The final installment completing the entirety of Buck Owens’ historical Capitol singles.

The definitive audio companion to the critically-acclaimed new documentary directed and produced by Stanley Nelson, the soundtrack is an essential Miles Davis playlist for seasoned fans and new listeners alike, lovingly curated by the director and paired with short audio excerpts from the film for a unique listening experience.

This programme reflects the full flavour and richness of English music and the instrumental and vocal repertory it inspired in Europe in the seventeenth and eighteenth centuries. The rhythmic impulse of this repertory – sometimes making use of ostinato – culminates in the grounds, jigs, contredanses and so on that were all the rage at the time and led to the publication of John Playford’s collection The English Dancing Master in 1651. Les Musiciens de Saint-Julien, showing their familiarity with early sources from England, Scotland and Ireland, also emphasise the melodic aspect of these dances, which in the course of time became sung airs – the soprano Fiona McGown and the baritone Enea Sorini complete a colourful instrumentarium.

Musician, music therapist and founder of Healing Music in Japan. Fumio Miyashita began his musical career in 1966. In 1969, he was an original member of the rock musical, 'Hair', in Tokyo. He formed the progressive rock groups Far Out and Far East Family Band, releasing ground-breaking albums and touring internationally. Always interested in oriental philosophy since studying karate at a young age (he became a black belt in high school), he became interested in oriental medicine after an injury on stage that only healed after undergoing acupuncture. In 1977, he immigrated to the United States, where he continued to study oriental medicine, philosophy, the Chinese Five Elements and also began, in earnest, to research music therapy…

After the great success of their first disc for Arcana featuring two unpublished masterpieces by Pergolesi, which won the ‘Diapason Découverte’ award, Giulio Prandi and the Coro e Orchestra Ghislieri return with a new recording, devoted to Niccolò Jommelli’s Requiem. Composed in 1756 for the solemn obsequies of the Duke of Württemberg’s mother, it became the most popular Requiem setting in Europe until Mozart’s, written in 1791.

Her last album "Pas de géant" released by Sony two years ago had received a dythirrambic critical reception, Camille Bertault does it again with his new opus entitled "Le Tigre".

Escucha el álbum Peaceful Handel de Antony Camden, Aradia Ensemble, Philip Edward Fisher, Simon Lindley, Nikas Eklund, London Baroque, Laszlo Czidra.

Recorded shortly before his triumphant return to the United States after a dozen years overseas, this Dexter Gordon album features him in a surprisingly sparse setting, accompanied only by bassist Niels Pedersen and drummer Alex Riel. Whether it be the humorous melody "Nursery Blues," Pedersen's title cut or the four jazz standards (of which "Good Bait" was first released on this CD reissue), he is up to the challenge and his lengthy solos never lose one's interest.

CSNY 1974 is the nineteenth album by Crosby, Stills, & Nash, their seventh in the CSNY quartet configuration, and their fifth live album, the third as a foursome. Issued on Rhino Records in 2014, it consists of concert material recorded in 1974 on the band's tour during the summer of that year…

Boz Scaggs has had a long and varied career, playing blues, singing soul music, recording hits with smooth grooves, and taking his time with his temperamental muse. The Essential Boz Scaggs features 32 songs that tell the story of his solo career. It starts, after his stint in the Steve Miller Band, with his Atlantic Records self-titled debut album. Duane Allman fires up “Loan Me a Dime” with his trademark guitar work. Scaggs moved to Columbia Records, where he released a number of fine albums, culminating with the sleek, sophisticated grooves of Silk Degrees, provided by the band that would become Toto. Six tracks appear here, including the hits “Lowdown,” “Lido Shuffle,” and “Harbor Lights.”

It's difficult to explain the difference between an Ian Anderson and a Jethro Tull album. After all, Anderson writes virtually all of Tull's material and his unique voice and flute playing encapsulates the band's style. And Anderson isn't necessarily prone to the stripped down, confessional approach that many frontmen take when issuing solo projects. Perhaps during this particularly productive period Anderson simply needed to separate his "regular" songwriting from the group's concurrent The Jethro Tull Christmas Album release. Yes, a more acoustic treatment was given to this album than to Tull releases during the '90s, although their Christmas recording is very similar in production to this solo outing…

.With Breakfast in America, Supertramp had a genuine blockbuster hit, topping the charts for four weeks in the U.S. and selling millions of copies worldwide; by the 1990s, the album had sold over 18 million units across the world…

Over an hour of some of the most soothing and restful music ever recorded, "Journey To Wellness" features calming melodies, which were specifically crafted to effortlessly release any stress and to soothe the body and mind. Glowing health is a reflection of wellness from within and listening to relaxation music has proven to help achieve a sense of harmony and balance that will help you unwind after a stressful day. In this album Simon an Andy weave a delicate tapestry of enchanted melodies united in the serene and heart-warming sounds of gentle keyboards and seductive woodwinds. Perfect for anyone seeking calm and quiet reflection.

As the title suggests, Live Bites is a collection of live tracks from the Scorpions, recorded at a time (between 1988 and 1995) when they weren't at the top of their form, despite the hit single "Winds of Change."…

Pornosonic: Unreleased 70s Porn Music Featuring Ron Jeremy Review by Steve Huey
Especially in the wake of Boogie Nights, it's common to think of the '70s as the golden age of porn, before a more businesslike, crank-'em-out approach and lower-budget production techniques began to rob the films of some of their liveliness. It's also possible to link the music used in their soundtracks to that general trend, since much '80s and '90s porn used cheap-sounding, repetitive vamps played by generic synth/guitar rock combos, which never quite augmented the films like the classic, sexy '70s sound. That sound – wah-wah guitars sometimes spiced with organ or horn accents, and a backbeat that's half funk, half hard rock – is all over Pornosonic: Unreleased 70s Porno Music, which purportedly contains soundtrack excerpts from mid-'70s porn flicks. However, there are a few too many knowing winks in producer/guitarist/composer Don Argott's presentation to believe that – from the spoken introductions by highly recognizable porn veteran Ron Jeremy, which mimic the blindingly obvious innuendo of porn-film dialogue, to the way the song titles play off of the titles of their supposed "source films." But even if it isn't genuine, Pornosonic accomplishes its mission quite well – so well, in fact, that the wink-wink-nudge-nudge dialogue snippets can actually break the mood created by some pretty sexy music. The irony is kind of fitting in a way, since porn rarely takes itself too seriously, but the slinky grooves are so effective at recreating their intended atmosphere that it isn't really necessary. Quibbles aside, though, it's a highly entertaining project.