Life Is a Grand… is the only full-length release from multi-instrumentalist, songwriter, composer Henry Badowski.

The Body & the Soul is an album by trumpeter Freddie Hubbard recorded in 1963 as his second and last release on the Impulse! label.[4] It features performances by Hubbard with an orchestra and string section, and with a septet featuring Curtis Fuller, Eric Dolphy, Wayne Shorter, Cedar Walton, Reggie Workman and Louis Hayes.

Performing solo or with his Snake Oil companions, Marlo artfully pens and blends country, jazz, swing and folk, with a smattering of tex-mex and cajun into a cohesive recipe of pure Bohemian Americana. You'll want to discover this amazing Colorado songwriter endowed with a poignant to humorous grasp of the story song. He has delivered his brand of Americana across Colorado and the west for the past 30 years.

Veteran pianist Don Friedman has recently released several piano trio albums from the Japanese label Eighty-Eight's, and this one is arguably the best of them. Recommended for fans of straight-ahead piano trio music. DSD Recording.

Bassist Lonnie Plaxico is perhaps best known for his associations with Greg Osby & M-Base, & for being the long-time bassist for Cassandra Wilson. He was the leader of several recordings made for the now static Muse label in the '80s & '90s. On January 29, 2003, Plaxico was leading an energetically funky sextet at New York City's Jazz Standard.

Imagine the cubist angles of Sun Ra’s alto saxophonist Marshall Allen fluttering in between beats, Marc Ribot on guitar, plus strings, and a percussion ensemble, and you have a glimpse into what the Dropper is about. The album organically weaves avant-garde experimentalism and hypnotic thunder music into a well-developed dropper. Witness the trio’s maturing sound metamorphize once again.

Long Distance Voyager is the tenth album by The Moody Blues, first released in May 1981 on the group's Threshold record label. It was the group's first album featuring keyboardist Patrick Moraz (who previously had worked with bands such as Refugee and Yes) in place of co-founder Mike Pinder, who left after Octave in 1978. Upon release in 1981, Long Distance Voyager became the Moody Blues' second American number one album, and was also the source of the Top 20 singles "Gemini Dream" (#12) and "The Voice" (#15). It also continued their winning streak in their native United Kingdom, reaching #7 there.

Like many of their studio albums, Minimum-Maximum was released in two different language versions: the band's native German, and English for the international market, though of the 23 tracks on the album, only the recordings of "The Model", "Radioactivity", "Trans Europe Express"/"Metal on Metal", "Computer World", "Pocket Calculator" and "The Robots" are actually different between the releases. The album title, an excerpt from the lyrics of the song "Elektro-Kardiogramm" (which only exists in an English-language version), is the same for both German and English versions.

In 2004, Ralf Hütter, Florian Schneider, Fritz Hilpert and Henning Schmitz toured the world playing 69 shows that were unlike anything seen before. A truly unique audio / visual spectacular that prompted global headlines like this from the London Evening Standard, 'Is This the Greatest Show London Has Ever Seen?'. EMI Records is proud to release a 2-CD live set entitled 'Minimum-Maximum' containing 23 tracks recorded throughout Europe, Japan and the US during the 2004 World Tour. Recorded and mixed with Kraftwerk's legendary precision, 'Minimum-Maximum' is a superb document of the Kraftwerk live experience, featuring virtually all of the band's classics in stunning live clarity.

This sequence of Wagner’s preludes and overtures ranges across his compositional output, from Rienzi, his first distinctive opera, through the stirring Prelude to Act I of Die Meistersinger von Nürnberg and the Ride of the Valkyries from Die Walküre, to his last work, Parsifal from which we hear the Good Friday Music. They are performed by the St. Louis Symphony under the Polish conductor Jerzy Semkow who was the orchestra’s music director from 1975 to 1979.

Henry Mancini Centennial is a celebration of the legendary Film Composer’s music on his 100th Anniversary. Featuring José María Moreno conducting Orquesta Filarmónica de Málaga on the IBS Classical label.

Violinist presents album celebrating 20 years of career in trio with pianist Fábio Leandro and drummer and percussionist Pedro Ito.

A meeting of four of the greatest talents that Italian jazz has expressed in the last 15 years. This is Reverse Motion, the new album by Alessandro Lanzoni, to be released on 26 July by Jam/Unjam (Universal distribution). The album will be preceded by the pianist's signature track Mad Bog on 19 July. The album is recorded with the trio composed of Matteo Bortone on double bass and Enrico Morello on drums, a line-up that has been accompanying Lanzoni for 12 years after the three had met at Siena Jazz during the International jazz master's experience, with special guest Francesco Cafiso on alto sax. The understanding cemented by Lanzoni's trio over these years is so profound that the 9 previously unreleased tracks, composed mainly by the Tuscan pianist but with contributions from the other musicians, despite their extremely different compositional styles converge in the same direction with a surprising coherence and amalgam of sound.

Joel Frahm is New York-based saxophonist and recording artist. This album features "Smoke Gets In Your Eyes", "Early Autumn" and other love songs by Antonio Carlos Jobim and Bossa Nova's famous songs romantically and sentimentally tells jazz's attractive tenor saxophone.

Jazz pianist Kenny Werner has consistently delivered outstanding results on his many record dates as a leader, yet he often seems like he is still a talent deserving of wider recognition after decades on the jazz scene. This trio session for the Japanese label Venus features the pianist with bassist Johannes Weidenmüller and drummer Ari Hoenig, two outstanding players who are a good bit younger than the leader. It is hard not to detect the influence of Bill Evans upon Werner in spots, especially in his lyrical touch, though he is far more than an Evans clone. On this album Werner is joined by Johannes Weidenmueller and Ari Hoenig. Selections include Werner's original scores "Beauty Secrets" and "Balloons".