86 Track 3-CD set of rare and collectable early Detroit Soul productions, celebrating some of the more obscure recordings from the Motor City. Boasts seven previously unissued recordings and over 20 tracks new to CD! Coincides with the release of Kathryn Bigelow’s much-anticipated new film, Detroit, inspired by the riots of 1967 within the city’s black community. Classic recordings from the vaults of Lu Pine, Sidra, Impact and other highly regarded Detroit labels of the 60s. Includes some of the earliest recordings of Wilson Pickett, Eddie Floyd and Bettye LaVette, as well as future Motown stars The Supremes (as The Primettes), Marv Johnson, The Contours and Brian Holland. Includes the most influential early soul single ‘I Found A Love’, as well as a host of Northern Soul classics by the likes of Mr. Floods Party, Just Brothers, The Precisions, Gwen Owens, The Falcons and Fork In The Road. All titles recorded between 1957 and 1977, curated by the team behind the Joe Boy and Outta Sight labels.

Captured in the Maly Hall of the Moscow Conservatory where much of Prokofiev's work was first heard, it's surprising to find so many aspects of the composer's style represented, from the Romanticism of the early Ballade through the spiky dissonances of Chout to the elegiac, unfinished Solo Sonata. Aided by characterful piano-playing by Tatyana Lazareva, Ivashkin's recital compares most favourably with his similar programme on Ode for which he was accompanied by a more reticent pianist; although the earlier disc includes the Concertino movement in the guise of Rostropovich's cello quintet arrangement, the absence of the Chout transmogrification makes the Chandos collection appear better value.

South African expatriate Jonathan Butler isn't really a jazz artist, but his laid-back, slightly jazz-tinged approach to R&B/pop has earned the singer/guitarist/songwriter/producer a lot of supporters in the urban contemporary, adult contemporary, quiet storm, and smooth jazz/NAC markets. Butler has enjoyed a following since the late '70s, although he reached his commercial peak in the late '80s, and he continues to tour and record in the 21st century. Born in Cape Town, South Africa in October 1961, Butler was only a child when he started singing and playing acoustic guitar. Butler, who was the youngest of about 12 children, absorbed a variety of music when he was a kid. He was an admirer of South African stars like singer Miriam Makeba, but he was also hip to the American soul and jazz artists who lived thousands of miles away in the United States. Stevie Wonder became a major influence, and so did former-hard bop-guitarist-turned-R&B/pop-singer George Benson.

Erstmals präsentiert die erfolgreiche CD-Serie die größten und bekanntesten Rocksongs der ehemaligen DDR.
Auf 3CDs im eleganten Digipack bietet diese Zusammenstellung erstmals einen übergreifenden Gesamtüberblick aller wesentlichen Hits. Dabei sind: City - Am Fenster, Puhdys - Wenn ein Mensch lebt und Alt wie ein Baum, Silly - Mont Klamott und Bataillon D´Amour, Karat - Der Blaue Planet und Über Sieben Brücken Musst Du Gehen, Renft - Wer die Rose ehrt und Neumis Rock Circus - Der Clown. Das beste des damaligen Plattenlabels "Amiga" gibt es nur auf Hit Giganten - Best Of Ostrock.

Del Shannon's second and third albums appear (after a fashion) together on this BGO reissue. Actually, what BGO has re-created is the song lineup of the U.K. version of the Little Town Flirt album, which is a plus, as it contains several songs - including "Runaway" - that were repeated from earlier releases on the U.S. version. In either configuration, Little Town Flirt was one of the better rock & roll LPs of its period and holds up well. Shannon and his producers probably thought they were playing it safe by loading the record up with a fair number of covers, including "Dream Baby" and "Runaround Sue"; they never dreamt that one of his other covers from early 1963, of the Beatles' "From Me to You," would have put him for a moment on the cutting edge of music in England (where the record wasn't issued until later) as well as in front of the leading edge by almost a year in America…

Montoya's first solo disc for Alligator finds the former Albert Collins sideman following in the doorsteps of his "godfather" with an album simply top-heavy with fiery guitar work and comfortable vocals. The production from Jim Gaines is as fat as any modern-day blues record has a right to be, and Montoya does not disappoint at any moment along the ride. He tips his hat to his old employer on Collins' "Get Your Business Straight," but the stronger tunes here come from Coco's own pen, like the closing "Nothing But Love." A strong and solid effort that also sounds great in the car when you're driving a little faster than the speed limit allows.

The legendary Rainbow Bridge Concert. Both the shows from Maui, Hawaii 30th July 1970. The acknowledged Holy Grail of all Hendrix fans and collectors alike. Limited edition 2 disc set with slipcase and a 6 page (12 side) front insert booklet.

