Original Soundtrack from the Netflix web television series The Spy (2019). The music by Guillaume Roussel (HhhH – The Man with the Iron Heart, Primal). The Spy is a 2019 espionage drama television series based on the life of Israel’s top Mossad spy Eli Cohen. The series is created by Gideon Raff for Netflix, stars Sacha Baron Cohen, Hadar Ratzon-Rotem, Noah Emmerich, Yael Eitan, Nassim Si Ahmed, Moni Moshonov, Alona Tal, Mourad Zaoui.

The film highlights the two sides of Frida Kahlo’s spirit: on one side the revolutionary, pioneering artist of contemporary feminism and on the other, the human being, victim of her tortured body and a tormented relationship. With Asia Argento as narrator, the two faces of the artist will be revealed, by pursuing a common thread consisting of Frida’s own words: letters, diaries and private confessions. The film alternates interviews, with original documents, captivating reconstructions and Frida Kahlo’s own paintings, kept in some of the most amazing museums in Mexico.

From Beethoven to Bowie, the soundtrack to the third season of The Crown has been full of musical surprises. As the third season of Netflix’s The Crown graces our screens, we turn our attention to the music in the royal drama. Aside from Hans Zimmer’s majestic opening theme, the new season also treats us to some piano music by Beethoven and Chopin – as well as some Welsh folk songs, and music by David Bowie and Frank Sinatra. What’s the music in the season 3 trailer? As Netflix introduces us to a new Elizabeth (Olivia Colman), we hear a stripped back, slightly chilling cover of Bob Dylan’s ‘The Times They Are A-Changin’ by musician Fort Nowhere.

'& Juliet' offers a joyous new version of the most famous love story ever told, remixed. What if Juliet's famous ending was really just her beginning? What if she decided to choose her own fate? The hilariously irreverent new musical follows Juliet's sensational journey of self-discovery and second chances, told through some of the most glittering pop anthems of the last three decades.

Here’s an affecting companion piece to Caroline Polachek’s recently acclaimed Pang: another breakup album with production handled by one of the PC Music collective, who rescue trance-pop sonics from the tyranny of good taste. Polachek’s record featured work by Danny L Harle, while Diamond’s is produced by AG Cook. Where Polachek is erudite and poetic, Diamond is prosaic; where Polachek’s vocals are astonishingly skilful, swooping into high registers, Diamond’s are unremarkably ordinary.

The first solo album from Gabriel Birnbaum (Wilder Maker, Debo Band), featuring Will Graefe (Okkervil River, Star Rover), Adam Brisbin (Sam Evian, Jolie Holland) and Jason Nazary (Bear In Heaven, Anteloper). Member of Wilder Maker and Debo Band 'Gabriel Birnbaum's vocals are clear and at the center of the proceedings, invested with a grinning Tom Waits-like delivery and an effusive vocal cadence recalling Dylan at his turn-of-going-electric phrase.' -Spin 'Gabriel Birnbaum's urban Americana project intersperses grit and gloom with alluring glimpses of deliverance.

This is the ultimate Neil Diamond record. Not necessarily the best — he’s at his most appealing crafting in the studio — but certainly the ultimate, capturing all the kitsch and glitz of Neil Diamond, the showman.

Neil Diamond, normally a quick worker, spent four months agonising over the lyrics of I Am… I Said, and it shows. That’s why the song lingers.

Diamond’s first regular album release to sell in substantial numbers, Touching You, Touching Me contains the gold Top Ten single “Holly Holy,”…

“Greatest Hits” is an early compilation album from Neil Diamond of the two first LPs under the Bang Records label published in 1970.
This contains the hit songs like “Solitary Man”, “I’m A Believer”, “New Orleans” and many others.

Jurassic Shift is a studio album by English band Ozric Tentacles. It was first released in 1993 on the band's own label on Dovetail Records. The Ozrics are a truly curious bunch in that they have this unerring tendency and uncanny ability to make great scads of progressive and space music that has true heart. There are very few times when one can connect fabulous technical skill with such a strongly emotional core, and never mind the mystical triggers.

The duo partnership Gary Cooper & Rachel Podger has taken them worldwide. These recordings of Mozart’s Complete Sonatas for Keyboard & Violin have received countless awards & accolades, including multiple Diapason d’Or awards & Gramophone Editor’s Choices, & hailed as ‘benchmark’ recordings.

Leonard Bernstein was born in Lawrence, Massachusetts. He took piano lessons as a boy and attended the Garrison and Boston Latin Schools. At Harvard University, he studied with Walter Piston, Edward Burlingame-Hill, and A. Tillman Merritt, among others. Before graduating in 1939, he made an unofficial conducting debut with his own incidental music to "The Birds," and directed and performed in Marc Blitzstein's "The Cradle Will Rock." Then at the Curtis Institute of Music in Philadelphia, he studied piano with Isabella Vengerova, conducting with Fritz Reiner, and orchestration with Randall Thompson.

A graceful and charismatic performer, Fliter is known for her effortless technique and thoughtful, sensitive music-making; every performance is deeply personal and full of freshness and poetry, perfect for exploring Chopin’s masterful Nocturnes.

Following his acclaimed Linn debut, One Byrde in Hande, Richard Egarr turns to the music of Jan Pieterszoon Sweelinck for his new recording of fantasias, toccatas and variations.