Limited Edition CD with 1 Extra Track. Arriving just in time for the 10-year anniversary of her diamond-certified hit “All About That Bass,” Timeless is a celebration of Meghan Trainor’s growth as an artist over the last decade. On it, she approaches themes of self-love and empowerment with more confidence than ever before, brought to life through her smart lyricism and signature production. Meghan explains, “I cannot believe it has been 10 years since this all began, I have never been more grateful for this life that my incredible Megatronz have gifted me with. This new album and tour are all for them and my beautiful family.”

75 original songs from Brigitte Bardot, Edith Piaf, Dalida, Juliette Greco, Line Renaud and more!

Definitive Pulse (The Ultimate Concert Experience), a Bootleg of songs by Pink Floyd. Released 31 October 2021.

Enzo Enzo, de son vrai nom Korin Ternovtzeff, est une chanteuse française connue pour sa voix charmante et apaisante. Son album "Les Essentiels" est une compilation de certaines de ses chansons les plus aimées. L'album "Les Essentiels" met en valeur son style unique, mêlant chanson française avec une touche de jazz et de pop. Cette collection présente certains de ses titres les plus populaires, offrant une introduction parfaite à sa musique. Les chansons sont connues pour leur profondeur lyrique, leurs mélodies enjouées et l'interprétation vocale distinctive d'Enzo Enzo.

This is the fourth Romantic Piano Concerto album from Simon Callaghan, and that combination of talents which made his first three so successful—not least a flair for exploring the neglected byways of the Romantic repertoire, and the technique and musicianship to do them justice—proves just as compelling here.

Almost stereotypically overreaching early-'70s progressive rock; quasi-operatic vocals, spinning guitar solos, lengthy suite-like tracks on the order of "Stargazers" and "Hollow Stone (incl. Escape of the Space Pilots)." The highlight is Stewart's effervescent organ work during the gentle and meditative passages. An obscure footnote of early-'70s British art rock, Khan featured guitarist Steve Hillage, keyboardist Dave Stewart, and ex-Crazy World of Arthur Brown bassist Nick Greenwood. Their sole album from 1972 was dominated by Hillage's lengthy, ambitious compositions and Stewart's organ, which owed much to the Canterbury Scene of British prog rock. The group didn't offer much to distinguish themselves from the many other British outfits exploring similar territory, and disbanded after one LP. Hillage went on to join Kevin Ayers and Gong before establishing a solo career; Stewart played with Hatfield & the North and National Health.

A new album of Rameau from Finnish accordionist Janne Valkeajoki presents a harmonious fusion of baroque brilliance and modern innovation. Renowned for his unparalleled contributions to Baroque opera, Jean-Philippe Rameau stands as one of the era's most important composers, and the brilliance of his compositions is now reimagined through a more modern lens. Through a unique and innovative approach, Rameau's meticulously crafted movements find new life with the accordion—an instrument that adds a fresh, vibrant layer to the music, bringing Rameau's innovative spirit into the contemporary realm and highlighting the accordion's versatility as both a singing and an orchestral instrument. This new album comprises two suites, each movement creating a unique atmosphere of its own. In an era where full suites are less commonly heard than individual movements, the album offers a rare opportunity to experience Rameau's work in its entirety, as he originally intended.

Clepsydra is a Swiss neo-progressive band that was formed in 1990 by Aluisio Maggini (vocals), Lele Hofmann (guitars), Philip Hubert (keyboards), Andy Thommen (bass) and Pietro Duca (drums). In 1991 Clepsydra released their first album "Hologram", which was followed by the EP "Fly Man" in 1993. Clepsydra then signed to InsideOut, who released their second album "More Grains of Sand" in 1994. This CD included the song Moonshine on Heights, which by many is regarded as neo-prog classic. 1994 also saw them performing two songs on national Swiss TV, a rare occurrence for a progressive rock band at that time.

