Light Flux was released as companion to the long-awaited autobiography by Edgar Froese. It comes in two versions: as a full length album with six tracks and as a EP featuring only three of the six tracks.

Ben Harper’s love for the humble lap-steel comes to a bold (and incalculably beautiful) peak with this 15-track instrumental trawl down trails of smoky soul, melancholic Americana and slick, summery folk. It’s downright incredible how much artistic ground the Californian bluesman is able to cover unaccompanied on Winter – the whole LP is just his prized Monteleone lap-steel, inhumanly articulate fretting hands and unfettered love for music as a spoon with which to stir emotion.

Rossini’s second masterpiece La Cenerentola premiered at the Teatro Valle in Rome on the 25th of January 1817, less than a year after the first performance of his The Barber of Seville and it ́s pure, perfect Rossini. In this production, a set-up made to celebrate 200 years Rossini in Rome, Emma Dante ́s “rousing Cinderella” (Corriere della Sera) “succeeds in impressing her own contemporary vision on a classic masterpiece, in perfect symbiosis with the spirit of Rossini.” (Opera Now) “Alejo Pérez deserves the credit for an excellent ensemble and a dazzling rhythmic rendering of the Rossinian score.” (La Nazione – Il Resto del Carlino – Il Giorno)

"Raw" and "honest" tend to be vastly overused words when it comes to rock music of any stripe, but they may just apply to John Doe's solo debut on the DGC label (spun off from Geffen). In some respects, this was always something of a trademark with Doe's former band, X, but there was always the whirlwind of Exene Cervenka carrying most of the weight of the vocals, and the frontline immediate image, while Doe was always just slightly back in the shadows, seemingly as anonymous as his name…

Having concluded its Haydn cycle, the Doric String Quartet plunges into Mozart, beginning late in the composer's career with the three so-called "Prussian" string quartets. These are noted for having been written at the behest of a cello-playing nobleman, for whom Mozart wrote especially elaborate cello parts. Those are placed in the service of dense contrapuntal webs that pose unusual challenges for the performers. Should these quartets be severe? Light-hearted? There is quite a range, probably more than for the other Mozart quartets.

The members of the original Joshua Redman Quartet—Redman (saxophone), Brad Mehldau (piano), Christian McBride (bass), and Brian Blade (drums)—reunite with the July 10, 2020 release of RoundAgain, the group’s first recording since 1994’s MoodSwing. The album features seven newly composed songs: three from Redman, two from Mehldau, and one each from McBride and Blade.

The Night Siren is the twenty-fourth studio album from English guitarist and singer-songwriter Steve Hackett, released on 24 March 2017 by Inside Out Music…

The Happy Prince is a studio album by the New Zealand rock band The La De Das, released in June 1969. It was the third album from the group and is often cited as the first Australian and New Zealand concept album…