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Neil Diamond - Touching You, Touching Me (1969) US Pressing - LP/FLAC In 24bit/96kHz

Posted By: Fran Solo
Neil Diamond - Touching You, Touching Me (1969) US Pressing - LP/FLAC In 24bit/96kHz

Neil Diamond ‎- Touching You, Touching Me
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 800mb & 200mb
Label: UNI Records/93071 | Released: 1969 | This Issue: 1970 | Genre: Country-Pop

A1 Everybody’s Talkin’ 2:46
A2 Mr. Bojangles 4:53
A3 Smokey Lady 2:40
A4 Holly Holy 4:40

B1 Both Sides Now 3:30
B2 And The Singer Sings His Song 3:37
B3 Ain’t No Way 2:41
B4 New York Boy 2:38
B5 Until It’s Time For You To Go 3:29


Arranged By – Lee Holdridge
Conductor – Lee Holdridge
Photography By – James Metropole
Producer – Tom Catalano, Tommy Cogbill (tracks: A3, A4, B3, B4)
Notes
Reissue. Originally issued as Uni 73071 Touching You, Touching Me

“Suitable For Mono”
Universal City Records • A division of MCA Inc.
Printed in U.S.A.
Barcode and Other Identifiers
Matrix / Runout: US 1142
Matrix / Runout: US 1143
Matrix / Runout (Runout Groove Stamp): US1142 E2
Matrix / Runout (Runout Groove Stamp): US1143 E1


Neil Diamond - Touching You, Touching Me (1969) US Pressing - LP/FLAC In 24bit/96kHz

Neil Diamond - Touching You, Touching Me (1969) US Pressing - LP/FLAC In 24bit/96kHz

Neil Diamond - Touching You, Touching Me (1969) US Pressing - LP/FLAC In 24bit/96kHz



This Rip: 2017
Cleaning: RCM Moth MkII Pro Vinyl
Direct Drive Turntable: Technics SL-1200MK2 Quartz
Cartridge: SHURE M97xE With JICO SAS Stylus
Amplifier: Marantz 2252
ADC: E-MU 0404
DeClick with iZotope RX5: Only Manual (Click per click)
Vinyl Condition: EX+
This LP: From my personal collection
LP Rip & Full Scan LP Cover: Fran Solo
Password: WITHOUT PASSWORD

Diamond’s first regular album release to sell in substantial numbers, Touching You, Touching Me contains the gold Top Ten single “Holly Holy,” and a Diamond composition, but is mostly notable for its covers of standards by other songwriters: “Everybody’s Talkin’,” “Mr. Bojangles,” “Both Sides Now,” and the chart entry “Until It’s Time for You to Go.” These helped signal that Diamond was thinking of himself less as a Brill Building hack than as a peer of Fred Neil, Jerry Jeff Walker, Joni Mitchell, and Buffy Sainte-Marie.
allmusic.com
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