Hellbound Train is the eighth album by the band Savoy Brown. It was released by Parrot in 1972. "Shot in the Head," the slide guitar showcase that opens this solid set, became a staple of this veteran English band's live act. In his only full-time stint as singer for demanding bandleader Kim Simmonds, Dave Walker proves a serviceable. Besides their own tunes, the lads cover Howlin' Wolf and Little Walter.

The name Carmine Appice is synonymous with Vanilla Fudge, Cactus, Beck, Bogart & Appice and Heavy Metal. Not only did he influence many of the great drummers, but his work helped to bridge the gap between psychedelia and heavy metal.Carmine Appice's solo debut "Rockers" was recorded with mega-producer Richard Podolor and featured Danny Johnson on guitar, who adds a significant crunch to the songs on this album, which was originally released in 1981.'V8' was recorded in 1977 at Cherokee Studios in Los Angeles. The album features Max Middleton (ex Jeff Beck Group), Verdins White (Earth Wind and Fire), Mark Stein (Vanilla Fudge), Dick Wagner (ex Alice Cooper), Jimmy Haslip (Yellow Jackets) plus Fernando Saunders and Benny Schultz. The studio session was influenced by Jeff Beck's "Blow By Blow", songs are half instrumental and half featuring vocals

After 35 years into a career that spans 35 albums recorded for seven labels, you'd think John Hammond might get a little complacent. Thankfully the opposite is true, as 2001's Wicked Grin is the artist's most daring musical departure and arguably greatest achievement to date. Mining the rich Tom Waits catalog for 12 of its 13 tracks (the closing is a traditional gospel tune) and bringing Waits himself along as producer has resulted in a stunning collection that stands as one of the best in Hammond's bulging catalog. Never a songwriter, the singer/guitarist/harmonica bluesman has maintained a knack for picking top-notch material from the rich blues tradition without resorting to the hoary, over-covered classics of the genre.

This recording is the companion to Donohoe and Litton's earlier recording of Litolff's Concerto Symphoniques 2 & 4 (CDA66889) and completes our survey of the composer's works for piano and orchestra (Litolff's first concerto was never published and is lost).

After receiving his musical training as a choirboy at the Cathedral of Saint-Sauveur at Aix-en-Provence, he succeeded his teacher Guillaume Poitevin as music master there. After moving on several times, he became music master at the Cathedral of St Etienne at Toulouse in 1697, as the successor of Andre Campra. His musical style was influenced by Campra, as were most musicians of his day. He composed motets and a famous requiem, which was performed for the first time at his own funeral (because the original commissioner thought it too expensive to perform), but was later sung at the funeral services for the King of Poland in 1736, Jean-Philippe Rameau in 1764, and Louis XV in 1774. His motets were played frequently from 1728-1771 at the Concert Spirituel.

The ARC Ensemble (Artists of The Royal Conservatory) is among Canada’s most distinguished cultural ambassadors. It focuses on researching and recovering music suppressed under the totalitarian regimes of the twentieth century and marginalised thereafter. Exile is generally associated with geographical displacement, but the idea of ‘internal exile’ has long had currency. There was a protracted variety of this exile in the Soviet Union: State oversight of musical style and substance began in the 1920s and persisted until well after Stalin’s death, in 1953. Unlike the Central European composers who were murdered or exiled under National Socialism, and whose music is now being assessed and revived, a great number of the musical casualties of the Soviet era still await serious attention.

Autumn in New York (1950). An early LP for Jo Stafford (and the LP format itself), 1950's Autumn in New York assembled a dozen standards set at ballad tempo and arranged with crying strings by Stafford's primary arranger (and husband), Paul Weston. Most of them were show tunes, some dating back to the '20s, and all seemed tailor-made for Stafford's sweet, pure tone and way with a lovelorn lyric. The title song and "Smoke Gets in Your Eyes" earned pride of place, but there simply wasn't a deficient tune in the bunch - "Sometimes I'm Happy," "Some Enchanted Evening," "Just One of Those Things" - and Stafford treated them all with the reverence and devotion they deserve…

The Dark Side is Gregorian's sixth album, released between Masters of Chant Chapter IV and Masters of Chant Chapter V. The 'Special Rock Edition' featured ten tracks. The notable differences from the standard edition are the omission of three tracks (Where the Wild Roses Grow, Uninvited and The End), the ordering of the tracks, as well as the length of the existing tracks; some are shorter. This edition also includes an extended version of Nothing Else Matters, from Gregorian's first Masters of Chant album.
One of the most successful pop/classical fusion projects, Gregorian mixes well-known pop and rock songs with Gregorian chants. Overseen by producer Frank Peterson, co-founder of Michael Cretu's Enigma outfit, Gregorian's first album, Masters of Chant, released in 1999…

Pay attention to the "raw" designation in RAW: That Little Ol' Band from Texas, the 2022 album that purports to be the soundtrack to the 2019 documentary That Little Ol' Band from Texas. Within the movie is a segment capturing ZZ Top playing a show at Gruene Hall, famously hailed as "the oldest continually run dance hall in Texas." That set is presented here on RAW: That Little Ol' Band from Texas, an album that winds up being a more valuable document than expected thanks to the fact that it captures the classic lineup of ZZ Top playing a bunch of down-and-dirty blues just a few years before the passing of bassist of Dusty Hill in 2021. While the group doesn't sound as spry as they did in the 1970s or '80s – the rhythms are a little heavier, the growl in Billy Gibbons' voice is quite gravelly – it's enjoyable to hear how they're playing as a band of old pros. They've performed these songs countless times – it's not all the hits, but as they run through "Just Got Paid," "Heard it on the X," "La Grange," "Tush, "I'm Bad, I'm Nationwide," and "Legs," it feels like they are – but there's still energy and a palpable joy in how they launch into a groove or extend themselves in a jam and it's still a wonder to hear Gibbons solo.