Black is Lita Ford's sixth studio album and featured a change of style in her music, compared to her other albums. Black sees Ford move into other musical styles such as blues and grunge, while still maintaining her metal and rock roots. There would be a 14-year gap between Black and her next studio album, 2009's Wicked Wonderland.

"Heavy Way Vertigo Sampler" is a 12" vinyl LP album that features various bands and tracks from the heavy metal genre. Released under the Vertigo label, this album offers a diverse selection of songs, showcasing the talent and power of these renowned bands. This web page has photos of album covers, inner sleeves, record labels together with production details, musicians and track-listing.

Chandos’ Dutch music series continues with this second disc of Hol symphonies. As with Symphonies 1 and 3, Nos. 2 and 4 display Hol’s mastery of symphonic form, orchestration, and counterpoint. They also reveal the prevailing influence of Mendelssohn, Schubert, Schumann, and Brahms (with occasional suggestions of Dvorák). Mendelssohn figures most in Symphony No. 2, with an opening movement that rides along like many of the German composer’s tempestuous allegros, followed by a fleet-footed and colorful scherzo. Symphony No. 4 begins with a slow introduction before launching into the driving allegro proper. There’s energy aplenty in the following scherzo and much tender emotion in the adagio. The finale, like that of the Second Symphony, creates a festive atmosphere based on folk-dance rhythms.

Beethoven’s gifted pupil Ferdinand Ries was never entirely forgotten, but it is only in recent years that CPO and Hermann Max have dedicated themselves with great success to the rediscovery of this spirited late classicist and romanticist. Ries’ oratorio Der Sieg des Glaubens (The Triumph of Faith), is heard here for the first time since 1829 where is was written in response to a commission for the Lower Rhine Music Festival in Aachen. The work develops a philosophical discourse dealing with the power of faith and the grace of God.

Predating Metallica's self-titled blockbuster by 11 years, Judas Priest's British Steel was a similarly pitched landmark boasting many of the same accomplishments. It streamlined and simplified the progressive intricacies of a band fresh off of revolutionizing the entire heavy metal genre; it brought an aggressive, underground metal subgenre crashing into the mainstream (in Priest's case, the NWOBHM; in Metallica's, thrash); and it greatly expanded the possibilities for heavy metal's commercial viability as a whole. Of course, British Steel was nowhere near the sales juggernaut that Metallica was, but in catapulting Judas Priest to the status of stadium headliners, it was the first salvo fired in heavy metal's ultimate takeover of the hard rock landscape during the 1980s…

Boys and Girls is Bryan Ferry's sixth solo album, released in 1985 by EG Records. It remains Ferry's only number 1 solo album in the UK and contains two UK top 40 hit singles. It is also Ferry's most successful solo album in the US, having been certified Gold for sales in excess of half a million copies there.

Uh-Huh found John Mellencamp coming into his own, but he perfected his heartland rock with Scarecrow. A loose concept album about lost innocence and the crumbling of small-town America, Scarecrow says as much with its tough rock and gentle folk-rock as it does with its lyrics, which remain a weak point for Mellencamp. Nevertheless, his writing has never been more powerful: "Rain on the Scarecrow" and "Small Town" capture the hopes and fears of Middle America, while "Lonely Ol' Night" and "Rumbleseat" effortlessly convey the desperate loneliness of being stuck in a dead-end life. Those four songs form the core of the album, and while the rest of the album isn't quite as strong, that's only a relative term, since it's filled with lean hooks and powerful, economical playing that make Scarecrow one of the definitive blue-collar rock albums of the mid-'80s.

Bare Bones is a 2010 acoustic live album by Canadian rock singer Bryan Adams. It was recorded live at various locations on his "Bare Bones Tour" earlier in the year. It was certified gold in India a year later. Bare Bones is an inspired collection of minimally arranged hits culled from Adams’ impressive body of work spanning three decades. Recorded in spring of 2010 during his "Bare Bones Tour," the disc captures a raw Adams, featuring only his distinctive voice and guitar, accompanied on select songs by keyboardist Gary Breit, lending a newfound appreciation and perspective to what many consider some of the most beloved songs in pop/rock music.