In 1954, Capitol Records released the 10" LP collection Eight Top Pops, compiling eight songs that had appeared on singles by Nat King Cole during 1952. The first two, "Somewhere Along the Way" and "Walkin' My Baby Back Home," were the biggest hits, both reaching number eight in Billboard. "Because You're Mine," Cole's cover of the Mario Lanza movie song (done in a far more relaxed style than Lanza's, of course), was also a major hit, reaching number 16. "Faith Can Move Mountains" and "The Ruby and the Pearl" were somewhat less successful, but still lodged in the Top 30, as did the B-sides "Funny (Not Much)" and "I'm Never Satisfied." The only one of the eight songs not to earn a chart placing was "A Weaver of Dreams," the B-side of the single "Wine, Women and Song." In 1963, Capitol expanded Eight Top Pops into the 12" LP Top Pops by adding two tracks at the end of either side of the original release. These four songs all came from an EP recorded by Cole in 1954, on which he covered hits by other performers, including Doris Day's "If I Give My Heart to You," the De Castro Singers' "Teach Me Tonight," and Perry Como's "Papa Loves Mambo".

Popa Chubby, born Ted Horowitz, has been hard rocking the blues in his fierce and soulful way for more than 25 years. Over the course of a career that dates back to 1994, he has been a force of to be reckoned with on the guitar, and his tempestuous, soulful playing has never been more powerful. An imposing figure with a shaven head, tattooed arms, a goatee and a performance style he describes as “the Stooges meets Buddy Guy, Motörhead meets Muddy Waters, and Jimi Hendrix meets Robert Johnson," Popa Chubby is an endearing character who is one of the genre’s most popular figures.

Guitarist Mike Stern, best-known for playing rock-oriented fusion and in more commercial settings, surprised many listeners by recording an album dominated by standards. Actually, there are three originals included among the 11 pieces, but Stern also digs into such songs as "Like Someone in Love," "Moment's Notice," Chick Corea's "Windows," and "Straight No Chaser." Among Stern's sidemen on this fairly straight-ahead but adventurous set are trumpeter Randy Brecker, Bob Berg on tenor, and keyboardist Gil Goldstein. This little-known release is well-worth acquiring.

Classic Blue is the fourth solo studio album by The Moody Blues member Justin Hayward. Classic Blue was released in 1989 by Trax Records (later re-released on Castle Music Records in 1994), and features Mike Batt, who also produced the album, and the London Philharmonic Orchestra. The album includes cover versions of many hit songs, such as The Beatles' "Blackbird", and Led Zeppelin's "Stairway to Heaven." It also includes a re-recorded version of "Forever Autumn," a song from Jeff Wayne's Musical Version of The War of the Worlds, in which Hayward originally sang lead vocals.

One of the most successful of all the progressive rock bands to come out of the UK, Yes is featured here in their 1974-1976 incarnation, with Patrick Moraz on keyboards during Rick Wakeman’s "sabbatical." It was 1974 and the band was at its commercial peak with albums like Fragile and Close To The Edge dominating the charts in the UK, in Europe and in the USA. As with their contemporaries ELP and King Crimson, Yes had taken the musicality of prog-rock and brought it to the masses. In retrospect, the prog movement of the '70s was the fore-runner to the popular "jam band" movement of the late-'90s and early-'00s. • Vocalist Jon Anderson is in fine form and was probably at the peak of his vocal prowess when this performance was recorded for the King Biscuit Flower Hour in December 1974, at the Veterans Memorial Coliseum in Hartford Connecticut. • This line-up of the band, which featured original members Anderson and bassist Chris Squire, as well as guitarist Steve Howe, drummer Alan White, and keyboardist Moraz remained intact until Wakeman returned to replace Moraz in 1976. • The Close To The Edge-era line-up later reformed in the late-'90s and has toured on-and-off since then, until the premature death of Chris Squire in May 2015.

Italian Holidays è una compilation di vari artisti. Pubblicato nel 2017 su Warner Music Italia. Contiene pezzi degli anni '60, '70, '80 e '90.

Jeremiah Cymerman (b. 1980) is a New York City-based composer, multi-instrumentalist and producer. Apocalyptic electroacoustic chamber music. Low drones, earth tones, and birth stones.

David Pohle (1624-1695) was born in Marienberg in the Erzgebirge. He came from a family of miners and town pipers. Little is known about his life. After studying with Heinrich Schütz, who was later the godfather of his son, he was an instrumentalist, Music Director and composer at various princely courts in northern Germany. Despite holding mostly leading positions and although he produced an extensive oeuvre which provides interesting insight into the origins of the Protestent church cantata, none of his works were published during his lifetime - certainly an important reason why today Pohle's music is known only by insiders and specialists.