Disco was all about the 12 inch singles, and it really did encompass a variety of genres and styles while it lasted. What you get here is a well-curated and accurate sample of three facets of the music, for lovers only. Disc 1 is the biggest hits and acts like Donna Summer, Chic and Cheryl Lynn. Disc 2 is the deep cuts, with Cerrone, Bohannon, and Gino Soccio. Disc 3 is where it gets weird, but thanks to the likes of Blondie and New Order, New Wave did frequently find its way to the disco. Here we find Gary Numan, Lene Lovich, Sparks and the Flying Lizards at their most danceable. It's the shortest of the three parts, at under and hour, but then there aren't many 16 minute New Wave epics comparable to "Love to Love You Baby."

To call this compilation Best of Southern Rock is a bit of a misnomer, because it really isn't. The performances selected here aren't exactly the highest of quality, to say nothing of the heinous omission of the Allman Brothers from this elite group of Southern rockers. Recorded live over a five-year span from 1996-2001, it features some of the most respected and iconic figures of Southern rock performing some of their greatest songs. Appropriately starting off with Lynyrd Skynyrd's classic "Sweet Home Alabama," the compilation wastes no time in getting down to business, taking cuts from .38 Special, Van Zant, the Fabulous Thunderbirds, and the always hard rockin' gurus Molly Hatchet. While the inclusion of some songs over others may leave die-hard fans scratching their heads and inquiring where the big hits are, this economically sensible compilation is a nice showcase of the genre's finest bands, and serves as a nice stepping stone into a style of rock sorely undervalued in the rock & roll catalog.

The Marvelettes Forever More: The Complete Motown Albums Vol. 2 The final albums in a storied career, plus 25 unreleased tracks! When, in 1961, the Marvelettes climbed to the top of the national pop charts with their first single, "Please Mr. Postman," they brought Motown with them, helping to establish the little label from Detroit. That first phase of the group's career was thoroughly chronicled in Forever: The Complete Motown Albums Vol. 1, a 3-CD limited edition set that brought together the group's first six albums and every stray single, B-side and rarity from the early era. Now, on the 50th anniversary of "Please Mr. Postman" becoming Motown's first No. 1 hit, comes Forever More: The Complete Motown Albums Vol. 2. The 4-CD set, with 108 songs, collects the group's highly sought-after, final four albums, originally released 1967-1970.

Hip-O Select's 2009 triple-disc set Forever: The Complete Motown Albums, Vol. 1 rounds up all the LPs the Marvelettes released between 1961 and 1963 – 1961's Please Mr. Postman, The Marvelettes Sing, and Playboy both released in 1962, 1963's The Marvelous Marvelettes, and On Stage: Recorded Live – plus the stereo version of 1966's Greatest Hits and a bunch of mono singles and rarities. The Vol. 1 in the set signals that the Marvelettes had a second run at Motown later in the decade, highlighted by the this "The Hunter Gets Captured by the Game" and "My Baby Must Be a Magician," but this has everything from the band's prime period, running from 1961 to 1965, the time when they rivaled the Supremes as the greatest girl group Motown had to offer.

The Wizard of Oz a musical with book and lyrics by L. Frank Baum and music by Paul Tietjens premiered on June 16, 1902, at the Grand Opera House in Chicago. It was an instant hit and made stars of David Montgomery (the Tin Woodman) and Fred Stone (the Scarecrow). On January 21, 1903 the show opened at the Majestic Theatre in New York. It ran for nine months and set out on the road with a second company right on its heels. The show toured, came back to New York, toured, and returned to New York again many times until finally disbanding around 1911. Stock and amateur companies continued to present it into the 1930s when it was overshadowed by the classic MGM film starring Judy Garland.

The album "Animals 1920s: Songs About Animals, Animal Imitations and Metaphors" is a concept album that explores themes of animals, animal imitations, and metaphors in the context of the 1920s era. The album features a mix of jazz music and animal-themed songs. Listeners can expect a variety of animal sounds and metaphors incorporated into the lyrics, from the croaking of frogs to the soaring of eagles. Each song tells a story, drawing on the symbolism and folklore associated with different animals.

The second solo album from the former Nazareth frontman is a good follow up to his first. Filled with great songs and sung with power and passion, this album is a must have for any McCafferty fan. This gritty vocalist gained early experience as a member of the Shadettes, a mid-60s beat group based in Dunfermline, Scotland. By 1968, the act had evolved into Nazareth, which grew from provincial origins into a leading international attraction. McCafferty’s throaty rasp was an integral part of the unit’s best-known hits, notably ‘Broken Down Angel’ and ‘This Flight Tonight’ (both 1973), but he undertook a concurrent solo project in 1975. Dan McCafferty comprised several of the artist’s favourite songs, including ‘Out Of Time’, which broached the UK Top 50 as a single. The singer then resumed his commitment to the parent group, but re-embarked on an independent career in 1987 with Into The Ring.

