Essential: a masterpiece of Progressive rock music
I loved this album right from the very first notes.Yes this is unique and strange with these vocals that are mournful and urgent in a dark Acid Folk style similar to COMUS and JAN DUKES DE GREY but in a Krautrock style.

Excellent addition to any prog rock music collection.
This record is just a bit less good than Spartacus: mostly, it sounds very similar to Spartacus.

Excellent addition to any prog rock music collection
WOW! This record is just a bit less good than Spartacus: mostly, it sounds very similar to Spartacus.

Essential: a masterpiece of progressive rock music
Are we going to a symphonic-rock gem? and to this day I move to Germany with the legendary "Triumvirat".

Bringing together the tracks from the 'In the beginning' and 'Preflyte' releases, as well as a number of other unreleased cuts, it is more basic than Mr. Tambourine man, and is definitely pretty standard 60's pop. Nevertheless, the Mr. Tambourine man versions and the twee David Crosby vocal songs are a nice listen. Some quite different arrangements from the 'Album' versions and some great songs that were never recorded officially. This is not the album to discover The Byrds but perfect for those who just can't get enough of this classic band.

Bellini's fourth opera, La Straniera, marked out the composer as one of the leading figures of the post-Rossini generation. Indeed, he then went on to receive a commission for I Capuleti e I Montecchi that far surpassed the record amount received by Rossini for his final Italian score.

Original Motion Picture Soundtrack (OST) from the film Frankenstein Unbound (1990). The music composed by Carl Davis (also known for music to Ethel & Ernest). Roger Corman’s Frankenstein Unbound is a 1990 horror drama film based on the novel of the same name by Brian Aldiss. The film is written by Roger Corman and F. X. Feeney, directed by Roger Corman, stars John Hurt, Raul Julia, Bridget Fonda, Jason Patric, Michael Hutchence, Nick Brimble.

Deluxe Edition features 17 tracks. 2012 release, the fifth studio album from the Global Pop/R&B superstar. Christina Aguilera has been in the studio for the past year working on this highly anticipated album. Working with writers and producers such as Alex Da Kid, and Sia, the album also features collaboration with CeeLo Green, Aguilera's co-star on The Voice. . The first single is "Your Body" written by Max Martin, Shellback and Savan Kotecha and produced by Max Martin and Shellback.

Original Television Soundtrack from the series Thunderbirds Are Go Series 2 (2017). The music composed by Ben Foster (Happy Valley) and Nick Foster. Thunderbirds Are Go is an animated action-adventure science fiction television series, a remake of the series Thunderbirds (1964). The series is created by Richard Taylor, stars Rosamund Pike, Thomas Sangster, Rasmus Hardiker, David Menkin, Kayvan Novak, David Graham, Angel Coulby, Teresa Gallagher, Andres Williams.

Original Motion Picture Score from an animated movie UglyDolls (2019). The songs composed by Christopher Lennertz (The Happytime Murders, Pitch Perfect 3, Lost in Space). UglyDolls is a 2019 American 3D computer-animated adventure comedy film based on the Uglydoll toys line. The film is written by Blaise Hemingway, Erica Rivinoja, Larry Stuckey, directed by Kelly Asbury, starring – Kelly Clarkson, Pitbull, Nick Jonas.

Possessor of one of the most wondrous voices of the 20th century, Sarah Vaughan ranked with Ella Fitzgerald and Billie Holiday in the very top echelon of female jazz singers. She often gave the impression that with her wide range, perfectly controlled vibrato, and wide expressive abilities, she could do anything she wanted with her voice. Although not all of her many recordings are essential (give Vaughan a weak song and she might strangle it to death), Sarah Vaughan's legacy as a performer and a recording artist will be very difficult to match in the future.

Enjoying great success in music, film, television, and the stage, Dean Martin was less an entertainer than an icon, the eternal essence of cool. A member of the legendary Rat Pack, he lived and died the high life of booze, broads and bright lights, always projecting a sense of utter detachment and serenity; along with Frank Sinatra, Sammy Davis, Jr. and the other chosen few who breathed the same rarefied air, Martin highball and cigarette always firmly in hand embodied the glorious excess of a world long gone, a world without rules or consequences. Throughout it all, he remained just outside the radar of understanding, the most distant star in the firmament; as his biographer Nick Tosches once noted, Martin was what the Italians called a menefreghista "one who simply does not give a f***."

Ben Webster was considered one of the "big three" of swing tenors along with Coleman Hawkins (his main influence) and Lester Young. He had a tough, raspy, and brutal tone on stomps (with his own distinctive growls) yet on ballads he would turn into a pussy cat and play with warmth and sentiment. After violin lessons as a child, Webster learned how to play rudimentary piano (his neighbor Pete Johnson taught him to play blues). But after Budd Johnson showed him some basics on the saxophone, Webster played sax in the Young Family Band (which at the time included Lester Young).

Benny Goodman was the first celebrated bandleader of the Swing Era, dubbed "The King of Swing," his popular emergence marking the beginning of the era. He was an accomplished clarinetist whose distinctive playing gave an identity both to his big band and to the smaller units he led simultaneously. The most popular figure of the first few years of the Swing Era, he continued to perform until his death 50 years later.

The first popular jazz singer to move audiences with the intense, personal feeling of classic blues, Billie Holiday changed the art of American pop vocals forever. More than a half-century after her death, it's difficult to believe that prior to her emergence, jazz and pop singers were tied to the Tin Pan Alley tradition and rarely personalized their songs; only blues singers like Bessie Smith and Ma Rainey actually gave the impression they had lived through what they were singing. Billie Holiday's highly stylized reading of this blues tradition revolutionized traditional pop, ripping the decades-long tradition of song plugging in two by refusing to compromise her artistry for either the song or the band.