Al Wilson's "Greatest Hits" album released in 2020 is a comprehensive collection of his most popular tracks. The album features 25 songs, showcasing Wilson's soulful style and smooth vocal performance. Some notable tracks include his biggest hit "Show and Tell," as well as "La La Peace Song," "Touch and Go," and "Do What You Gotta Do"​ Al Wilson, known for his contributions to the soul and R&B genres, achieved fame in the 1970s with his emotive singing and distinctive voice. This compilation album provides a great overview of his career, capturing the essence of his musical legacy.

Steve Vai played with a wide variety of acts during the '80s – Frank Zappa, David Lee Roth, John Lydon's PIL, and Whitesnake, among others – as he became one of rock's most sought-after hired guns. In addition, Vai launched his own solo career, which come the '90s would be his sole career focus. The 2003 double-disc set Infinite Steve Vai: An Anthology is comprised almost entirely of Vai's solo work (save for a Whitesnake song, "Kitten's Got Claws," and one by the obscure outfit Alcatrazz, "Lighter Shade of Green"). While most "guitar shredders" got a bad rap come the '90s, Vai was always an exception to the rule – there's no secret that Vai was one of the most technically accomplished guitarists in all of rock, but he always knew to put songwriting before soloing (something that most of the other guitarists of the era failed to do), and inject his wacky sense of humor into his playing.

Zoltán Kocsis performs the complete solo piano music of his fellow Hungarian, Béla Bartók. Completed in 2001, these critically acclaimed, definitive performances are the benchmark against which all others are considered.

Franz Lehár was known as “the last waltz king”, so it’s not surprising that his works in the medium bear similarities to those of the Strausses, qualities most readily heard in the suave, luxuriously appointed Wild Roses (or “Valse Boston”). However, Lehár also was a strongly original voice whose harmonic and textural experiments resulted in the striking Debussyian whole-tone scales toward the end of Altwiener Liebeswalzer (“Old Vienna Love Waltz”), or the Wagnerian snarling horns at the start of the Grützner Waltz.

AVID are pleased to present a long overdue second release from legendary jazz guitar great Mr. Wes Montgomery. On this set you will find Wes in the company of his brothers Buddy and Monk for the hard to find “live” classic “The Montgomery Brothers In Canada” plus a wonderful pairing of Wes with Milt Jackson for “Bags Meets Wes!” and then we feature a couple of albums recorded under his own name, the brilliant “So Much Guitar!” and the equally brilliant live set “Full House”. The original sales notes for our first Montgomery set (AMSC1027) describe how label owner Orrin Keepnews was urged by Cannonball Adderley and a review by composer, musician and critic Gunther Schuller to check out an “extraordinarily spectacular… unbearably exciting” young guitarist by the name of Wes Montgomery. Listen for yourself and you will discover that their enthusiasm was well founded! We also discovered that Wes’s self-taught style had much in common with that of John Coltrane and Sonny Rollins in that instead of the flowing style of a Charlie Christian his was of a more jabbing, fierce intensity, attacking the instrument in the same way the two saxophonists attacked their horns.

This delightful disc of Viennese fluff contains some marvelous tunes, plenty of enticing waltz music, and heaps of what Gerard Hoffnung referred to in one memorable sketch as “flagellated cream”. The outstanding items are: Zigeunerfest, a ballet scene that doesn’t sound especially Gypsy-like (but who cares?); the extensive and really cute ballet music from the children’s play Peter and Paul in Schlaraffenland; A Tale from 1001 Nights that’s about as far from Rimsky-Korsakov as you can be while remaining on the same planet; the echt-Viennese Suite de Danse; and finally, an imaginatively scored if only marginally oriental-sounding Chinese Ballet Suite.

This 7T's two-fer combines two albums Mud released at the tail-end of their career – 1978's Rock On and 1979's As You Like It, adding a couple of bonus tracks for good measure. Mud's prime didn't last long, and these two records definitely arrived outside of it, just as the glitter fad was winding down, much to the blissful ignorance of Mud, who tried to carry on as if nothing had changed. This is the most painful on Rock On, where the oldies covers – "Walk Right Back," "Cut Across Shorty" – are silly and anemic, where they're paired with oddities like the mock-reggae of "Slow Talking Boy," a spangly overhaul of "Drift Away," and the turgid ballad "Too Much of Nothing."