25 years after the revolutionary recording with Il Giardino Armonico, Enrico Onofri presents a new exciting version of Vivaldi's Le quattro Stagioni on PASSACAILLE, in which he has put all his artistic maturity and knowledge into practice. The focus of the recording is not only on Vivaldi. Onofri also wanted to pay tribute to Mother Nature, who has inspired artists of all genres with her sounds, images, smells and wonders. The selected pieces that accompany the Evergreen come from the Italian repertoire of the 17th century.

In English Renaissance collections of music, the term ‘lessons’ is often used to describe instrumental pieces, even though they aren’t pedagogical exercises as such. But as Jonas Nordberg writes in an introduction to his new disc ‘there remains much in them to be studied’. John Dowland is one of the composers whose music was a driving force of the Early Music revival already at the beginning of the 20th century. He has also played a central role in the rediscovery of the lute itself, an ongoing process which began more than a hundred years ago.

Of all the reconstructions prompted by the 1991 Mozart jamboree, Philip Wilby’s recreation of the Violin and Piano Concerto of 1778 was the most worthwhile. Wilby skilfully completed the 120-bar fragment of the first movement and took the slow movement and finale from the unusually brilliant, ‘public’ D major Violin Sonata, K306. There are problems – not least of dates – with Wilby’s thesis that the Sonata is the ‘last resting-place’ of the projected double concerto. But the three movements certainly make a satisfying entity. Midori and Eschenbach give an immensely polished reading, phrasing with unfailing subtlety and sophistication.

Lindsey Buckingham quit Fleetwood Mac after the release of their Tango in the Night album in 1987 and spent the subsequent five years working on his first post-Mac solo album, Out of the Cradle. Perhaps because he was now focused on his solo career, Buckingham reined in the experimental style of his first two albums, producing more conventional, accessible material, much of it similar to his later work with Fleetwood Mac…

To complete their reissue programme The Blue Nile again worked alongside long term producer/engineer partner Calum Malcolm. This 2CD deluxe set, features all nine tracks remastered plus a bonus disc featuring four previously unreleased songs plus two extended remixes - over 32 minutes of new music!

Electric on the Eel is a live album by the Jerry Garcia Band. It contains three complete concerts on six CDs. The shows were recorded on August 29, 1987, June 10, 1989, and August 10, 1991 at French's Camp in Piercy, California, near the Eel River. The album was released on March 15, 2019. The three performances were promoted by Bill Graham and Wavy Gravy as benefit concerts for the nearby Hog Farm commune. They featured the mid-1980s to early-1990s lineup of the Jerry Garcia Band – Jerry Garcia on guitar and vocals, Melvin Seals on keyboards, John Kahn on bass, David Kemper on drums, and Gloria Jones and Jaclyn LaBranch on vocals.

Recorded live by Loïc Ponceau and Maïa Cordier at Metz during the Up-Tight/France 2017 tour.

Another solid Slim set with an additional emphasis on the considerable contributions of second guitarist John Primer, who handles vocals on three cuts (including covers of Otis Redding's "Hard to Handle" and Eugene Church's "Pretty Girls Everywhere"). This was a particularly potent edition of Teardrops, pounding through Slim's own title cut and "Please Don't Waste My Time" and Albert King's shuffling "Cold Women with Warm Hearts" with barroom bravado.