Bruce Springsteen & The E Street Band live at Los Angeles Memorial Sports Arena, Nov 1st 1980.

Bob Dylan live at Universal Amphitheatre, Los Angeles, USA, 1st June 1978.

On October 6, 1953, RCA held experimental stereophonic sessions in New York's Manhattan Center with Leopold Stokowski conducting a group of New York musicians in performances of Enesco's Roumanian Rhapsody No. 1 and the waltz from Tchaikovsky's opera Eugene Onegin. There were additional stereo tests in December, again in the Manhattan Center, this time with Pierre Monteux conducting members of the Boston Symphony Orchestra. In February 1954, RCA made its first commercial stereophonic recordings, taping the Boston Symphony Orchestra, conducted by Charles Münch, in a performance of The Damnation of Faust by Hector Berlioz.

Is Duke Robillard a blues, jazz, swing, or rock musician? That's a question that has plagued many a record store clerk trying to slot the guitarist into a bin that fans might logically gravitate to. But, since Robillard has released albums in all of those genres, he clearly needs multiple locations for his albums, and this one needs to go in all of them. An outlet for his different vintage guitars (some shown on the cover) as well as styles he works in, Guitar Groove-A- Rama is a one-stop album for the Duke Robillard fan who isn't sure which category of music he wants to hear. Kicking off with some dusky Southern swamp rock in "Do the Memphis Grind," the album twists, turns, and wiggles through deep blues, loungey jazz, instrumental surf and pop, a Bob Dylan cover, a tango, and a 16-minute history of blues guitar legends who have inspired Robillard. If it sounds like a lot to bite off, and it is, but due to savvy sequencing and the artist's incredible talents, the project never seems scattershot or eclectic simply for the sake of being so.

Pianist Herbert Schuch marks the 100th anniversary of Erwin Schulhoff’s Piano Concerto, which was composed in 1923 and has not yet attained the recognition it deserves. It’s a work that shows the influence of the jazz styles that had crossed the Atlantic and were then taking Europe by storm. Schuch pairs it here with Beethoven’s First Piano Concerto, and also includes Schulhoff’s cadenza for the opening movement of the Beethoven work. Discover a world of musical contrasts on this album on which the pianist is joined by the WDR Sinfonieorchester and conductor Tung-Chieh Chuang.

The origins of this album – the Artemis Quartet’s first recordings of Shostakovich – lie in the ensemble’s long-established relationship with the great pianist Elisabeth Leonskaja. For years, the quartet had been wanting to record the Russian composer’s Piano Quintet with her. It is coupled with Quartets No 5 and No 7, multi-faceted works which are expressive of the composer’s private persona.

When his first album with Bach arias was released by Sony Classical in early 2019, the young Dutch countertenor Maarten Engeltjes received much praise for the "enchanting character" (opera glasses) of his voice. Now the master pupil of the counter legend Michael Chance sings three famous cantatas by J.S. Bach: Ich habe genug, BWV 82, Ich will den Kreuzstab gern tragen, BWV 56 (both are actually really excellent pieces for baritone) - and Vergnügte Ruh, beliebtte Seelenlust, BWV 170. Once again he is accompanied with great sensitivity by the Ensemble PRJCT Amsterdam.

Linda Ronstadt live at Universal Amphitheatre, LA, USA, 3rd October 1977.

Faces live at the L.A. Forum, Inglewood, CA, 5th March 1975.