If Carmine has burnt all the stages becoming one of the most original European accordionists in this record of great proof of design and visionary intelligence construction of a story that becomes music and word as well as gesture and sign. Four years after the first album "Solo", Campania accordionist and composer Carmine Ioanna released the second album "Soli in Viaggio" for the French Bonsai Music (Egea distribution) on June 8th.

Tales from Home, the debut album from Eleanor Tomlinson star of the PBS series Poldark, is an enchanting collection of folk-influenced songs. The album is long-awaited by fans of the series after they watched her stunning performances on the hit TV show. Tales from Home features classic hits from Simon & Garfunkel ( Homeward Bound ), Carole King ( Tapestry ) and Bonnie Raitt ( I Can t Make You Love Me ). Also included on the album are a number of Irish and Scottish folk songs such as The Spinning Wheel. The album is produced by Poldark soundtrack composer and Academy Award®-winner Anne Dudley who has previously recorded with the likes of Elton John, Tina Turner and Robbie Williams.

Shannon Shaw, the captivating vocalist, bassist, and founder of Shannon & the Clams, will strike out on her own for her first solo album, Shannon In Nashville. Produced by The Black Keys' Dan Auerbach at his Nashville studio, Easy Eye Sound, the album features a cast of revered old-school session musicians which have breathed life into notable records by Elvis Presley, Aretha Franklin, Willie Nelson, and John Prine, to name just a few. The album evokes the tear-jerking intonations of Brenda Lee and Patsy Cline and exudes a self-possessed melancholy that sets the scene for Shaw to comb through a personal history of love lost to time, circumstance, fear or neglect. "The way I typically write songs is: Something has happened to me and I want to encapsulate it. I want to trap and package it, so I can pull it out of my body, and look at it to get some perspective on this event that has affected me," says Shaw of the catharsis inherent in her song-writing process.

Weather Walker, the monumental, atmospheric and unfailingly melodic new orchestral album from one of Europe’s most prolific composers and instrumentalists, Tim Garland, takes its inspiration from The Lake District in the North West of England. Tim is a musician with equal talent and scope both as a performer and composer and Weather Walker showcases his sheer brilliance and ambition, confirming his reputation as one of contemporary music's most forward-thinking figures. Recorded at the iconic Abbey Road Studio 1 with a 43 piece string section, this epic production contains some of his best large ensemble writing. Uniting his regular collaborators, pianist Rebello and bassist Gabolev, with a 35 piece string orchestra, Weather Walker is also a first-time collaboration with the exciting and progressive German pianist Pablo Held, a musician with an equally strong sense of harmony and freedom of expression.

Mansun was one of the most iconic and innovative British bands of the late 90s with Parlophone. They released four classic albums 'Attack of the Grey Lantern' (1997), 'Six' (1998), 'Little Kix' (2000) and the compilation 'Kleptomania' following the band's split as well as a popular and now rare series of EPs. Kscope, having now acquired this impressive catalogue, are running a thorough reissue series that delves into a treasure trove of previously unreleased audio and visual material, including the much-awaited full remaster of their #1 album 'Attack of the Grey Lantern'.

An album of reconstructions and remixes, revealing some of the lovely, secret perspectives hidden in Yasmine's Hamdan impressive, successful second album 'Al Jamilat', courtesy of 9 distinguished artists and producers. These include the mighty Parisian electronic music crew Acid Arab, Chilean maverick Matias Aguayo, elegant German ensemble Brandt Brauer Frick, Berlin techno artist Shed, Crammed's own Greg Bauchau, Cubenx from Mexico, Olga Kouklaki from Greece, and mysterious, reclusive Middle-Eastern produced George Bshoum. Yasmine Hamdan herself has contributed a great remix of "La Chay".

‘Lost & Found’ is the rich fruit of Jorja’s past two years of work and an artistic statement. On her debut offering, Smith’s playfully infectious pop spirit intertwines with her youthful charisma, idiosyncratic storytelling, and informed opinions – attributes that have set her apart from her peers and seen her become one of the UK’s most-loved female-breakthrough stars of recent years. A sonic masterclass, ‘Lost & Found’ spans a number of personal, and observational yet relatable topics that only Jorja Smith could unite so compellingly. The album, which Jorja has written across the past 3 years, from the age of 17 to 20, includes previously released singles “Blue Lights’, ‘Teenage Fantasy’ and ‘Where Did I Go?’

Emerging a couple of years after Metallica, Slayer and Anthrax had set the world buzzing with the radical new sound of thrash metal, Megadeth’s 1985 debut has always been easily overlooked. The rough production and cheap sleeve seemed to betoken a band in a mad rush to get their name out there; understandable, after Dave Mustaine’s unceremonious sacking from Metallica and subsequent vengeful urge to best his ex-bandmates. Also, Megadeth’s more profound and popular follow-up Peace Sells… But Who’s Buying? dropped a year later, forever overshadowing the ramshackle innocence of the debut… At least, until now.

The songs mark the long-awaited coming of so sad so sexy, Lykke Li's fourth full-length album and follow-up to 2014's critically acclaimed I Never Learn, due June 8th via RCA Records, her first release with the label.

The indie pop band “Sheppard” from Australia, known for the hits such as “Geronimo” or “Let me down easy” approached us to create a cover for the newest album titled “Watching The Sky”. This time we decided to use true glass as the essential material. As the result, we blew several dozen little bubbles to create a real glass cloud sculpture. And once again, hand-crafted work turned out to be the greatest choice!

"Brass Hommage" is a tribute to the inimitable sound which has made German Brass famous. It acknowledges the success of an audio vision come true: to create a chamber-music ensemble with ten brass musicians, a group with the sound potential of a mighty organ, a symphony orchestra or a big band – a vision which the German Brass musicians have achieved with the musical elegance that is their very own.

The Goldmund Quartet from Munich celebrates its debut with Berlin Classics and goes straight to the top: the string quartets no. 3 and 9 by Dmitri Shostakovich. Irony, cynicism, depression, but apparently boundless joy, and intense ecstatic emotion: those are all characteristics of the music of Shostakovich. Absolute high points are confronted with deeply tragic moments.

Lily Allen's No Shame is her fourth studio album and the follow-up to 2014's Sheezus. No Shame features the singles "Higher" and "Three" and is set for release via Parlophone/Warner Bros. Records.

Composed by Jon Lord and the German composer and conductor Eberhard Schoener, 'Windows' was recorded live on June 1st, 1974 at the Herkulessaal of the Munich Residenz with the Orchestra of the Munich Chamber Opera conducted by Eberhard Schoener. The band for this special occasion is star-studded with musicians like Jon Lord's former bandmates David Coverdale and Glenn Hughes as well as Tony Ashton, Ray Fenwick and Pete York. Windows consists of two parts. "Continuo on B. A. C. H" is based on an unfinished fugue by J. S. Bach, which was based on a scale using the notes represented by his own name. Lord and Schoener interpreted and 'finished' it. "Window" is based on the idea of a form of chain poetry called Renga, developed during the 14th century in Far-East, where a group of poets co-writing would lock themselves away, writing each verse in turn and continue until the finished product emerged. The recording was re-mastered by Rob Cass at Abbey Road Studios and the artwork was reinterpreted.

This album combines the brilliant original vocal harmonies of The Beach Boys’ beloved classics with brand new symphonic arrangements performed by the Royal Philharmonic Orchestra, creating a unique and special experience of these iconic songs. 17 tracks produced by Nick Patrick and Don Reedman. Executive produced by Jerry Schilling. Orchestra conducted by Sally Herbert and Steve Sidwell and recorded by Peter Cobbin at Abbey Road Studio 2.