Dorothy Fields (1904–74) was an American lyricist who wrote the lyrics to classics including I’m in the Mood for Love, On the Sunny Side of the Street, and The Way You Look Tonight. She began her journey in the early twentieth century in New York-based Tin Pan Alley, which was a group of music publishers and songwriters. She eventually worked on Broadway and in Hollywood.

“ Vulnerasti cor meum ” literally translates as “You have wounded my heart” – which is not only the most classic of amorous metaphors, but also one of the most celebrated to be featured in the Song of Songs . In this, perhaps the greatest love poem in the history of literature, the two central characters of the story exchange promises of love that are pervaded by sensual metaphors and passionate similes verging on the erotic, in a style that lies on the border between the sacred and the secular.

Friedrich Kleinhapl was immediately impressed by Astor Piazzolla's Le Grand Tango, his only original composition for cello and piano. The idea of combining South American temperament with European depth and a classical conception of sound ultimately resulted in the album program Pasion Tango for cello and piano (ARS38161). The next step was a logical continuation: tangos again with cello, but this time with a classical orchestra, in order to explore the tonal and emotional potential even more deeply - the result is a Gran Pasion Tango!

Ensemble Molière presents a luxuriant and varied selection of French Baroque music to accompany Louis XIV, the Sun King, in his daily life. What better way to wake up than to be serenaded by the Overture from Charpentier’s Les Arts Florissants ? The King’s day continues with extracts from Lully’s Phaëton as the sun rises, a little Couperin as the royal household’s day unfolds, a Symphonie pour les soupers du Roy by Delalande to accompany supper, dance music from the Ballet Royal de la Nuit and a suite to accompany the setting sun from Marais’ Trios pour le coucher du Roy . Louis XIV chose to portray himself as the Sun, the manifestation of the god Apollo on earth and the ultimate power which gives life to all things. This album reimagines a day in the life of one of the most magnificent royals of the Baroque era.

In many ways the fifth Judas Priest studio album, "Hell Bent for Leather" (aka "Killing Machine" outside the US) released in the fall of 1978 is the band's definitive album, showcasing all their strengths and epitomizing what this heavy metal group is all about. The album was produced during the period they adopted the "leather & studs" style breaking new ground in heavy metal sound and image. Although gothic themes are present the album isn't truly dark or morbid, the band is as aggressive and brutally intense as ever. The blistering two-guitar attack and shreds of Glenn Tipton and K.K. Downing will melt your head - the solos have some serious attitude, and by now Rob Halford had established his quite unique, much lower and more menacing, vocal style…

Blue Floyd, an all-star jam band performing variations on the material of Pink Floyd, are a spin off from Gov’t Mule, featuring Allen Woody and Matt Abts from Gov’t Mule, Berry Oakley (son of Raymond Berry Oakley from The Allman Brothers) on bass, Mark Ford (The Black Crows) on lead guitarist, and Johnny Neil (Dickey Betts Band And The Allman Brothers) on keyboards. This 3 disc set was recorded on the bands 2000 tour in Alexandria, Vancouver. Gov’t Mule have recently toured Europe, promoting their new releases including Dark Side Of The Mule, following on from Blue Floyds reinterpretation of the Pink Floyd catalogue.

Dominik Wörner, a prizewinner at the Bach International Competition in Leipzig in 2002, established the Kirchheimer BachConsort in 2008. Its members, leading musicians from the early music scene, perform as an ensemble of soloists in programs focusing on the repertoire of the eighteenth century. On this brand-new CD release Wörner leads his ensemble and the Czech soprano and harpist Hana Blažiková in interpretations of Johann Sebastian Bach’s dialogue cantatas.

Grace Under Pressure was the first Rush album since 1975's Fly by Night to not be produced by Terry Brown, who was replaced by Peter Henderson (Supertramp, Paul McCartney). The change resulted in a slightly more accessible sound than its predecessor, Signals, and marked the beginning of a period where many Rush fans feel that synths and electronics were used too prominently – in effect pushing guitarist Alex Lifeson into the background. The songwriting and lyrics were still strong however, as evidenced by the video/single "Distant Early Warning" (a tale about nuclear war) and the often-overlooked highlight "Kid Gloves," one of the album's few songs to feature Lifeson upfront.

After returning to the spotlight with Ol' Blue Eyes Is Back, Frank Sinatra continued his comeback with Some Nice Things I've Missed. As the title suggests, the bulk of the album consists of songs that became popular during Sinatra's brief retirement, including hits by Stevie Wonder, Neil Diamond, Jim Croce, and Bread. By and large, the material is adapted for big bands, with a couple of tracks featuring slight contemporary touches, like folky acoustic guitar. The majority of the album is arranged and produced by Don Costa, who must bear some of the blame for the failure of the record. Most of the songs he had to work with were too simple to withstand substantial orchestration and rearrangement, but Costa's charts are overwhelmingly trite and unimaginative, underscoring how unsuited the material is for Sinatra.