The Empyrean is the 2009 album by American rock guitarist John Frusciante, known as a member of the Red Hot Chili Peppers. This is a vinyl rip done in 24-bit/96 kHZ. This was released by Record Collection.

Before Versailles, the epicentre of power in the Kingdom of France was the Louvre, a genuine theatre of ceremonies where music was duty- bound to impress with its magnificence.

This release concludes the series of Jiří Bělohlávek’s last recordings of Czech masterworks for Decca Classics before he sadly passed away in 2017

The starting point for Barbara Hannigan’s third recording for Alpha is a work by Gérard Grisey (1946-98) that is particularly close to her heart. Grisey wrote: ‘I conceived the Quatre Chants pour franchir le seuil [Four songs for crossing the threshold] as a musical meditation on death in four parts: the death of the angel, the death of civilisation, the death of the voice and the death of humanity…

Born in Toledo, Diego Ortiz published the Trattado de Glosas in Rome in 1553. At that time, he was living in Naples in the service of Ferdinand Alvarez de Toledo, Duke of Alba and Viceroy of Naples. This region was deeply influenced by Spain. His treatise, published simultaneously in Spanish and Italian, is first and foremost a precious source for the art of Spanish instrumental performance. The second book of the Trattado de Glosas is performed here in its entirety, with Bruno Cocset and Guido Balestracci alternating in the Recercadas.

‘Rejoice’ is a very special collaboration between Tony Allen, the co-founder of Afrobeat, and Hugh Masekela, the master of South African jazz. Having first met in the 70s thanks to their respective close associations with Fela Kuti, the two world-renowned musicians talked for decades about making an afrobeat album together. When, in 2010, their touring schedules coincided in the UK, the moment presented itself and producer Nick Gold took the opportunity to record their encounter. The unfinished sessions, consisting of all original compositions by the pair, lay in archive until after Hugh passed away in 2018.

The legendary songwriter, who last released 'Harmony' in 2004, found 'Solo's material tucked away in his office in his Toronto home; the two discs of material were recorded in late 2001 and early 2002, just before Lightfoot suffered a near-fatal abdominal aortic aneurysm. After rediscovering the songs, Lightfoot entered Hamilton, Ontario's Grant Avenue Studio to rerecord the tracks with only his guitar.

Wolfgang Muthspiel, whom The New Yorker has called "a shining light" among today's jazz guitarists, returns to the trio format with Angular Blues, the Austrian's fourth ECM album as a leader, following two acclaimed quintet releases and his trio debut.

Yael Naim, who built a global following from her song being personally selected by Apple's Steve Jobs for a high profile ad campaign, is back with her fourth album 'Nightsongs'.

Roger Eno and Brian Eno - together and individually among the foremost innovators in experimental ambient music - will release this album on Deutsche Grammophon. Brian and Roger Eno have revolutionized many concepts of music production and performance, from pioneering treatments of pop music by Brian Eno to younger brother Roger Eno's ambient synth/piano recordings reminiscent of Erik Satie.

The Weeknd’s epochs can be clearly defined as pre- and post-“Can’t Feel My Face.” The mysterious character of his mixtape trilogy cut an enigmatic figure lurking seedy club and hotel corridors, and producer Max Martin transformed him into a radio-friendly Kids’ Choice Award nominee, a progression that led to an eventual rebirth as a Daft Punk-retrofitted Starboy. He straddled the line on his last EP, My Dear Melancholy, but there has always been an explicit conflict between the volatile, shapeless R&B of his breakthrough and the sophisti-pop of his star turn.

After a successful and diverse career of more than 20 years in almost every corner of the entertainment world, Anne Bisson returned to her first love, jazz, by releasing in 2009, Blue Mind, an album which brilliantly showcased her talents and musical creativity. Critics were unanimous, praising Anne Bisson as a natural jazz artist. With 35,000 albums in sales, she now releases a new album on which she is joined in the studio with two Los Angeles 'Jazz Giants', Joe LaBarbera on drums and Darek Oleskiewicz on acoustic bass.

Like wine, music improves with age. And Conor O’Brien’s matures well. From the Malahide coast, where the Irishman composed his first three albums on his farm, to the hubbub of Dublin, the villager has changed his scene. Much like his album. After Becoming a Jackal, Awayland and Darling Arythmetic, three soft pop-folk albums, the songwriter with ice-cube eyes has released The Art Of Pretenting To Swim. O’Brien has read the Pro Tools manual for a shorter album length (44 minutes) and much more elaborate detail.

Blowin' the Blues Away is an album by jazz pianist Horace Silver, released on the Blue Note label in 1959 featuring performances by Silver with Blue Mitchell, Junior Cook, Eugene Taylor, and Louis Hayes. The Allmusic review by Steve Huey awarded the album 4½ stars and states "Blowin' the Blues Away is one of Horace Silver's all-time Blue Note classics… one of Silver's finest albums, and it's virtually impossible to dislike".

'Red Sun Through Smoke' was recorded over two cataclysmic weeks in August 2018 in Kelowna, whilst the city was encircled by the forest fires which, under a warming climate, now regularly rage through British Columbia in summertime. With smoke engulfing the landscape, it was recorded from start to finish in the living room of a small house owned by his grandfather, who was moved into palliative care and tragically died halfway through the recording, his lungs filled with fluid as a result of the smoke.Forged in trauma and an intense, bewildering slew of mixed emotions, Ian William Craig has created an album of incredible beauty, sadness and depth. 'Red Sun Through Smoke' is a profoundly moving album, a standout record in a prolific body of work that shows no sign of faltering.