Recently deceased conductor Carlo Maria Giulini had a long and distinguished career and many regard his years at the helm of the Chicago Symphony Orchestra as among his most inspired. The work receive appropriately expansive readings with Giulini taking great care in drawing out the orchestral sonorous and chromatic potential. Giulini's judicious moderate tempos particularly in the Mahler, are especially well suited to the composers spiritual grand plan. Deutsche Grammophon's sound is remarkably good with exceptional presence and detail.

Carlo Maria Giulini (1914-2005) was music director of the Los Angeles Philharmonic from 1978-1984, beginning upon the departure of Zubin Mehta (mus. dir. 1962-1978) to be the New York Philharmonic's music director. This recording of the Beethoven "Eroica" Symphony was Giulini's very first Los Angeles Philharmonic recording (November, 1978) and was released shortly after on LP.

Except that the playing is nowhere near at the same level as the conducting and the recording is nowhere near at the same level as the playing, this disc of early recordings of the great Italian conductor Carlo Maria Giulini would be a success. And despite the orchestras' extremely limited capacities, Giulini's charismatic personality, intrinsic sense of drama, and sheer strength of will achieve much: his 1954 Schubert B minor Symphony is almost entirely convincing and his 1956 Brahms E minor nearly totally persuasive.

Carlo Maria Giulini (1914-2005) was music director of the Los Angeles Philharmonic from 1978-1984, beginning upon the departure of Zubin Mehta (mus. dir. 1962-1978) to be the New York Philharmonic's music director.

“Nuclear”, el nuevo álbum de Leiva, saldrá a la venta el 22 de marzo.

Let Your Hair Down is a follow-up to Steve Miller's Bingo! from 2010, and the tracks for this new release were recorded at the same sessions at George Lucas' Skywalker Ranch studio with Andy Johns engineering and co-producing, and like Bingo!, Let Your Hair Down finds Miller re-exploring his Chicago blues roots. Miller and his band have always included a few old blues numbers in their concerts, so these are road-tested gems that are obviously close to Miller's heart and soul, and they include the last recordings of Miller's longtime collaborator (and harmonica whiz) Norton Buffalo, who died of lung cancer in 2009 shortly after these sessions. Miller has always had the ability to adapt blues forms into his pop work, but this outing, like Bingo!, is a full-fledged blues record, not a pop one, and fans of his classic rock should be aware that Miller, although his lead guitar work is everywhere here, doesn’t do all of the singing, with Sonny Charles and others handling lead vocals on some of the cuts.

With their poetry, their passonate and intimate lyricism, their refined style that gradually reveals hidden depths, the thirteen Nocturnes of Gabriel Fauré are the most significant group of works in his oeuvre for solo piano.

The Music of King’s: Choral Favourites From Cambridge is a celebration of choral music throughout the ages and around the world. Its track list spans more than 400 years of composition, with compositions from countries including Germany, France, Great Britain, Italy, Norway, America and China.

Johann Sebastian Bach has always been considered one of the greatest music transcribers of all times. Many of his transcriptions (mostly the ones from Italian composers Vivaldi and Marcello) have become instant classics, and they are still viewed as masterpieces of the baroque repertoire. Bach has always been very active as a transcriber of his own music too. His masterful transcription of his Sonata for viola da gamba & keyboard No. 1, which he transformed into a trio for two flutes and continuo, has given the inspiration for this CD project.

Featuring works by Abel, Reichardt, Zelter, Storace, Mozart and Paisiello, this album follows the musical “jet set” of the 18th century as they “do” the splendid cosmopolitan cultural epicentres of the time, including London, Paris, Berlin, Vienna and St Petersburg. Exploring the intertwining stories of these leading lights as they criss-cross the European Continent, the album watches the sparks fly as they inspire each other in this period abuzz with creative fervour, international cultural exchange and mind-blowing talent. With several world-première recordings of new discoveries (Abel, Reichardt, Storace) alongside some well-loved classics, this journey features music which abounds in enlightened positivity, radiance, inventiveness, energy and inspiration.

Vlado Perlemuter and Jean Hubeau’s pupil, Michel Dalberto has established himself during a forty year career as a master. And as an ardent defender of French music he launched on Aparté record label a serie dedicated to Debussy, Fauré, Franck and Ravel. “These recording of works of the four major French composers of the late nineteenth and early twentieth century, I wish to prove myself worthy of the teachers who used to provide a specific idea of French music made of severity and sensuality, a mixture of rigour and freedom.” After a first opus devoted to Debussy and a second to Fauré (both rewarded with international awards), Michel Dalberto chose the Salle Philharmonique in Liège to record the third part of this collection – that is to say in César Franck’s home town.

Kaori Muraji is considered one of the most prominent classical guitarists of today, and her challenges and activities are always regarded with keen interest by the entire classical music community.

Following a disc of cello concertos and symphonies by CPE Bach (Diapason d'Or, ffff Télérama), the musicians of the Ensemble Resonanz continue their very personal exploration of Eighteenth Century orchestral music.

“Inspired by the Shostakovich Violin Concerto No. 1, [Danny] Elfman’s concerto is dramatic, lyrical, highly rhythmic, percussive (especially given its unusual cadenza-like back and forth between the violin and percussion), thoughtful and playful. The score is high adrenaline business, taking us on a musical roller coaster ride from the heights to the sudden-drop depth of emotions… The physical and emotional energy she [violin soloist Sandy Cameron] put into the work was downright compelling, exciting and extraordinary…The reception given her [Ms. Cameron] — and JoAnn Falletta and orchestra which were exemplary — was wild and crazy and prolonged, of the sort found at sports events. No question about electricity in the air.” (The Virginia Gazette)

Adam Sandler takes his comical musical musings back out on the road, from comedy clubs to concert halls to one very unsuspecting subway station. This is the audio companion to his Netflix special 100% Fresh.