Claudio Abbado’s youthful Beatle­cut marks the age of this film‚ still one of the better screen Barbieres if not absolutely the best. Jean­Pierre Ponnelle based it on his Scala stagings‚ but filmed it‚ as he always preferred‚ in studio and in lip­sync – more successfully than most. As a result‚ it looks and sounds very much fresher on DVD than contemp­orary videotapes.

Long Earth music is firmly based in classic progressive rock with influences from the best of 80s/90s rock and pop. With new vocalist Martin Haggarty on board, "Once Around the Sun", the second album from the band and the follow up to their highly successful first album "The Source", was released in 2020.

Composer/arranger/pianist Billy Strayhorn led surprisingly few sessions throughout his career, and this was only his second full-length album. Actually, the main star is altoist Johnny Hodges (who goes here under the pseudonym of "Cue Porter"), while Strayhorn (who plays piano on the seven songs) only co-wrote two basic tunes ("Cue's Blue Now" and "Watch Your Cue") with Hodges and played a fairly minor role. Also in the septet are three fellow Ellingtonians (trumpeter Shorty Baker, trombonist Quentin Jackson and clarinetist Russell Procope), along with bassist Al Hall and drummer Oliver Jackson. The results are a fine mainstream session (which has been reissued on this CD) with highlights including "Gone With the Wind," the ten-minute "Cue's Blue Now" and "Rose Room."

Super Deluxe Edition Of The Band’s 1972 Classic Includes Newly Remastered Original Album Plus 20 Previously Unreleased Studio And Live Recordings.

Because "hitting" as percussion, as the primary driving force of sound, the fundamental element of so many musical forms, their organic element and life source, has always been at the centre of most types of Afro-American music and all those derived from it. And because my love for melody, which has always made me want to make the piano sing and use it as a cantabile instrument, has never completely taken me away me from the pleasure of physically hitting the keys, with all its instinctive, earthly connotations.

Vicky Brown's debut album, produced by Tom Parker, who previously worked with her in The New London Chorale. Vicki Brown was an English pop, rock and contemporary classical singer. She was a member of both The Vernons Girls and The Breakaways and was the first wife of fellow singer and musician Joe Brown and mother of the singer Sam Brown. In 1979 Brown began recording with The New London Chorale and the group's popularity with the Dutch people paved the way for Brown's solo success in the Netherlands. As a session and live vocalist, Vicki worked with Jon Lord, Roger Waters, Alvin Lee, Chris Farlowe, Steve Marriott, Cerrone, Gary Moore, Yvonne Keeley, Eric Burdon, Pink Floyd, Bryan Ferry, Olivia Newton-John, Robert Palmer, Elton John, amongst other artists.

This album is dedicated to Duke Ellington, and it features Duke Ellington tunes - but overall the set is a very personal moment from pianist Masaru Imada - maybe one of his strongest dates of the 70s! The music opens up with that beautifully creative Japanese piano trio approach of the 70s - lots of new ideas and new styles brimming forth throughout, but always in a way that's respectful of tradition while pushing things forward - swinging back to familiar modes one minute, then soaring forth with a personal spirit the next. Masaru's trio-mates here are a great match - the excellent Isoo Fukui on bass and Tetsujiro Obara on drums.

Described as "Occult Pop" for fans of ELO, Deep Purple, Fleetwood Mac and Queen, the 9 track record from the Nottingham based "spiritual organisation" sees an expansion on the prog/psych/retro stylings and hook-heavy songwriting of the critically acclaimed debut "Is Satan Real?" (2016). Piano and vintage synths have been introduced alongside the Hammond organ, electric cello and six-part vocal harmonies, resulting in a sound that truly "puts the ABBA in Sabbath".