At the beginning of the 2000s, a new wave of music spilled into the cocktail bars and lounge music was born. The band DePhazz quickly became the insider tip darling of television and radio editors, who liked to put the band's retro-electronic sounds on heavy rotation among their lifestyle and news reports and thus enveloped the entire nation in an aesthetic carpet of sound. Through numerous samplers such as "Buddha Bar" or "Cafe del Mar", songs like The Mambo Craze reached the whole world.

The Unauthorised Live Recordings … The Beatles Live 1964 - 1965: Unknown concerts, at least 2 different concerts but probably more …

Jimi Hendrix's sonic assaults and attacks hypnotized, frightened, and amazed audiences in the late '60s. His studio recordings helped him attain his reputation, but his live works validated it. That's the case on the 13 songs from a 1968 Winterland concert that made their way onto CD in 1987. Whether he was doing short, biting songs like "Fire" or stretching out for sprawling blues statements like "Red House" and "Killing Floor," Jimi Hendrix turned the guitar into a battering ram, forcing everyone to notice and making every solo and note a memorable one.

Two classic easy-listening albums by Paul Mauriat and His Orchestra, originally released in 1984 and 1990 on the Philips label, together on one CD and remastered from the original analogue stereo tapes for Vocalion's trademark crystal-clear sound. French composer/conductor Paul Mauriat is a classically trained musician who decided to pursue a career in popular music. His first major success came in 1962, as a co-writer of the European hit "Chariot." In 1963, the song was given English lyrics, renamed "I Will Follow Him," and became a number one American hit for Little Peggy March. Mauriat is best remembered for his 1968 worldwide smash "Love Is Blue."

We go right back to the beginning of Aho’s musical career with the first quintet on this disc, composed in 1973. In his booklet notes Aho confesses his love for the oboe; as with the tuba in the Tuba Concerto, he took the trouble to familiarise himself with the oboe's capabilities, the idea being to ‘extend the instrument’s expressive range’.
The first of the two movements opens with a bright, songful introduction on the oboe, soon underpinned by the warm strings. As with the orchestral works there is a remarkable clarity to the writing and a real sense of musical purpose. Even in the extended and more animated passages there is a lively dialogue between oboe and strings, at times building to moments of great intensity.

Ophelie Gaillard has made recently a deep impression with the Suites for cello solo by Jean-Sebastian Bach. On this new recording, dedicated to the Cantor of Leipzig, she gathered her close team from the Pulcinella Ensemble and invited some of the most talented soloists: Sandrine Piau, Emiliano Gonzalez Toro, Christophe Dumaux. This programme gives a vision of the most beautiful cantatas written by Jean-Sebastian Bach in Leipzig from 1723 to 1750, interspersed with some of the masterpieces from the 'Schübler' Chorales and Orgelbüchlein. With a passion for Baroque music played on period instruments, Pulcinella is a group of virtuoso soloists, gathered in a chamber spirit around cellist Ophélie Gaillard.

This 2-CD set presents the legendary valve trombonist acting as co-leader with Zoot Sims on the January 1956 album "Tonite's Music Today" and as leader of three separate studio groups on the self-titled "Brookmeyer" from October of the same year. He's leader of the BB Quartet on "The Blues - Hot and Cold" from June 1960, and finally shares leadership on "Stan Getz/Bob Brookmeyer" from September 1961.

Michel Legrand has spent most of his life as a composer in the studios and for films, but this release is a jazz classic. Legrand took 11 famous jazz compositions and arranged them for three different groups. Tenor great Ben Webster, flutist Herbie Mann, four trombonists, and a rhythm section perform pieces by Duke Ellington, Earl Hines, Django Reinhardt ("Nuages"), and the Count Basie-associated "Blue and Sentimental." A big band with trumpeters Art Farmer and Donald Byrd and altoist Phil Woods plays "Stompin' at the Savoy," "A Night in Tunisia," and Bix Beiderbecke's "In a Mist." The most famous session has Miles Davis, John Coltrane, Phil Woods, Herbie Mann, pianist Bill Evans, harp, vibes, baritone, and a rhythm section performing music by Thelonious Monk, John Lewis, Jelly Roll Morton ("Wild Man Blues"), and Fats Waller's "Jitterbug Waltz"…

Mister Ed (Eduardo Gomes de Bifteca) studied the recorder and specialised in classical music. In 1987 he graduated from the famous Berklee College of Music. Once moved to New York, Ed met two guys who were looking for a singer with a high voice! Together they formed the rock group Forked Tung and toured through the US and Europe. They had lots of fun but lacked success. Eventually mister Ed found work as a DJ touring US airbases. He always kept his nickname Mr. Ed. This time he earned good money and was able to buy enough gear to atart his own Mr. Ed studio. This he did in Cork, Ireland and that is where he created his first two albums: "Orange Dream" and "Ultra-Beige Dream".