The Who‘s 1967 album The Who Sell Out will be reissued as a seven-disc super deluxe edition box set in April. The album was originally planned by Pete Townshend and the band’s managers (Kit Lambert and Chris Stamp) as a loose concept album with jingles and commercials linking the songs. This approach was partly because the record label were demanding a new record and Townshend felt as if he didn’t have enough songs!

The London Symphony Orchestra's cycle of Brahms symphonies was Bernard Haitink's first set of recordings on the LSO Live label, originally released individually throughout 2004-05, and then as a boxed set in 2005. This collection of remastered recordings is now available on SACD, and digitally in spatial audio. Bernard Haitink's revelatory Brahms recordings with the LSO have demonstrated why fresh new interpretations of his major works are so important, and why the composer's music is still so relevant today.

As indicated by the title of his Imani Records leader debut, veteran trombonist David Gibson developed the repertoire on Fellowship while endeavoring “to create a sense of purpose” amidst the isolation of Covid-19.

In 1988, few heavy metal bands were comprised of all black members, and fewer had the talent or know-how to inject different musical forms into their hard rock sound (funk, punk, alternative, jazz, soul, rap) – but N.Y.C.'s Living Colour proved to be an exception. Unlike nearly all of the era's metal bands, the group's music has held up over time, thanks to its originality and execution. Living Colour leader/guitarist Vernon Reid spent years honing his six-string chops, and was one of the most respected guitarists in New York's underground scene. He couldn't have done a better job selecting members for his new rock band – singer Corey Glover, bassist Muzz Skillings, and drummer Will Calhoun – as their now-classic debut, Vivid, proves.

The first five studio albums from Buffalo's favorite sons. Featuring: Goo Goo Dolls–their first album–on vinyl for the first time since 1987; Jed–first time ever on vinyl; Hold Me Up–first time on vinyl domestically; Superstar Car Wash–first time ever on vinyl; and A Boy Named Goo.

Recorded at American Sound Studio in Memphis, Dusty in Memphis, is her greatest LP. Dusty worked with a stellar team of musicians and producers that included Jerry Wexler, Arif Mardin, Tom Dowd, conductor Gene Orloff, backing vocalists The Sweet Inspirations, bassist Tommy Cogbill, and guitarist Reggie Young. Initial reaction and sales were disappointing on release, but the album has since been rediscovered and critically lauded as one of the greatest records of all time. In 2001, it was inducted into the Grammy Hall of Fame. Features songs by the cream of 20th century songwriters - Barry Mann/Cynthia Weil, Goffin/King, Randy Newman & Burt Bacharach/Hal David. Includes Dusty's classic takes on Son of a Preacher Man (a top-10 hit in the UK), Breakfast in Bed, Just One Smile, I Don't Want to Hear About It Anymore, So Much Love and Just a Little Lovin' - in all cases improving on the originals! This 50th anniversary edition has been remastered at half-speed at Abbey Road Studios.