Seventh Sojourn is the eighth (seventh with the "classic" lineup) album by the Moody Blues, released in 1972.Seventh Sojourn reached #5 in the United Kingdom, and became the band's first American chart topper, spending five weeks at #1 to close out 1972. Two hit singles came from this album: "Isn't Life Strange" (#13 UK, #29 US) and "I'm Just a Singer (In a Rock and Roll Band)" (#36 UK, #12 US).

Excellent addition to any prog rock music collection.
This is his third classic and acoustic guitar oriented album.

Along time ago, I bought this LP from “The Moody Blues”, because it appears the original single “Nights In White Satin”.

Essential: a masterpiece of progressive rock music
“Lovely to see you again”
An excellent compilation covering the period from “Days of future passed” up to and including “Seventh Sojourn”. This was the Moody Blues most creative and productive period, and the tracks selected here arguably represent the best of those albums.

Welcome to the Heartbreak Hotel is the second album by C. C. Catch. Like the debut album, it was a success and nearly all tracks from the album are well known, although the album artwork and the videoclip for the song "Heaven and Hell" are reminiscent of the 1981 horror film The Beyond by Lucio Fulci.

If there was a more immaculate slide guitarist residing in Chicago during the 1950s and '60s than Earl Hooker, his name has yet to surface. Boasting a fretboard touch so smooth and clean that every note rang as clear and precise as a bell, Hooker was an endlessly inventive axeman who would likely have been a star had his modest vocal abilities matched his instrumental prowess and had he not been dogged by tuberculosis (it killed him at age 41).

Since the mid-'90s, Blue Öyster Cult have had their catalog pillaged for hits collections on almost a yearly basis, so the appearance of yet another such beast isn't the welcome return of an old friend that it should be. True, there was a time when a greatest-hits collection was sorely needed, but the double-CD set Workshop of the Telescopes took care of that in 1995, and if that was too massive a retrospective, there was 2000's single-disc Don't Fear the Reaper: The Best of Blue Öyster Cult. Add to those a number of re-recordings and misleadingly packaged live collections and it's hard to justify The Essential Blue Oyster Cult.

Although there are a multitude of box sets chronicling Bessie's entire recorded career, this 36-song set sweats it down to the bare essentials in quite an effective manner. Bessie could sing it all, from the lowdown moan of "St. Louis Blues" and "Nobody Knows You When You're Down and Out" to her torch treatment of the jazz standard "After You've Gone" to the downright salaciousness of "Need a Little Sugar in My Bowl." Covering a time span from her first recordings in 1923 to her final session in 1933, this is the perfect entry-level set to go with.

Singer, pianist and composer born in Madrid. From 1989 to now, 2019 his musical activity has not stopped. Rock and roll, blues, country, swing, boogie. He decided to hold an "American Trilogy" between 2013 and 2018: "Back Home Again", "Hard Times" and "Rock'n'Roll, Brother!" Now in its 30th anniversary, it is the turn to an album in Spanish with its own compositions: "Betrayers Times"

Miles Davis’ move into full-on fusion starts here, and what a start! Abandoning his bebop roots and chasing electric dreams, rock-based rhythms, and ostinato pulses, Miles gives life to new music forms on Filles de Kilimanjaro, a titanic release prized for its historical significance and lasting beauty now available with the highest-possible fidelity on Mobile Fidelity’s 45RPM 2LP set.

The Complete Firehouse 12 Recordings, a four-album, multi-format set from cornetist and composer Taylor Ho Bynum. The project documents four different versions of Bynum’s modular composition Navigation, with two sets recorded live with his Sextet (featuring Jim Hobbs on alto saxophone, Bill Lowe on bass trombone and tuba, Mary Halvorson on guitar, Ken Filiano on bass, and Tomas Fujiwara on drums and vibraphone), and two sets recorded in studio with the 7-tette (which adds drummer and vibraphonist Chad Taylor). The music was recorded over two days, December 7 and 8, 2012.

Zarah Leander was the most popular singing movie star during the Nazi period. Born Zarah Hedberg in Sweden, she came up through the ranks of small-town Swedish vaudeville and operetta to establish herself on the Viennese stage by 1935, appearing in Ralph Benatsky's Axel an der Himmelstür. UFA studios in Berlin had lost Marlene Dietrich to Hollywood in 1930, and had since then been seeking a suitable replacement. Although not a strong actress, Zarah Leander's looks combined the sultry sensuality of Dietrich with the Nordic iciness of Greta Garbo. Her singing voice was suitable for Viennese operetta, and from the standpoint of sheer musical talent, she could certainly outpace what Dietrich had been able to offer in this respect. These aspects of Leander's talent proved enough to convince UFA to sign her as a contract player in 1936.

The Farmer Boys were an American country music duo consisting of Bobby Adamson and Woody Murray. Adamson and Murray were both natives of Arkansas who met in California when they sang a song together around a jukebox. In 1952 they started working together, singing at local dances with Adamson on lead vocals and Murray on harmony and guitar. Herb Henson gave them a spot on his television show, which broadcast out of Bakersfield, California on KERO. They eventually became nightly performers on the show, and Henson gave them the name The Farmer Boys, since they lived in Farmersville.

Sony Classical is pleased to release the first ever collection of the great Zino Francescatti recordings for Columbia Masterworks. Various recording masterpieces have been newly transferred, mixed and re-mastered from the original analogue tapes using 24 bit technology. Included in the collection are stunning collaborations with some of the world’s best musicians, and composers.

Stella is the fourth studio album by the Swiss electronic band Yello, first released in Germany, Switzerland and Austria on 29 January 1985, and in the UK and US in March 1985. It was the first album made by the band without founder member Carlos Perón, and with his departure the remaining duo of Boris Blank and Dieter Meier began to move away from experimental electronic sounds towards a more commercial synthpop and cinematic soundtrack style. As well as becoming the first album ever by a Swiss group to top the Swiss album chart, it was the band's breakthrough album internationally, helped by the success of the song "Oh Yeah", which gained the band worldwide attention the following year after it was prominently featured in the 1986 film Ferris Bueller's Day Off and then a year later in The Secret of My Success.