In the days before punk rock, Kursaal Flyers straddled the line separating pub rock and power pop. The line was so thin it would seem to disappear in the rearview mirror, but when Kursaal Flyers were active in the mid-'70s, they were subtly pulled in two different directions. They'd tour on the same circuit as their friends Dr. Feelgood, but they also signed to Jonathan King's company in 1975, then worked with pop impresario Mike Batt after singing to CBS for The Golden Mile in 1976. Batt gave "Little Does She Know" a grandiose arrangement designed to conjure memories of Phil Spector, and it was enough for the single to crack the U.K. Top 20; however, instead of being their breakthrough, it was their only hit.

Kenneth Ray "Kenny" Rogers is an American singer-songwriter, actor, record producer, and entrepreneur. He is a member of the Country Music Hall of Fame. Though he has been most successful with country audiences, Rogers has charted more than 120 hit singles across various music genres, topped the country and pop album charts for more than 200 individual weeks in the United States alone and has sold over 100 million records worldwide, making him one of the best-selling music artists of all time. He was voted the "Favorite Singer of All-Time" in a 1986 joint poll by readers of both USA Today and People. He has received numerous such awards as the AMAs, Grammys, ACMs and CMAs, as well as a lifetime achievement award for a career spanning six decades in 2003.

2 CDs mit Leonard Bernsteins herausragenden Interpretationen der Haydn-Sinfonien mit dem New York Philharmonic Orchestra. Als erster US-Amerikaner war Leonard Bernstein von 1958-1969 Musikdirektor des New York Philhamonic Orchestra. In seinem Wirken als Dirigent fand er weltweit große Beachtung mit einem Repertoire, das von der Klassik bis zur Avantgarde reichte.

The outstanding musical significance of Johann Rosenmüller, who was said to be able to merge Italian sensuality and German “gravitas” in his compositions in the most harmonious way, was already undisputed among his contemporaries. He studied in Leipzig, and quite soon the town council realized that he was a musician of an immense talent. Rosenmüller therefore received a position at the famous Leipzig Thomasschule, and was considered as the future successor of the ill Thomaskantor, Tobias Michael.

"Ich bin vergnugt" (I am content) is the title of the new CD by soprano Miriam Feuersinger. It refers to Johann Sebastian Bach's cantata "Ich bin vergnugt mit meinem Glucke" BWV 84, but it also corresponds entirely to the feelings of the singer, who is fulfilling a long-cherished wish of her heart with this programme.

The Best of Warrant is the first greatest hits compilation album by the American rock band Warrant, released in 1996. It features the bands greatest tracks (singles) from their first three studio albums, "Dirty Rotten Filthy Stinking Rich", "Cherry Pie" and "Dog Eat Dog". The fourth studio album "Ultraphobic" is not represented on this compilation. Also on the album are two bonus tracks: "Thin Disguise" which is a B-side from the Cherry Pie single (not included on any studio album) and "We Will Rock You" which is a cover of the Queen song of the same name and was released on the soundtrack to the 1992 film Gladiator starring Cuba Gooding Jr.. The Warrant version of "We Will Rock You" charted at number 83 on The Billboard Hot 100. The version of I Saw Red is the acoustic version previously released as a B-side from the single of the same song. The acoustic version features a music video and was also released as a single in its own right.

A Night at the Opera is the fourth studio album by the British rock band Queen, released on 21 November 1975 by EMI Records in the United Kingdom and by Elektra Records in the United States. Produced by Roy Thomas Baker and Queen, it was reportedly the most expensive album ever recorded at the time of its release. Upon release, A Night at the Opera topped the UK Albums Chart for four non-consecutive weeks. It peaked at number four on the US Billboard 200 and became the band's first platinum-certified album in the US. At the 19th Grammy Awards, it received Grammy Award nominations for Best Pop Vocal Performance by a Duo, Group or Chorus and Best Arrangement for Voices. Retrospective reviews have hailed it as Queen's best album, and one of the greatest albums in rock music history. In 2020, Rolling Stone ranked it at number 128 on its list of the 500 Greatest Albums of All Time. In 2018, it was inducted into the Grammy Hall of Fame. This is the second edition of A Night At The Opera on DVD-A with, released a few months after the first edition, with slightly different artwork and 5.1 mix, under the guidance of Brian May who wasn't happy with the original 5.1 mix by Elliot Scheiner.

Carl Czerny, one of Vienna’s most illustrious musicians, was Beethoven’s student and devoted friend. Renowned today for his piano treatises, he was also a prolific composer in almost every genre, but it is the music for his own instrument that has aroused the most curiosity. The Grand Concerto in A minor, a work both serene and spirited, is historically important as one of the first romantic concertos ever written. The lyricism and playful bravura of the Grand Nocturne Brillant is balanced by the delicious Rossini Variations de Concert.