Laurelie was one of the first bands from the Belgian progressive scene - along with Waterloo, Irish Coffee, Jenghiz Khan & Mad Curry. Their eponymous and now very expensive album was released in early 1970 on Triangle label. This minor psych-prog masterpiece (with plenty of nice flute parts) was still rooted in the late 60's songwriting tradition, when condensed tracks were preferred over improvisations. On the other hand, an amazing (and 10-minutes long) opening track was typical progressive offering - with everchanging moods and lots ofguitar, Hammond organ and flute interplay. This premiere CD is necessary for fans of early Jethro Tull, Traffic, The Moody Blues and Cressida. Laurelie split up the same year and bassist Pierre Raepsaet went to Jenghiz Khan.

This five-LP box set (which has been reissued on CD) contains nearly all of Stan Getz's classic bossa nova sessions, five wonderful yet diverse LPs (Jazz Samba, Big Band Bossa Nova, Jazz Samba Encore, Stan Getz/Laurindo Almedia, and Getz/Gilberto). The cool-toned tenor is heard on his groundbreaking collaboration with guitarist Charlie Byrd (which resulted in the best-selling "Desafinado"), is showcased with a big band arranged by Gary McFarland (introducing "No More Blues" and "One Note Samba"), stars in recordings with guitarists Laurindo Almeida and Luiz Bonfa, and is heard at the famous meeting with composer/pianist Antonio Carlos Jobim, guitarist João Gilberto, and singer Astrud Gilberto, which resulted in the major hit "The Girl From Ipanema." This essential set finishes off with three previously unissued performances from a 1964 Carnegie Hall Concert, concluding with a remake of "The Girl From Ipanema." These recordings stand as proof that it is possible for good music to sell.

Frontiers Music Srl is proud to announce the release of another stunning live performance from Alan Parsons and his incredibly skilled band of musicians, "One Note Symphony: Live In Tel Aviv" on February 11, 2022. The band's performance with the Israel Philharmonic Orchestra will be available on 2CD + DVD, Blu-ray, 3xLP, and Digital formats. On how this very special performance came together, Alan says "We had been booked to play here with the Israel Philharmonic Orchestra and I thought it might be a great opportunity to record a video of the show. It’s a rare treat to perform with an orchestra, so I asked the IM3 Global Entertainment video team of Trinity Houston and David Minasian, who had earlier that year had done a great job filming two of our live shows in the Netherlands and produced our latest music video, The NeverEnding Show, to join us and film this performance as well. As luck would have it, they agreed to make the trip to Tel Aviv, and hired a fantastic crew of local cameramen and technicians. We are all very proud of the final result."

The band's fifth release, Rain Dances is Camel at its best, offering the most consistent and representative package in their saga. The addition of Caravan-cofounder Richard Sinclair proves profitable, as do a few colorist touches by Brian Eno on "Elke." Mel Collins' woodwinds are among the highlights, especially on "Tell Me" and the title track. From beginning to end, this project flows gracefully.

If you dont own any of Krommers music, I cannot think of a better way to make his acquaintance.

…To my ears she is at her creamy, relaxed best, evincing no strain at all. Her trill is firmly in place, her divisions clean, her tone even through its range and her arcing phrases soar serenely above the stave. This selection encompasses both dreamy, long-breathed arias and impassioned pyrotechnics…

Mozart’s “Idomeneo” is a lyrical tragedy and is considered Mozart’s greatest choral opera. It is composed in the baroque tradition of the opera seria; however, Mozart excels at giving it new traits and forms. He also exerted his influence on the dramaturgy, shortened parts to increase their effect, increased the suspense with a dense use of instruments and wrote the marvellous ballet music.

Borrowing a page from his old colleague Brian Eno's catalog, Manzanera delved into the ambient music scene with this release, and he did very well. This is an excellent album full of layered sounds and relaxing melodies. Manzanera teamed up with Paul Williams and Andy Grossart, formed a short-lived band by the name of Nowomowa, and recorded this one CD. It is interesting to note that all of the songs were recorded live off of the floor, with no overdubs. This is quite an achievement given the genre of music. But it does add an element of edge to the music. Compiled from the soundtrack from the film of the same name, Manzanera was able to put together a more complete picture of this music when he reissued it on CD in 1999, and he shifted the artist credit to himself, as opposed to releasing it as the band name. Commercially speaking, this was a wise move. Manzanera fans will enjoy this, as well as fans of ambient music.