months earlier.

Handel's Dixit Dominus HWV 232 (1707) is certainly one of the most impressive compositions of his several years in Italy. With this extremely effective piece, the only 22-year-old obviously wanted to demonstrate all of his compositional skills. Il Gardellino and Bart Van Reyn accompany him on their recording with the breathtaking cantata Il Pianto di Maria, which was long attributed to Handel until recent research has shown that it was penned by the Italian composer Giovanni Battista Ferrandini (1710-1791).

En la cresta del ahora es un álbum de Chambao, producido por Juan Medina en coproducción con María Del Mar Rodríguez. Se incluyen adelantos como Mis flores con La Tremendita, Hijos de la música y Florecimiento.

‘The dreamer! That double of our existence, that chiaroscuro of the thinking being’, wrote Gaston Bachelard in 1961. ‘The old is dying, the new cannot be born, and in that chiaroscuro, monsters appear’, adds Antonio Gramsci. Sandrine Piau has chosen to use these two quotations as an epigraph to her new recording: ‘My family and friends know about this obsession that never leaves me completely. The antagonism between light and darkness. The chiaroscuro, the space in between…’

Embrace the sun-kissed rhythms of Brazil with Joseph S. Taylor's enchanting jazz album, The Girl From Ipanema, now released on Warner Vietnam.

Archetypes Collide spent several weeks in the first part of 2022 making their opening in full length, with a super team surrounding them to implement their vision.

UMG presents a high-resolution digital transfer of The Moment, the unforgettable debut album by Ladae!. Originally released in 1994, this soulful masterpiece encapsulates the essence of smooth groove and heartfelt melodies.

One of the greatest violinists of his time and a characteristic representative of the Russian school of violin playing, David Oistrakh (1908-1974) was a towering international figure in the middle decades of the 20th century. He had one of the most rich and noble tones ever created by a violinist and a technique to match his interpretive gifts.

The ultimate work of a legendary man. 24 back to 84 is the album that crystallizes the artistic essence of Richard Benson, in a journey back from his will Procession and passing through Mother Torture up to the unpublished pieces recorded in 1984.
In collaboration with the Richard Benson Orchestra and 1901.

The Mélodia brass ensemble is a Swiss orchestra founded in the 1960s1 on the Vaud Coast in Switzerland. These are two young musicians aged 17 and 16, Jean-Paul Herbez and Christian Monney from Rolle, members of the Rolloise Fanfare, who wanted to create a small group.

How Insensitive, the latest jazz masterpiece by Joseph S. Taylor, is a captivating exploration of emotions and melodies that transcend boundaries. Released on Warner Vietnam, this album seamlessly blends traditional jazz elements with modern flair, creating a sonic journey that resonates with listeners on a profound level.

One of the best Hollywood musicals ever, and one of the top selling LPs after its release back in l964, this seemed a natural for reissue in the new SACD format. As expected, the fidelity is not exactly audiophile-level, coming from a Hollywood soundstage, and especially of that vintage…

This project showcases a union between two artists expressing their infinite love of the piano after years of joint concerts and international collaboration.

Hailed as one of the most compelling albums by a drummer/composer in recent decades, Steve Lyman's SPIRAL masterfully integrates diverse musical idioms into a sincere and uniquely relevant statement. This collaborative work features some of the leading contemporary musicians globally, including Austin White, Donny McCaslin (David Bowie), Ben Lukas Boysen, and Jimmy Chamberlin (Smashing Pumpkins, the Jimmy Chamberlin Complex). SPIRAL seamlessly blends experimental electronic music, ambient textures, hymn-based chorals, modern jazz, and Lyman's distinctive multi-faceted rhythmic language into a singular, immersive sonic journey.