King Solomon Hicks grew up in Harlem and was surrounded by a lot of great musicians. Those influences shine through on Hicks’ debut album, ‘Harlem’, which is an 11-song salute to those roots mixed with Hicks’ own distinctive style. Produced by multiple Grammy Award winner Kirk Yano (Miles Davis, Public Enemy, Mariah Carey), the album showcases Hicks as a writer, player and interpreter. The young, rising blues star debut album will be released by blues connaisseur label Provogue Records.

Capitol Records recording artist Niall Horan returns with his highly anticipated sophomore album "Heartbreak Weather." Featuring his new single "No Judgement" and up tempo record "Nice To Meet Ya," this body of work showcases his unique musicianship and magnetic vocal range. The singer/songwriter has earned platinum certification or greater in 18 countries, achieved global critical acclaim and amassed 3 million adjusted album sales and 3.5 billion streams worldwide.

Jófríður (pronounced Yo-Frida,) Ákadóttir AKA JFDR is something of an prolific Icelandic artist - having released music as part of va rious different groups including: Pascal Pinon, Samaris and Gangly. Jófríður, at the age of 25 has already toured across the Globe. Following on from 2017’s full length Brazil, this is first music proper to be released since. New Dreams is the second record from Icelandic singer, songwriter multi-instrumentalist Jófríður Ákadóttir aka JFDR. New Dreams deals variously in heartbreak, gratitude, habits, intuition, delusions, innocence, loneliness, meaning, empathy, vulnerability, security, identity, dependency, longing, beauty, love and, yes, dreams, old and new.

"My new album, Ricky Music, was written and recorded between Dec 2017 and the spring of 2019. Mostly in New York at my apartment, but some of it in Chicago, Los Angeles, and various cities while touring around Europe. This record is an account of the beauty, confusion, anger, joy and sadness I experienced during that time. I think I was as lost as I was madly in love. In these songs I hear myself sometimes desperate for clarity, and other times, having enough perspective to laugh at myself in some of my darkest moments. That's sort of what this album is about, I hope you enjoy it."

Gone to Glory chronicles Rachelle Garniez' interpretation of songs written or made famous by a variety of dearly beloved artists, all recently departed. With the depth of her talent and breadth of her interests, Garniez' vocal approach eloquently transfigures pop and rock, jazz and soul - from David Bowie, Prince, Leonard Cohen, and Glen Campbell to Motörhead, Aretha Franklin, Nancy Wilson, Sharon Jones, and Mose Allison. With her masterful fluidity in full effect, she embodies the characters and inhabits the worlds. Garniez simultaneously loses herself and finds a way to make the songs her own. Regarding her singular style, The New Yorker has written, "Garniez wanders through the genres of country, jazz, and pop, leaving behind nothing but sweet wreckage." Indeed, with her latest album, Rachelle locates a certain saving sweetness among the ruins, gathering glory from the gone.

The follow-up to 2018's 'Accidentally on Purpose' was recorded in Nashville and is released to tie in with a big UK tour. Speaking on the release of the single and the new LP, Crissie Rhodes and Ben Earle said: "Honesty and storytelling has always been such an important part of our songwriting. We've poured some of the incredible experiences and life we’ve lived into these songs. We can’t wait to hit the road next year and play these live across the country. "The songs mean so much to us personally, but there really is nothing like looking out at our fans in the crowd and seeing how much of an impact they can have in someone else’s life. It’s truly a very special thing."

Truth or Consequences, Yumi Zouma’s third album and first for Polyvinyl was produced by the band and mixed by engineer Jake Aron (Solange, Grizzly Bear, Snail Mail) Christie Simpson’s voice gives weight to whispers of impressionistic poetry, shielding hard truths with soft tones, while Burgess’ vocals reveal a rarified dimension of raw and lucid romanticism, with lead single “Right Track / Wrong Man,” in particular, exhibiting a Balearic tempo and bass-heavy energy that belies its underlying tension. The first Yumi Zouma album to feature live drums, Truth or Consequences radiates a brazen spirit of perseverance. “I love the duality in a lot of disco songs, where they’re incredibly upbeat, but there’s real frustration in the lyrics – sort of like, ‘Nothing’s going the way I want, but I’ve got to deal with it any way I can,’” Simpson says.

"Play fast" It's a phrase that has been tied together with the experience of Michigan's Dogleg since the very beginning, when guitarist Alex Stoitsiadis taped the words to his guitar, signifying to the crowd exactly what they were about to be experiencing. Since that time in 2016, the project has gone from a solo bedroom-emo dream to a mature and fierce four-piece punk force, featuring bassist Chase Macinski, rhythm guitarist Parker Grissom, and drummer Jacob Hanlon. In the three years since their inception, Dogleg have been screaming their way out of basements and onto the road with relentless touring schedules, with both crowds and stages growing, and sharing bills alongside the likes of Joyce Manor, Foxing, oso oso, Prince Daddy & The Hyena, Thin Lips, and more.

Born from Brighton's diverse musical breeding ground, indie quartet Orchards are among the cities brightest rising stars. Comprised of lifelong friends Sam Rushton (guitar) and Dan Fane (bass/vocals), who met drummer Will Lee-Lewis and vocalist Lucy Evers within their first week at university, the band are a resplendent mix of summer melodies and stellar hooks that threaten to be stuck in your head for days. Married with an unbreakable bond that makes the four-piece inseparable, they form a sound that is inherently positive, charming, shimmering and above all: fun.

Thirteenth studio album by the Swiss rock band. Amongst the usual straight up rock and roll that Gotthard are known for, '#13' offers remarkable variety between songs - such as the powerful opener 'Bad News', the fast hard 'n' heavy 'Every Time I Die', the straight to the point lyrical message of 'Man On A Mission', old-school blues-rock with 'Another Last Time', epic ballads like 'I Can Say I'm Sorry' and unbridled '70s psychedelia with 'Rescue Me'.

The Wants' debut full length 'Container' is a meticulously self-produced art pop record, combining elements of post-punk, synth pop, and minimal techno. Opener 'Ramp' is as pensive as they come, title track 'Container' a deadpan meditation bound by a winding low pulse, while - atop a synth pop rhythm track that wouldn't feel out of place on a Depeche Mode record - Velding-VanDam's earnest and deceptively disarming lyrics on recent single 'Fear My Society' tell the story of a man who realizes that the standards he lives by are no longer relevant. He feels alienated by the changing world and propagates the fears, principles, and rituals in which he feels he has irreversibly invested his life.

The band is known for their fast, punk-influenced two-piece bass and drum songs, with both their music and image being characterized by "DIY principles, thrift store-cum-glam fashion style and a vast list of influences." The brothers classify their sound as "vada vada," a philosophy which Wyatt Shears describes as "an idea that represents pure creative expression, that disregards all previously made genres and ideals".